{"id":1702,"date":"2023-02-17T06:00:27","date_gmt":"2023-02-17T11:00:27","guid":{"rendered":"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/07\/classic-film-review-blog-forte-fortepan-100\/"},"modified":"2023-02-09T13:12:31","modified_gmt":"2023-02-09T18:12:31","slug":"classic-film-review-blog-forte-fortepan-100","status":"publish","type":"post","link":"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/17\/classic-film-review-blog-forte-fortepan-100\/","title":{"rendered":"Classic Film Review Blog &#8211; Forte Fortepan 100"},"content":{"rendered":"<p>Last year when I reviewed <a href=\"http:\/\/www.alexluyckx.com\/blog\/index.php\/2022\/11\/04\/classic-film-review-blog-forte-fortepan-200\/\" rel=\"noopener\" target=\"_blank\">Fortepan 200<\/a>, I indicated that I would love to review the 400 and 100 flavours of the Fortepan line. And the film photography community being fantastic, responded. On the post to a Facebook group, a reader indicated they had a large stash of Fortepan 100 and asked if I wanted some. Well, he came through, so thank you to Wendell Anderson for sending over the rolls for this review.<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52562950391\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52562950391_689e8ea608_b.jpg\" width=\"1024\" height=\"768\" alt=\"Classic Film Review Blog - Forte Fortepan 100\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><\/p>\n<p><strong>Film Specs<\/strong><br \/>\nType: Panchromatic B&#038;W<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-100, Latitude: 50-400<br \/>\nFormats Available: 135, 120, Sheets<br \/>\nDiscontinued: 2007<\/p>\n<p><strong>Roll 01 &#8211; Kodak D-76<\/strong><br \/>\nI decided to shoot the first roll at its full box speed of ASA-100 to set a good baseline and see the condition of the film. But decided to at least give it a chance by developing it at constant rotation in a 1+1 dilution. Right from the tank, the negatives looked good, with some base fog but excellent density. And you know the results are certainly good, although I would hazard that a bit more time in the developer or a touch of over-exposure would certainly cut through the base fog. The contrast is a little high but has richness, making the images usable. In comparison, there is plenty of visible grain, more than one might expect from a modern emulsion. The photos have excellent edge sharpness combined with a decent tonal separation, giving good image quality. While D-76 would not be my first choice for Fortepan, it would do in a pinch.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52620684336\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52620684336_6f100d39af_b.jpg\" width=\"1024\" height=\"660\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Kodak D-76 (1+1) 9:30 @ 20C (Constant Rotation)<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52620684311\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52620684311_3d648625d7_b.jpg\" width=\"1024\" height=\"639\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Kodak D-76 (1+1) 9:30 @ 20C (Constant Rotation)<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52621163853\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52621163853_8aba1cf2ca_b.jpg\" width=\"1024\" height=\"645\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Kodak D-76 (1+1) 9:30 @ 20C (Constant Rotation)<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52620684221\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52620684221_bd26796d9b_b.jpg\" width=\"1024\" height=\"655\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 1 (D-76)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Kodak D-76 (1+1) 9:30 @ 20C (Constant Rotation)<\/figcaption><\/figure><\/p>\n<p><strong>Roll 02 &#8211; Ilford Ilfotec HC<\/strong><br \/>\nGiven that Ilfotec HC isn&#8217;t known to be a fine-grain developer, I decided to over-expose the film slightly, exposing it at ASA-80 and then developing normally to help with the touch of base fog on the film. I again went with a dilute developer, 1+63 and doubled the listed 1+31 time. Unfortunately, I made the wrong notation in my log sheet and undeveloped these images. I also feel that I should have left them in the tank for an additional thirty seconds. Thankfully I was able to recover some details. Usually, I like images developed in Ilfotec HC, but in this case, I don&#8217;t think it&#8217;s a good pairing for Fortepan 100. After seeing the high contrast from my first roll, I thought diluting the developer would help. Sadly I believe the under-development and fixing in post-processing didn&#8217;t do much justice. You again get that high-contrast look about the images, but this time it lacked the richness I had with D-76. There is also a noticeable uptick in visible grain, which gives an almost mushy look to the images and a softness that doesn&#8217;t sit well in my mind.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52624902353\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52624902353_34980eb4fd_b.jpg\" width=\"1024\" height=\"643\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Ilford Ilfotec HC (1+63) 9:00 @ 20C (Constant Rotation)<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52624854710\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52624854710_02c8b479f5_b.jpg\" width=\"1024\" height=\"654\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Ilford Ilfotec HC (1+63) 9:00 @ 20C (Constant Rotation)<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52624424866\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52624424866_fa39e8ee83_b.jpg\" width=\"1024\" height=\"670\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Ilford Ilfotec HC (1+63) 9:00 @ 20C (Constant Rotation)<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52624902493\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52624902493_26a8c684ef_b.jpg\" width=\"1024\" height=\"652\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 2 (Ilford Ilfotec HC)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-100 &#8211; Ilford Ilfotec HC (1+63) 9:00 @ 20C (Constant Rotation)<\/figcaption><\/figure><\/p>\n<p><strong>Roll 03 &#8211; Adox Rodinal<\/strong><br \/>\nTo help Fortepan 100 out, I gave it more of an over-exposure, shooting at ASA-64, and then normally developed in a 1+50 dilution. Now I&#8217;m getting the results I like! The downside is that with the over-exposure and normal development, the contrast has gone flat, but thankfully with a bit of work in post-processing, I was able to get the contrast to that happy medium I like in my images. Once I had the tonal separation to the right spot, the rest of the image came into play. And these images are sharp; I think using Rodinal helped along the way, but the edge sharpness is dead on point. Sure there&#8217;s visible grain, but it helps with that acutance. I wasn&#8217;t expecting to like this particular roll, but it surprised me!