{"id":1628,"date":"2022-08-12T07:16:26","date_gmt":"2022-08-12T11:16:26","guid":{"rendered":"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/07\/classic-camera-revival-episode-133-summer-lovin-on-film\/"},"modified":"2023-02-09T12:09:07","modified_gmt":"2023-02-09T17:09:07","slug":"classic-camera-revival-episode-133-summer-lovin-on-film","status":"publish","type":"post","link":"http:\/\/www.alexluyckx.com\/blog\/2022\/08\/12\/classic-camera-revival-episode-133-summer-lovin-on-film\/","title":{"rendered":"Classic Camera Revival &#8211; Episode 133 &#8211; Summer Lovin&#8217; On Film"},"content":{"rendered":"<p><a href=\"http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2015\/07\/ccr-logo-leaf.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1681\" src=\"http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2015\/07\/ccr-logo-leaf-300x300.png\" alt=\"ccr-logo-leaf\" width=\"300\" height=\"300\" \/><\/a><\/p>\n<p>While we might be heading into the last days of Summer, that doesn&#8217;t mean we can&#8217;t look back and look forward to next year with the team&#8217;s favourite choices for film stocks during the hot and humid days of Canadian Summer. So join Alex, James, Jess, Bill and John and beat the heat with a cold beer.<\/p>\n<p><iframe loading=\"lazy\" title=\"Classic Camera Revival - Episode 133 - Summer Lovin\u2019 On Film\" allowtransparency=\"true\" height=\"150\" width=\"100%\" style=\"border: none; min-width: min(100%, 430px);\" scrolling=\"no\" data-name=\"pb-iframe-player\" src=\"https:\/\/www.podbean.com\/player-v2\/?i=5qqia-1296f88-pb&#038;from=pb6admin&#038;share=1&#038;download=1&#038;rtl=0&#038;fonts=Arial&#038;skin=1&#038;font-color=auto&#038;logo_link=episode_page&#038;btn-skin=3\"><\/iframe><\/p>\n<p><strong>Film Mentioned on Today&#8217;s Show<\/strong><\/p>\n<p><strong>Lomography Purple<\/strong><br \/>\nJess adores Purple in the summer. It has a way of turning the ordinary into the otherworldly. Although you want to shoot this in bright light with lots of contrast. When shooting under a canopy, the greens can get boring, and sometimes it gets too purple. But you want a good blue sky and some green. It dislikes anything in white, so certainly not one for the winter. Jess prefers to shoot it in 120 and at ASA-400, and that grain is reduced in the bigger negative; it is graining in 35mm. Jess hopes to get out and try Purple at ASA-200, the sweet spot.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48687418358\/\" title=\"Pagoda\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48687418358_20758a2452_b.jpg\" width=\"1024\" height=\"723\" alt=\"Pagoda\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 35mm 1:2D &#8211; Lomography Lomochrome Purple XR @ ASA-100 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48687416403\/\" title=\"The Rock\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48687416403_c7cd150276_b.jpg\" width=\"1024\" height=\"665\" alt=\"The Rock\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 35mm 1:2D &#8211; Lomography Lomochrome Purple XR @ ASA-100 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48687416403\/\" title=\"The Rock\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48687416403_c7cd150276_b.jpg\" width=\"1024\" height=\"665\" alt=\"The Rock\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 35mm 1:2D &#8211; Lomography Lomochrome Purple XR @ ASA-100 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48687418118\/\" title=\"Understated\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48687418118_39d4dd4d2a_b.jpg\" width=\"1024\" height=\"645\" alt=\"Understated\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 35mm 1:2D &#8211; Lomography Lomochrome Purple XR @ ASA-100 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><\/p>\n<p><strong>Kodak Gold 200<\/strong><br \/>\nFor Jess, Gold 200 is a bit of nostalgia, being the film she shot as a kid. She can still smell those warm summer nights when she sees the images. Perfect for golden hour, it&#8217;s warm floofy and romantic. She is also trying some experiments with pushing and pulling. One of the best parts about Gold 200 is how natural it renders colour, providing excellent sharpness while maintaining fine grain. And sure, it can be hard to get these days; it&#8217;s always worth getting. Plus, it&#8217;s once again available in medium format!