{"id":1009,"date":"2019-09-13T07:08:16","date_gmt":"2019-09-13T11:08:16","guid":{"rendered":"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/07\/classic-camera-revival-episode-63-fast-faster-fastest\/"},"modified":"2023-02-21T09:11:08","modified_gmt":"2023-02-21T14:11:08","slug":"classic-camera-revival-episode-63-fast-faster-fastest","status":"publish","type":"post","link":"http:\/\/www.alexluyckx.com\/blog\/2019\/09\/13\/classic-camera-revival-episode-63-fast-faster-fastest\/","title":{"rendered":"Classic Camera Revival &#8211; Episode 63 &#8211; Fast, Faster, Fastest"},"content":{"rendered":"<p><a href=\"http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2015\/07\/ccr-logo-leaf.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1681\" src=\"http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2015\/07\/ccr-logo-leaf-300x300.png\" alt=\"ccr-logo-leaf\" width=\"300\" height=\"300\" \/><\/a><\/p>\n<p>Fast films, it&#8217;s something we in Canada need to work with a lot because of our long dark cold winters. But what is a fast film? Well, that depends on your historical context. The first version of Ilford HP released in 1935 was only rated at ISO-160, by the second iteration in 1939 it was boosted to ASA-200. It wasn&#8217;t until 1960 with the release of HP3 that it reached the speed of ASA-400. And today the list of fast films is lengthy and we could spend hours talking on every film we&#8217;ve shot, so we&#8217;re going to drop it down to only eight stocks.<\/p>\n<p><iframe loading=\"lazy\" title=\"Classic Camera Revival - Episode 63 - Fast, Faster, Fastest\" src=\"https:\/\/www.podbean.com\/media\/player\/m4nt2-bf57df?from=yiiadmin&#038;download=1&#038;version=1&#038;skin=1&#038;btn-skin=104&#038;auto=0&#038;share=1&#038;fonts=Helvetica&#038;download=1&#038;rtl=0&#038;pbad=1\" height=\"122\" width=\"100%\" style=\"border: none;\" scrolling=\"no\" data-name=\"pb-iframe-player\"><\/iframe><\/p>\n<p><em>Japan Camera Hunter Streetpan 400<\/em><br \/>\nReleased at the start of the boutique boom, Streetpan 400 is a revival of an older Agfa surveillance stock commissioned by Bellamy Hunt the person behind the Japan Camera Hunter website. It&#8217;s the 400-speed film for bright sunny days with an extended red-sensitivity it responds well to any developer but works best in HC-110, D-76, and Rodinal. While grainier than most modern 400-speed emulsions, it maintains sharpness and a forgiving latitude between light and shadows. Just don&#8217;t shoot it indoors.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/38448638184\/\" title=\"CCR:FRB - Review 02 - JCH StreetPan 400\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4681\/38448638184_4a07a19761_b.jpg\" width=\"1024\" height=\"683\" alt=\"CCR:FRB - Review 02 - JCH StreetPan 400\"><\/a><\/p>\n<p>Type: B&#038;W Panchromatic, extended sensitivity into 750nm.<br \/>\nFilm Base: Polyester<br \/>\nFilm Speed: ASA-400, Latitude:<br \/>\nFormats Available: 135 (35mm), 120<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/40610677852\/\" title=\"Beauty in Simplicity\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4622\/40610677852_e4e8153f21_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Beauty in Simplicity\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 2.8F &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; JCH Streetpan 400 @ ASA-400 &#8211; Kodak HC-110 Dil. F 12:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/34808031230\/\" title=\"DO:T 2017 - Fort York\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4248\/34808031230_5af48b54bf_b.jpg\" width=\"1024\" height=\"692\" alt=\"DO:T 2017 - Fort York\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; JCH Streetpan 400 @ ASA-400 &#8211; Blazinal (1+25) 10:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/24208230168\/\" title=\"RiverWalk\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4459\/24208230168_2401952c10_b.jpg\" width=\"1024\" height=\"1024\" alt=\"RiverWalk\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 2.8F &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; JCH Streetpan 400 @ ASA-400 &#8211; Kodak HC-110 Dil. F 12:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35027191526\/\" title=\"DO:T 