<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52644476498\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52644476498_36a85c4fb7_b.jpg\" width=\"1024\" height=\"652\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-64 &#8211; Adox Rodinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52644003271\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52644003271_34f1581a49_b.jpg\" width=\"1024\" height=\"653\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-64 &#8211; Adox Rodinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52644002996\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52644002996_b22ed9c84e_b.jpg\" width=\"1024\" height=\"665\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-64 &#8211; Adox Rodinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52643495357\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52643495357_84434a691a_b.jpg\" width=\"1024\" height=\"664\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 3 (Adox Rodinal)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-64 &#8211; Adox Rodinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Roll 04 &#8211; Adox Atomal 49<\/strong><br \/>\nI had initially planned to shoot this roll at box speed (ASA-100), but after seeing that I got some better negatives by over-exposing and developing normally, I went with a speed of ASA-80. And things got better; I think this film prefers a bit of over-exposure to get good results. While in this case, I could have gone up to full box speed and pulled out good images, I&#8217;ll stand by my choice for over-exposure. The tonality and contrast were perfect from the scans, and while there was visible grain, it was again pleasing and added to the edge&#8217;s sharpness. I could have opened up those shadows more if I had gone with ASA-64; this is my favourite roll.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52646341624\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52646341624_d5eb911343_b.jpg\" width=\"1024\" height=\"649\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-80 &#8211; Adox Atomal 49 (Stock) 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52646341839\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52646341839_a6250ceb58_b.jpg\" width=\"1024\" height=\"663\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-80 &#8211; Adox Atomal 49 (Stock) 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52646560138\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52646560138_f762c7afab_b.jpg\" width=\"1024\" height=\"666\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-80 &#8211; Adox Atomal 49 (Stock) 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/52646084831\/in\/dateposted-public\/\" title=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/52646084831_c83d5135f6_b.jpg\" width=\"1024\" height=\"654\" alt=\"Classic Film Review Blog - Forte Fortepan 100 - Roll No. 4 (Adox Atomal 49)\"><\/a><figcaption class=\"wp-caption-text\">Minolta Maxxum 9 &#8211; Minolta Maxxum AF 24mm 1:2.8 &#8211; Fortepan 100 @ ASA-80 &#8211; Adox Atomal 49 (Stock) 5:30 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Final Thoughts<\/strong><br \/>\nThe one thing you will find with Fortepan 100, like Fortepan 200, is that the film will cup like mad. You have a couple of options to get this cleared up; the first is letting it hang to dry for a little longer than back rolling the film a let it sit. Alternatively, you could cut the film, sleeve it and let it sit under a few heavy books. I took the easier route and scanned using my Nikon Coolscan V ED. Fortepan 100 is a film that loves the light; it did not do well in the dark grey conditions we had for the first few weeks of January, but once I got some sun it started performing well. Despite being a slow film, you do want to over-expose it slightly, it seemed to perform best at ASA-80 or ASA-64, which isn&#8217;t much of an over-exposure, and there is enough latitude that you don&#8217;t have to worry about adjusting your times when processing the film. Develop them at normal times, and then make any further adjustments in post-processing. <\/p>\n<p><strong>Further Reading<\/strong><br \/>\nDon&#8217;t just take my word on Fortepan 100; you can check out the reviews by other excellent camera reviewers!<br \/>\n<a href=\"https:\/\/toivonenphoto.com\/blog\/2020\/4\/20\/fortepan-100-and-200\" rel=\"noopener\" target=\"_blank\">Toivonene Photography &#8211; Fortepan 100 and 200<\/a><br \/>\n<a href=\"https:\/\/funwithcameras.blogspot.com\/2017\/06\/expired-fortepan-100.html\" rel=\"noopener\" target=\"_blank\">Fun With Cameras &#8211; Expired Fortepan 100<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last year when I reviewed Fortepan 200, I indicated that I would love to review the 400 and 100 flavours of the Fortepan line. And the film photography community being fantastic, responded. On the post to a Facebook group, a reader indicated they had a large stash of Fortepan 100 and asked if I wanted some. Well, he came through, so thank you to Wendell Anderson for sending over the rolls for this review. Film Specs Type: Panchromatic B&#038;W Film Base: Acetate Film Speed: ASA-100, Latitude: 50-400 Formats Available: 135, 120, Sheets Discontinued: 2007 Roll 01 &#8211; Kodak D-76 I decided to shoot the first<a class=\"more-link\" href=\"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/17\/classic-film-review-blog-forte-fortepan-100\/\"><span>Read More &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[56,80,22,73,74,587,588,79,78,57,419,20,29,75],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1702"}],"collection":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/comments?post=1702"}],"version-history":[{"count":1,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1702\/revisions"}],"predecessor-version":[{"id":1824,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/1702\/revisions\/1824"}],"wp:attachment":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/media?parent=1702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/categories?post=1702"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/tags?post=1702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}