<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/52049019510\/\" title=\"Fire Station 314\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52049019510_eaf8ef6c45_b.jpg\" width=\"1024\" height=\"669\" alt=\"Fire Station 314\"><\/a><figcaption class=\"wp-caption-text\">Nikon F2AS &#8211; AI Nikkor 35mm 1:2 &#8211; Kodak Gold 200 @ ASA-200 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/52048960815\/\" title=\"Not Bay Bay April 2022\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52048960815_2ffff2e062_b.jpg\" width=\"1024\" height=\"670\" alt=\"Not Bay Bay April 2022\"><\/a><figcaption class=\"wp-caption-text\">Nikon F2AS &#8211; AI Nikkor 35mm 1:2 &#8211; Kodak Gold 200 @ ASA-200 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/50566272202\/\" title=\"FRB No. 67 - Kodak Gold 200 - Roll 01\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/50566272202_05c5880e2e_b.jpg\" width=\"1024\" height=\"667\" alt=\"FRB No. 67 - Kodak Gold 200 - Roll 01\"><\/a><figcaption class=\"wp-caption-text\">Olympus OM-2n &#8211; Olympus G.Zuiko Auto-S 1:1,4 f=50mm &#8211; Kodak Gold 200 @ ASA-100 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/50572486936\/\" title=\"FRB No. 67 - Kodak Gold 200 - Roll 03\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/50572486936_dafa6e5545_b.jpg\" width=\"1024\" height=\"665\" alt=\"FRB No. 67 - Kodak Gold 200 - Roll 03\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 28-105mm 1:3.5-4.5D &#8211; Kodak Gold 200 @ ASA-400 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><\/p>\n<p><strong>Rollei RPX 25<\/strong><br \/>\nThis film checks all the right boxes for a summer film, provided that you have a bright and sunny summer. RPX 25 presents a beautiful contrasty, super sharp, and fine-grain. Introduced by MACRO Direct, the film is produced for the company marketed under the Rollei name. This rebranded film has been modified from its original film stock (most likely an Agfa films stock). It&#8217;s a redheaded stepchild of the RPX line, but it isn&#8217;t that ugly. RPX 25 is one of the lowest speed regular films that are panchromatic, but it has a lovely extended red sensitivity. The slow speed makes the film great for use in pinhole cameras or those who love to shoot wide-open to get that lovely out-of-focus rendering of some of your lenses. And it also works wonderfully as a reversal film and works great with the Adox Scala Developer.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/24744020104\/\" title=\"Winter Trees\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/1442\/24744020104_34bbd12dea_b.jpg\" width=\"1024\" height=\"1015\" alt=\"Winter Trees\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5E &#8211; Schneider-Kreuznach Xenotar 1:3.5 f=75mm &#8211; Rollei RPX 25 @ ASA-25<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/20759452023\/\" title=\"Front of old Dodge Pickup\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/5652\/20759452023_02ee0f9b39_b.jpg\" width=\"1024\" height=\"728\" alt=\"Front of old Dodge Pickup\"><\/a><figcaption class=\"wp-caption-text\">Olympus Pen F &#8211; SMC Pentax M 50mm 1:1.4 &#8211; Rollei RPX 25 @ ASA-25 &#8211; Rodinal (1+50) 11:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52239816498\/\" title=\"New Milton - July 2022\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52239816498_ab0257b25a_b.jpg\" width=\"1024\" height=\"683\" alt=\"New Milton - July 2022\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Rollei RPX 25 @ ASA-25 &#8211; Adox Scala Developer (1+1) 10:45 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/37112400060\/\" title=\"Mill Water Falls\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/4449\/37112400060_e204787743_b.jpg\" width=\"1024\" height=\"807\" alt=\"Mill Water Falls\"><\/a><figcaption class=\"wp-caption-text\">Pacemaker Crown Graphic &#8211; Fuji Fujinon-W 1:5.6\/125 &#8211; Rollei RPX 25 @ ASA-25 &#8211; Pyrocat-HD (1+1+100) 12:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>CineStill 400D<\/strong><br \/>\nWhile this may have been an ASA-100 at least until CineStill introduced 400D. This is a film that isn&#8217;t a Portra 400 replacement but rather an alternative. And while CineStill is most known for its rebranded and remjet removed cine films, 400D is a new animal altogether. 