2017 - The Campbell House\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4264\/35027191526_6898b41cfd_b.jpg\" width=\"1024\" height=\"678\" alt=\"DO:T 2017 - The Campbell House\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF-S Nikkor 14-24mm 1:2.8G &#8211; JCH Streetpan 400 @ ASA-400 &#8211; Blazinal (1+25) 10:30 @ 20C<\/figcaption><\/figure><\/p>\n<p><em>Kodak TMax 400<\/em><br \/>\nKodak TMax 400, need we say more. Okay so there&#8217;s nothing wrong with this film, there really isn&#8217;t it just isn&#8217;t too exciting. You know what we mean, it&#8217;s a clean sharp fine-grained 400-speed film that you can push fairly easily to get an extra bit of speed. If you&#8217;re looking for a basic film that will deliver in any conditions and look clean doing it, it&#8217;s pretty darn close to being what you could get out of a digital camera. And no, that&#8217;s not an insult.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/39033353204\/\" title=\"CCR:FRB - Review 04 - Kodak TMax 400\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4741\/39033353204_4db93929a2_b.jpg\" width=\"1024\" height=\"683\" alt=\"CCR:FRB - Review 04 - Kodak TMax 400\"><\/a><\/p>\n<p>Type: Panchromatic B&#038;W<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-400, Latitude: 50-3200<br \/>\nFormats Available: 135, 120, Sheets<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/32363298530\/\" title=\"HMC2 Expansion\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/696\/32363298530_a074f07d72_b.jpg\" width=\"1024\" height=\"669\" alt=\"HMC2 Expansion\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF-S Nikkor 14-24mm 1:2.8G &#8211; Kodak TMax 400 @ ASA-640 &#8211; Kodak HC-110 Dil. B 7:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/3789824246\/\" title=\"Tourist Train\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3565\/3789824246_33b7c71159_b.jpg\" width=\"1024\" height=\"657\" alt=\"Tourist Train\"><\/a><figcaption class=\"wp-caption-text\">Nikon F2 Photomic &#8211; Auto Nikkor-S 1:1.4 f=50mm &#8211; Kodak TMax 400 @ ASA-400 &#8211; Kodak Xtol (1+1) 9:15 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/25374606315\/\" title=\"Through the gate\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/1557\/25374606315_2b2d2fab99_b.jpg\" width=\"1024\" height=\"804\" alt=\"Through the gate\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5E &#8211; Schneider-Kruznak Xenotar 75mm 1:3.5 &#8211; Kodak TMax 400 @ ASA-400<\/figcaption><\/figure><figure style=\"width: 1000px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/14440493949\/\" title=\"Railroad Bridge, Toronto\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/2939\/14440493949_404d071642_b.jpg\" width=\"1000\" height=\"741\" alt=\"Railroad Bridge, Toronto\"><\/a><figcaption class=\"wp-caption-text\">Mamyia m645j &#8211; Mamiya-Sekor C 45mm 1:2.8 N &#8211; Kodak TMax 400 @ ASA-400 &#8211; Kodak TMax (1+7) 12:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><em>Bergger Pancro 400<\/em><br \/>\nBerrger Pancro 400 is a beautiful film out of France from a company that is better known for its photographic papers. But to Bill, this is a beautiful film no matter which way or how you shoot it. A classic look that you could compare to early Ilford and Kodak films, and develops wonderfully in developers like HC-110 and D-76. Even Rodinal, when pushed to ASA-800, is an awesome choice.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/28250824919\/in\/album-72157663799779318\/\" title=\"CCR:FRB - Review 07 - Bergger Pancro 400\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4657\/28250824919_4813aa26bb_b.jpg\" width=\"1024\" height=\"683\" alt=\"CCR:FRB - Review 07 - Bergger Pancro 400\"><\/a><\/p>\n<p>Type: Panchromatic B&#038;W<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-400, Latitude: 200-1600<br \/>\nFormats Available: 35mm, 120, Sheets<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/48447883496\/\" title=\"Ivan Forest Butterlfy Garden\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48447883496_b84c7a64a4_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Ivan Forest Butterlfy