400D has an amazing latitude where you can over and under expose and only have to push or pull once you get beyond a two-stop over\/under. You get a lovely halation in the bright sun, which might not be for everyone, and you can always dial in back. Bill prefers to shoot it as ASA-250 to pull out good shadow detail. Currently, they have it in 35mm and 120, with 4&#215;5 coming soon and maybe 220.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/52256689463\/\" title=\"Spirit of York Distillery\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52256689463_5f5788b45d_b.jpg\" width=\"1024\" height=\"681\" alt=\"Spirit of York Distillery\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 28-105mm 1:3.5-4.5D &#8211; CineStill 400D @ ASA-250 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/52248270009\/\" title=\"Lower Bayview and Richmond Hiill Sub _\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52248270009_62e3fc126a_b.jpg\" width=\"1024\" height=\"635\" alt=\"Lower Bayview and Richmond Hiill Sub _\"><\/a><figcaption class=\"wp-caption-text\">Nikon F5 &#8211; AF Nikkor 28-105mm 1:3.5-4.5D &#8211; CineStill 400D @ ASA-250 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/52175816039\/\" title=\"Bridge Across Irvine Creek TWo\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52175816039_186da156fe_b.jpg\" width=\"1024\" height=\"663\" alt=\"Bridge Across Irvine Creek TWo\"><\/a><figcaption class=\"wp-caption-text\">Canon New F-1 &#8211; Canon Lens FDn 50mm 1:1.4 &#8211; CineStill 400D @ ASA-250 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/funwithcameras\/52175844774\/\" title=\"Elora Mill Inn at the End of Mill St\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52175844774_9f4953d437_b.jpg\" width=\"1024\" height=\"687\" alt=\"Elora Mill Inn at the End of Mill St\"><\/a><figcaption class=\"wp-caption-text\">Canon New F-1 &#8211; Canon Lens FDn 50mm 1:1.4 &#8211; CineStill 400D @ ASA-250 &#8211; Processing By: Burlington Camera<\/figcaption><\/figure><\/p>\n<p><strong>Kodak TMax 100 (But Different)<\/strong><br \/>\nThe bright sunny days of summer often are high-contrast when it comes to black &#038; white film, and given that Tmax 100 already is fairly contrasty, can that be tamed and at the same time give off that lovely grey tonal range of Panatomic-X? Alex loves to over-expose and pull his Tmax 100 to give a look that comes fairly close to the classic Panatomic-X. In addition to that heck of an over-exposure, he also pulls it in development using by 10% (one-stop) then an additional 5% (half-stop-ish) and trusts int the latitude of 100TMX.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/28696826061\/\" title=\"The Main Drag\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/8872\/28696826061_d56d6153ef_b.jpg\" width=\"1024\" height=\"859\" alt=\"The Main Drag\"><\/a><figcaption class=\"wp-caption-text\">Intrepid &#8211; Fuji Fujinon-W 1:5.6\/125 &#8211; Kodak TMax 100 @ ASA-32 &#8211; Kodak Xtol (1+1) 8:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/51483664625\/\" title=\"J-Wing\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/51483664625_1f91a1de94_b.jpg\" width=\"1024\" height=\"761\" alt=\"J-Wing\"><\/a><figcaption class=\"wp-caption-text\">Mamiya m645 &#8211; Mamiya-Sekor C 35mm 1:3.5 N &#8211; Kodak TMax 100 @ ASA-32 &#8211; Ilford Ilfotec HC (1+31) 5:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14568979685\/\" title=\"Beyond Bliss\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/2923\/14568979685_88d6d8db93_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Beyond