Garden\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5F &#8211; Carl Zeiss Planar 75mm 1:3.5 &#8211; Bergger Pancro 400 @ ASA-400 &#8211; Kodak HC-110 Dil. B 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/48447829126\/\" title=\"Glen Major Ravine Deeper In\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48447829126_88928c7272_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Glen Major Ravine Deeper In\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5F &#8211; Carl Zeiss Planar 75mm 1:3.5 &#8211; Bergger Pancro 400 @ ASA-400 &#8211; Kodak HC-110 Dil. B 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/48447814786\/in\/photostream\/\" title=\"Classic Beach Architecture\"><img class=\"aligncenter\"src=\"https:\/\/live.staticflickr.com\/65535\/48447814786_3862d1d5fd_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Classic Beach Architecture\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5F &#8211; Carl Zeiss Planar 75mm 1:3.5 &#8211; Bergger Pancro 400 @ ASA-400 &#8211; Kodak HC-110 Dil. B 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/40452044272\/\" title=\"CCR:FRB - Review 07 - Bergger Pancro 400 - Roll 04 (Rodinal)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4705\/40452044272_dbca0bb601_b.jpg\" width=\"1024\" height=\"675\" alt=\"CCR:FRB - Review 07 - Bergger Pancro 400 - Roll 04 (Rodinal)\"><\/a><figcaption class=\"wp-caption-text\">Nikon F90 &#8211; AF Nikkor 35mm 1:2D &#8211; Bergger Pancro 400 @ ASA-800 &#8211; Blazinal (1+25) 13:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><em>Ilford Delta 400<\/em><br \/>\nAlex never liked Delta 400, he railed against it in one of our previous episodes, but now his mind has been changed. Like TMax 400, Delta 400 is one of those new &#8220;Delta&#8221; or &#8220;T-Grained&#8221; films that produce a very clean sharp look that is fairly modern. Sharp and Fine-Grained in the same package. But it&#8217;s all about finding the right way to develop it to make it feel right to you, the photographer.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/28388117999\/in\/album-72157663799779318\/\" title=\"CCR:FRB - Review 09 - Ilford Delta 400\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4605\/28388117999_62d6ca1779_b.jpg\" width=\"1024\" height=\"683\" alt=\"CCR:FRB - Review 09 - Ilford Delta 400\"><\/a><\/p>\n<p>Type: Panchromatic B&#038;W<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-400, Latitude: 100-3200<br \/>\nFormats Available: 35mm, 120, Sheets<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/37720187994\/\" title=\"The Old Post Office\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4539\/37720187994_612f219a72_b.jpg\" width=\"1024\" height=\"1024\" alt=\"The Old Post Office\"><\/a><figcaption class=\"wp-caption-text\">Hasselblad 500c &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Ilford Delta 400 @ ASA-400 &#8211; Kodak HC-110 Dil. B 7:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/15604512224\/\" title=\"Toronto - New Year&#x27;s Day\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7486\/15604512224_241918cd0f_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Toronto - New Year&#x27;s Day\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 2.8F &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Ilford Delta 400 &#8211; Ilford DD-X (1+4) 8:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/32559092188\/\" title=\"Camera Review Blog No. 101 - Fujica ST605\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7807\/32559092188_0921d05965_b.jpg\" width=\"1024\" height=\"679\" alt=\"Camera Review Blog No. 101 - Fujica ST605\"><\/a><figcaption class=\"wp-caption-text\">Fujica ST605 &#8211; Fuji Fujinon 1:2.2 f=55mm &#8211; Ilford Delta 400 @ ASA-200 &#8211; Pyrocat-HD (1+1+100) 10:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/37579897182\/\" title=\"The New Post Office\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4492\/37579897182_c685e23db9_b.jpg\" width=\"1024\" height=\"1024\" alt=\"The New Post Office\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 2.8F &#8211; Carl Zeiss Planar 80mm 1:2.8 (Yellow-12) &#8211; Ilford Delta 400 @ ASA-400 &#8211; Kodak D-23 (Stock) 7:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><em>Kodak Tmax P3200<\/em><br \/>\nThe return of an icon, back when Kodak began to rumble about bringing back Ektachrome they quickly realised they weren&#8217;t going to meet their target, bringing a film back from the dead, a colour slide film for that matter is a difficult path to walk. But what about another one? So they restarted production of TMax P3200, ideally an ASA-1600 film, but you can push and pull to your heart&#8217;s delight, just make sure to use a compensating developer.