Bliss\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 2.8F &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Kodak TMax 100 (100TMX) @ ASA-32 &#8211; Kodak Xtol (1+1) 8:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/42389351240\/\" title=\"CCR:FRB - Review 25 - Kodak TMax 100 - Roll 04 (Rodinal)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/1839\/42389351240_3d9a691fef_b.jpg\" width=\"1024\" height=\"664\" alt=\"CCR:FRB - Review 25 - Kodak TMax 100 - Roll 04 (Rodinal)\"><\/a><figcaption class=\"wp-caption-text\">Contax G2 &#8211; Carl Zeiss Biogon 2,8\/28 T* &#8211; Kodak TMax 100 @ ASA-32 &#8211; Blazinal (1+50) 10:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Rollei Retro 80s (As Infrared)<\/strong><br \/>\nJohn loves to work outside the visual spectrum, and while Retro 80s is not a true IR film (although Rollei IR400 is awesome), it does have the sensitivity to take you most of the way there, and the results certainly speak for themselves when you put the film behind an IR72 filter. If you haven&#8217;t used an R72 filter before, these are nearly opaque, making it impossible to see through if you&#8217;re working with an SLR. But these are great using a rangefinder or TLR (with a cheap adapter)! Now you also have to adjust your exposure and shoot under high-noon harsh overhead light is perfect for shooting with an IR filter. Now you also have to shoot the film (normally an ASA-80) at ASA-2, so you might need to pack an external meter. Don&#8217;t be afraid to bracket the film; go +2 and -1 for best results. Now you will develop normally, so over-expose the film but don&#8217;t pull in development.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/52268348162\/in\/dateposted\/\" title=\"Fujica GW690 with IR72 filter\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52268348162_9d605f117d_b.jpg\" width=\"1024\" height=\"702\" alt=\"Fujica GW690 with IR72 filter\"><\/a><figcaption class=\"wp-caption-text\">Fujifilm Fujica GW690 &#8211; EBC Fujinon 1:3.5 f=90mm<\/figcaption><\/figure><figure style=\"width: 1021px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/52269331538\/in\/dateposted\/\" title=\"Rolleiflex 3.5E3 with IR72 filter\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52269331538_a61bcf8e50_b.jpg\" width=\"1021\" height=\"1024\" alt=\"Rolleiflex 3.5E3 with IR72 filter\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5E &#8211; Schneider-Kreuznach Xenotar 1:3.5 f=75mm (R72) &#8211; Rollei Reto 80s @ ASA-2<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/johnmeadows\/52269331843\/in\/dateposted\/\" title=\"Rolleiflex 3.5E3 with IR72 filter\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52269331843_40374cd728_b.jpg\" width=\"1024\" height=\"1020\" alt=\"Rolleiflex 3.5E3 with IR72 filter\"><\/a><figcaption class=\"wp-caption-text\">Rolleiflex 3.5E &#8211; Schneider-Kreuznach Xenotar 1:3.5 f=75mm (R72) &#8211; Rollei Reto 80s @ ASA-2<\/figcaption><\/figure><\/p>\n<p>Want a subscription to SilverGrain Classics and are a fan of Classic Camera Revival? <a href=\"https:\/\/photoklassik-international.com\/shop\/ref\/32\/\" rel=\"noopener noreferrer\" target=\"_blank\">Visit their shop online<\/a> and buy a magazine or a subscription? Looking for a good spot to get your gear and material fix check out <a href=\"http:\/\/burlingtoncamera.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Burlington Camera (Burlington, ON)<\/a>, <a href=\"http:\/\/www.downtowncamera.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Downtown Camera (Toronto, ON)<\/a>, <a href=\"http:\/\/www.filmplus.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Plus (Toronto, ON)<\/a>, <a href=\"http:\/\/bellarte.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Belle Arte Camera (Hamilton, ON)<\/a>, <a href=\"http:\/\/guelph.fotosource.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pond&#8217;s FotoSource (Guleph, ON)<\/a>, <a href=\"http:\/\/fotoart.