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/40754941134\/in\/album-72157663799779318\/\" title=\"CCR:FRB - Review 27 - Kodak TMax P3200\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/787\/40754941134_688e3d4ce8_b.jpg\" width=\"1024\" height=\"683\" alt=\"CCR:FRB - Review 27 - Kodak TMax P3200\"><\/a><\/p>\n<p>Type: Panchromatic B&#038;W<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-3200, Latitude:<br \/>\nFormats Available: 35mm<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/33450836888\/\" title=\"Oakville - After Dark\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7926\/33450836888_fe8b54e2eb_b.jpg\" width=\"1024\" height=\"653\" alt=\"Oakville - After Dark\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF-S Nikkor 14-24mm 1:2.8G &#8211; Kodak TMax P3200 @ ASA-6400 &#8211; Kodak TMax Developer (1+4) 11:00 @ 24C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/32203090577\/\" title=\"The Wine Cellar\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7906\/32203090577_e5e6c729f5_b.jpg\" width=\"1024\" height=\"679\" alt=\"The Wine Cellar\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 35mm 1:2D &#8211; Kodak TMax P3200 @ ASA-1600 &#8211; Kodak TMax Developer (1+4) 10:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/29932026918\/\" title=\"CCR:FRB - Review 27 - Kodak TMax P3200 - Roll 02 (Ilford Microphen)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/856\/29932026918_0dfbe3a4c2_b.jpg\" width=\"1024\" height=\"684\" alt=\"CCR:FRB - Review 27 - Kodak TMax P3200 - Roll 02 (Ilford Microphen)\"><\/a><figcaption class=\"wp-caption-text\">Nikon F90 &#8211; AF Nikkor 50mm 1:1.4D &#8211; Kodak TMax P3200 @ ASA-1600 &#8211; Ilford Microphen (Stock) 10:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/29125431368\/\" title=\"CCR:FRB - Review 30 - Kodak TMax P3200 - Roll 01 (Kodak HC-110)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/1768\/29125431368_508670b5be_b.jpg\" width=\"1024\" height=\"698\" alt=\"CCR:FRB - Review 30 - Kodak TMax P3200 - Roll 01 (Kodak HC-110)\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF DC-Nikkor 105mm 1:2D &#8211; Kodak TMax P3200 @ ASA-800 &#8211; Kodak HC-110 Dil. B 8:30 @ 20C<\/figcaption><\/figure><\/p>\n<p><em>Ilford Delta 3200<\/em><br \/>\nThe fast film that never left and is available in medium format, Ilford&#8217;s Delta 3200, like P3200, is ideally an ASA-1600 film (ASA-1000 according to the box) but has enough forgiveness to be pushed and pulled. While designed for DD-X, we&#8217;ve found that it works best in Microphen.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/28322206227\/in\/album-72157663799779318\/\" title=\"CCR:FRB - Review 28 - Ilford Delta 3200\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/920\/28322206227_6a3eb71eaa_b.jpg\" width=\"1024\" height=\"683\" alt=\"CCR:FRB - Review 28 - Ilford Delta 3200\"><\/a><\/p>\n<p>Type: Panchromatic B&#038;W<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-3200, Latitude: 400-25000<br \/>\nFormats Available: 35mm, 120<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/32451158737\/\" title=\"The Gangs All Here\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4839\/32451158737_15cf1f7027_b.jpg\" width=\"1024\" height=\"1024\" alt=\"The Gangs All Here\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 2.8F &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Ilford Delta 3200 @ ASA-1600 &#8211; Ilford Microphen (Stock) 8:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/43772749114\/\" title=\"CCR:FRB - Review 28 - Ilford Delta 3200 - Roll 04 (Kodak D-76)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/1872\/43772749114_80c3788d3b_b.jpg\" width=\"1024\" height=\"730\" alt=\"CCR:FRB - Review 28 - Ilford Delta 3200 - Roll 04 (Kodak D-76)\"><\/a><figcaption class=\"wp-caption-text\">Mamiya m645 &#8211; Mamiya-Sekor C 35mm 1:3.5 &#8211; Ilford Delta 3200 @ ASA-6400 &#8211; Kodak D-76 (Stock) 13:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1000px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/15029005654\/\" title=\"Crooked Path\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3949\/15029005654_ace268c7d7_b.jpg\" width=\"1000\" height=\"987\" alt=\"Crooked Path\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5E2 &#8211; Schneider-Krueznack Xenar 75mm 1:3.5 &#8211; Ilford Delta 3200 &#8211; Kodak TMax Developer (1+4)<\/figcaption><\/figure><figure style=\"width: 746px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/16304354666\/\" title=\"Leeman Kessler as HP Lovecraft\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/8578\/16304354666_d08b918fcc_b.jpg\" width=\"746\" height=\"1024\" alt=\"Leeman Kessler as HP Lovecraft\"><\/a><figcaption class=\"wp-caption-text\">Mamiya 645 Pro TL &#8211; Mamiya-Sekor C 80mm 1:2.8 N &#8211; Ilford Delta 3200 &#8211; Ilford DD-X (1+4) 12:30 @ 20C<\/figcaption><\/figure><\/p>\n<p><em>Kodak Portra 400<\/em><br \/>\nWhile many still mourn the end of the old school Portra 400 NC and VC streams, the new Portra 400 is what started Kodak&#8217;s film resurgence, and honestly, it is one of the best colour films everyone around the table uses. Not to mention it has enough forgiveness that you can push and pull at least 2 stops and get great results even without adjusting your developing times.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/40609054563\/in\/album-72157663799779318\/\" title=\"Film Review Blog No. 43 - Kodak Portra 400\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7854\/40609054563_25f1b62334_b.jpg\" width=\"1024\" height=\"683\" alt=\"Film Review Blog No. 43 - Kodak Portra 400\"><\/a><\/p>\n<p>Type: Colour Negative, C-41 Process<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-400, Latitude +\/- 2-Stops before adjusting development<br \/>\nFormats Available: 35mm, 120, Sheets<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/26641389596\/\" title=\"For Science (Colour)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/1561\/26641389596_b2b2700e77_b.jpg\" width=\"1024\" height=\"1024\" alt=\"For Science (Colour)\"><\/a><figcaption class=\"wp-caption-text\">Hasselblad 500c &#8211; Carl Zeiss Distagon 50mm 1:4 &#8211; Kodak Portra 400 @ ASA-400 &#8211; Unicolor C-41 Kit<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/7942543470\/\" title=\"Emily 1-9-12\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/8445\/7942543470_4babca2874_b.jpg\" width=\"1024\" height=\"1017\" alt=\"Emily 1-9-12\"><\/a><figcaption class=\"wp-caption-text\">Rolleicord IIIA &#8211; Schenider-Kruzenack Xentar 75mm 1:3.5 &#8211; Kodak Portra 400<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/48539194291\/\" title=\"Stone Church Behind the Trees_\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48539194291_fbca7b8699_b.jpg\" width=\"1024\" height=\"689\" alt=\"Stone Church Behind the Trees_\"><\/a><figcaption class=\"wp-caption-text\">Minolta XE-7 &#8211; Minolta MD Rokkor-X 50mm 1:1.4 &#8211; Kodak Portra 400<\/figcaption><\/figure><\/p>\n<p><em>Cinestill 800T<\/em><br \/>\nBased on Kodak Vision3 800T, the gang at Cinestill found a way to remove the Remjet layer to allow you to process it at home using C-41 chemistry but did you know that you&#8217;re cross-processing, natively Cinestill 500T should be processed in ECN-2 chemistry. It is also a Tungsten balanced film so it&#8217;s great to long exposure at night and indoor. You can shoot it in daylight but there are some that say you need a colour filter to account for the daylight, others say just go for it.