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Foto Art Camera (Owen Sound, ON)<\/a>. In Quebec, <a href=\"https:\/\/photoservice.ca\/\" rel=\"noopener\" target=\"_blank\">Photo Service (Montreal, QC)<\/a> and <a href=\"https:\/\/studioargentique.ca\/\" rel=\"noopener\" target=\"_blank\">Studio Argentique (Montreal, QC)<\/a>,  Out West there&#8217;s <a href=\"https:\/\/kerrisdalecameras.com\/\" rel=\"noopener\" target=\"_blank\">Kerrisdale Cameras (BC)<\/a>, <a href=\"http:\/\/www.thecamerastore.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Camera Store (Calgary, AB)<\/a> and <a href=\"http:\/\/www.beauphoto.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Beau Photo Supply (Vancouver, BC)<\/a>. Additionally you can order online at <a href=\"http:\/\/www.argentix.ca\/index01.php\" target=\"_blank\" rel=\"noopener noreferrer\">Argentix<\/a> (Quebec), <a href=\"https:\/\/buyfilm.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">buyfilm.ca<\/a> (Ontario), the <a href=\"http:\/\/filmphotographyproject.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Photography Project<\/a> or <a href=\"http:\/\/www.freestylephoto.biz\/\" target=\"_blank\" rel=\"noopener noreferrer\">Freestyle Photographic<\/a>. Looking for development options, check out these labs that have our support, <a href=\"http:\/\/www2.borealislab.qc.ca\/borealis\/en-home\" rel=\"noopener noreferrer\" target=\"_blank\">Bor\u00e9alis Photo Lab<\/a>, <a href=\"https:\/\/oldschoolphotolab.com\/\" rel=\"noopener noreferrer\" target=\"_blank\">Old School Photo Lab<\/a>, <a href=\"https:\/\/thedarkroom.com\/\" rel=\"noopener noreferrer\" target=\"_blank\">The Darkroom<\/a>, and <a href=\"https:\/\/www.filmrescue.com\/\" rel=\"noopener noreferrer\" target=\"_blank\">Film Rescue International<\/a>.<\/p>\n<p>Also you can connect with us through email: <a href=\"mailto:classiccamerarevivial@gmail.com\">classiccamerarevivial[at]gmail[dot]com<\/a> or by Facebook, we&#8217;re at <a href=\"https:\/\/www.facebook.com\/classiccamerarevival\" target=\"_blank\" rel=\"noopener noreferrer\">Classic Camera Revival<\/a>, <a href=\"https:\/\/twitter.com\/ccamerarevival\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter @ccamerarevival<\/a>, and <a href=\"https:\/\/www.instagram.com\/classiccamerarevival\/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram (@classiccamerarevival)!<\/a><\/p>\n<p><a href=\"https:\/\/classiccamerarevival.podbean.com\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/d8g345wuhgd7e.cloudfront.net\/site\/images\/download_badges\/100k.png\" alt=\"badge image\" width=\"150\" height=\"150\"\/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>While we might be heading into the last days of Summer, that doesn&#8217;t mean we can&#8217;t look back and look forward to next year with the team&#8217;s favourite choices for film stocks during the hot and humid days of Canadian Summer. So join Alex, James, Jess, Bill and John and beat the heat with a cold beer. Film Mentioned on Today&#8217;s Show Lomography Purple Jess adores Purple in the summer. It has a way of turning the ordinary into the otherworldly. Although you want to shoot this in bright light with lots of contrast. When shooting under a canopy, the greens can get boring, and<a class=\"more-link\" href=\"http:\/\/www.alexluyckx.com\/blog\/2022\/08\/12\/classic-camera-revival-episode-133-summer-lovin-on-film\/\"><span>Read More &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[35,34,36],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1628"}],"collection":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/comments?post=1628"}],"version-history":[{"count":1,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1628\/revisions"}],"predecessor-version":[{"id":2611,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1628\/revisions\/2611"}],"wp:attachment":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/media?parent=1628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/categories?post=1628"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/tags?post=1628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}