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48673918468\/\" title=\"Film Review Blog No. 55 - Cinestill 500T\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48673918468_08e46cb8ed_b.jpg\" width=\"1024\" height=\"683\" alt=\"Film Review Blog No. 55 - Cinestill 500T\"><\/a><\/p>\n<p>Type: Colour Negative, ECN-2 Process<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-500, Latitude +\/- 2-Stops before adjusting development<br \/>\nFormats Available: 35mm, 120<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/37040363796\/\" title=\"Beaches Fire House in the Dark\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4386\/37040363796_57d8e7dc22_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Beaches Fire House in the Dark\"><\/a><figcaption class=\"wp-caption-text\">Mamiya C220F &#8211; Mamiya-Sekor C 1:2.8 f=80mm &#8211; Cinestill 500T<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/36393397874\/\" title=\"Across from Murphy&#x27;s Law After Dark\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4373\/36393397874_290bd3011e_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Across from Murphy&#x27;s Law After Dark\"><\/a><figcaption class=\"wp-caption-text\">Mamiya C220F &#8211; Mamiya-Sekor C 1:2.8 f=80mm &#8211; Cinestill 500T<\/figcaption><\/figure><figure style=\"width: 878px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/jamesl99\/36953305141\/\" title=\"CS-001\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4436\/36953305141_052033c6e0_b.jpg\" width=\"878\" height=\"1024\" alt=\"CS-001\"><\/a><figcaption class=\"wp-caption-text\">Pentax 67II &#8211; Super-Multi-Coated Takumar 1:3.5\/55 &#8211; Cinestill 500T<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/jamesl99\/36953294341\/\" title=\"Paradiso restaurant Oakville\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4373\/36953294341_fed5a9567b_b.jpg\" width=\"1024\" height=\"878\" alt=\"Paradiso restaurant Oakville\"><\/a><figcaption class=\"wp-caption-text\">Pentax 67II &#8211; Super-Multi-Coated Takumar 1:3.5\/55 &#8211; Cinestill 500T<\/figcaption><\/figure><\/p>\n<p><strong>Pushing Film<\/strong><br \/>\nSometimes you just need a little more speed out of your film, you get somewhere and there&#8217;s not enough light, or you just feel a film works better with a little extra boost from box speed. It all starts by under-exposing your film, so if you take your ASA-100 film and expose it at ASA-400, you&#8217;re under-exposing by two-stops (1-stop = ASA-200, 2-Stops = ASA-400, doubling each time). Now there&#8217;s nothing stopping you from developing normally, and in many cases, with black &#038; white films you&#8217;ll still get decent results, or in the case of Portra 400, you will for sure. But often you&#8217;ll want to compensate with your developing. Now in many cases, you can find times both in the film&#8217;s data sheet and also in the Massive Development Chart. But you can always calculate it out by multiply the time by either 1.5 or 1.25. But you&#8217;ll also want to choose your developer carefully, you want something that is compensating in some way. For example, Diafine is a good choice for push processing as is Kodak TMax Developer or Ilford Microphen. Some will push with HC-110 with amazing results. Either way, the best thing to do is practice, try and when you get something you like, stick to it!<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/31918975747\/\" title=\"Snow Storm\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7868\/31918975747_1692dda32c_b.jpg\" width=\"1024\" height=\"672\" alt=\"Snow Storm\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 50mm 1:1.4D &#8211; Kodak Tri-X 400 @ ASA-800 &#8211; Ilford Microphen (Stock) 11:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/47974739257\/\" title=\"Osgoode Hall Six\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/47974739257_a7b3bde482_b.jpg\" width=\"1024\" height=\"640\" alt=\"Osgoode Hall Six\"><\/a><figcaption class=\"wp-caption-text\">Nikon FE2 &#8211; AI-S Nikkor 28mm 1:2.8 &#8211; Ilford HP5+ @ ASA-1600 &#8211; Kodak HC-110 Dil. B 11:00<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/15924370781\/\" title=\"Tri-X @ 3200\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7473\/15924370781_f477c4cb4e_b.jpg\" width=\"1024\" height=\"674\" alt=\"Tri-X @ 3200\"><\/a><figcaption class=\"wp-caption-text\">Voigtlander Bessa R &#8211; Jupiter-8 50mm 1:2 &#8211; Kodak Tri-X 400 @ ASA-3200 &#8211; Rodinal (1+100) 2:00:00 @ 20C<\/figcaption><\/figure><\/p>\n<p>Looking for a good spot to get your gear and material fix check out <a href=\"http:\/\/burlingtoncamera.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Burlington Camera (Burlington, ON)<\/a>, <a href=\"http:\/\/www.downtowncamera.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Downtown Camera (Toronto, ON)<\/a>, <a href=\"http:\/\/www.filmplus.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Plus (Toronto, ON)<\/a>, <a href=\"http:\/\/bellarte.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Belle Arte Camera (Hamilton, ON)<\/a>, <a href=\"http:\/\/guelph.fotosource.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pond&#8217;s FotoSource (Guleph, ON)<\/a>, <a href=\"http:\/\/fotoart.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Foto Art Camera (Owen Sound, ON)<\/a>. Out West there&#8217;s <a href=\"http:\/\/www.thecamerastore.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Camera Store (Calgary, AB)<\/a> and <a href=\"http:\/\/www.beauphoto.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Beau Photo Supply (Vancouver, BC)<\/a>. Additionally you can order online at <a href=\"http:\/\/www.argentix.ca\/index01.php\" target=\"_blank\" rel=\"noopener noreferrer\">Argentix<\/a> (Quebec), <a href=\"https:\/\/buyfilm.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">buyfilm.ca<\/a> (Ontario), the <a href=\"http:\/\/filmphotographyproject.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Photography Project<\/a> or <a href=\"http:\/\/www.freestylephoto.biz\/\" target=\"_blank\" rel=\"noopener noreferrer\">Freestyle Photographic<\/a>. Looking for development options, check out these labs that have our support, <a href=\"http:\/\/www2.borealislab.qc.ca\/borealis\/en-home\" rel=\"noopener noreferrer\" target=\"_blank\">Bor\u00e9alis Photo Lab<\/a>, <a href=\"https:\/\/oldschoolphotolab.com\/\" rel=\"noopener noreferrer\" target=\"_blank\">Old School Photo Lab<\/a>, <a href=\"https:\/\/thedarkroom.com\/\" rel=\"noopener noreferrer\" target=\"_blank\">The Darkroom<\/a>, and <a href=\"https:\/\/www.filmrescue.com\/\" rel=\"noopener noreferrer\" target=\"_blank\">Film Rescue International<\/a>.<\/p>\n<p>Also you can connect with us through email: <a href=\"mailto:classiccamerarevivial@gmail.com\">classiccamerarevivial[at]gmail[dot]com<\/a> or by Facebook, we&#8217;re at <a href=\"https:\/\/www.facebook.com\/classiccamerarevival\" target=\"_blank\" rel=\"noopener noreferrer\">Classic Camera Revival<\/a>, <a href=\"https:\/\/twitter.com\/ccamerarevival\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter @ccamerarevival<\/a>, and <a href=\"https:\/\/www.instagram.com\/classiccamerarevival\/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram (@classiccamerarevival)!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fast films, it&#8217;s something we in Canada need to work with a lot because of our long dark cold winters. But what is a fast film? Well, that depends on your historical context. The first version of Ilford HP released in 1935 was only rated at ISO-160, by the second iteration in 1939 it was boosted to ASA-200. It wasn&#8217;t until 1960 with the release of HP3 that it reached the speed of ASA-400. And today the list of fast films is lengthy and we could spend hours talking on every film we&#8217;ve shot, so we&#8217;re going to drop it down to only eight stocks.<a class=\"more-link\" href=\"http:\/\/www.alexluyckx.com\/blog\/2019\/09\/13\/classic-camera-revival-episode-63-fast-faster-fastest\/\"><span>Read More &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[35,34,36],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1009"}],"collection":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/comments?post=1009"}],"version-history":[{"count":1,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1009\/revisions"}],"predecessor-version":[{"id":3722,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1009\/revisions\/3722"}],"wp:attachment":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/media?parent=1009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/categories?post=1009"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/tags?post=1009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}