{"id":388,"date":"2015-05-15T07:00:16","date_gmt":"2015-05-15T11:00:16","guid":{"rendered":"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/07\/the-panatomic-x-trick\/"},"modified":"2023-02-14T13:37:13","modified_gmt":"2023-02-14T18:37:13","slug":"the-panatomic-x-trick","status":"publish","type":"post","link":"http:\/\/www.alexluyckx.com\/blog\/2015\/05\/15\/the-panatomic-x-trick\/","title":{"rendered":"The Panatomic-X Trick"},"content":{"rendered":"<p>Anyone who has been in photography for a long time will remember the legendary Kodak film, no, not Kodachrome, the other one&#8230;Panatomic-X. Panatomic-X was first released in 1933 and continued until 1987 this fine grain ASA-32 panchromatic black &#038; white film produced a huge tonal range and allowed for even 35mm negatives to be printed extremely large without noticeable grain&#8230;and when there was grain is was very pleasing. These days you cannot find fresh film, or even another film on the market like it. Most of the film I&#8217;ve shot expired back in the 1970s but can still be shot at box speed (ASA-32). The idea for this came when I opened up a box of the film I purchased through the FPP store that stated that the replacement product was Kodak&#8217;s TMax 100.<\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/12229218466\" title=\"Administration by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm4.staticflickr.com\/3670\/12229218466_b56dcb4582_b.jpg\" width=\"1024\" height=\"642\" alt=\"Administration\"><\/a><br \/>\n<em>From one of my last rolls of originally packaged Panatomic-X<br \/>\nNikon F4 &#8211; AF Nikkor 35mm 1:2D &#8211; Kodak Panatomic-X (FX) @ ASA-32 &#8211; Kodak Xtol (1+1) 7:30 @ 20C<\/em><\/p>\n<p>So I got an idea why not shoot TMax 100 at ASA-32, or as my friend Mat puts it &#8220;that&#8217;s one hell of a pull.&#8221; Now before all you folks out there start yelling about how TMax is a T-Grained film and blah blah blah&#8230;I figured if you can get a dreamy soft contrast look out of TMax 100 by developing it in D-76 one-to-one, you can pull it to ASA-32 and achieve somewhat of a Panatomic-X look. So using the Massive Dev Chart, I settled on using Xtol one-to-one for 8 minutes and forty-five seconds. And the results nothing short of spectacular! The first time I did this was up at Photostock last year using a Pentax Spotmeter V.<\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14568979685\" title=\"Beyond Bliss by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm3.staticflickr.com\/2923\/14568979685_88d6d8db93_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Beyond Bliss\"><\/a><\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14565595071\" title=\"Framed In Trees by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm6.staticflickr.com\/5591\/14565595071_90d3cb9a65_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Framed In Trees\"><\/a><\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14382342948\" title=\"Swing,Swing by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm4.staticflickr.com\/3913\/14382342948_fa022a2ea7_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Swing,Swing\"><\/a><\/p>\n<p>Then again in the same camera (Rolleiflex 2.8F) using the internal meter in the Beaches neighborhood of Toronto, Ontario.<\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/17419812142\" title=\"TFSM - Spring &#x27;15 - The Beaches by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm6.staticflickr.com\/5329\/17419812142_8ddca587a2_b.jpg\" width=\"1024\" height=\"1024\" alt=\"TFSM - Spring &#x27;15 - The Beaches\"><\/a><\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/17421359441\" title=\"TFSM - Spring &#x27;15 - The Beaches by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm8.staticflickr.com\/7707\/17421359441_d328243957_b.jpg\" width=\"1024\" height=\"1024\" alt=\"TFSM - Spring &#x27;15 - The Beaches\"><\/a><\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/17395745316\" title=\"TFSM - Spring &#x27;15 - The Beaches by Alex Luyckx, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm9.staticflickr.com\/8855\/17395745316_e8cb82707e_b.jpg\" width=\"1024\" height=\"1024\" alt=\"TFSM - Spring &#x27;15 - The Beaches\"><\/a><\/p>\n<p>While we can never have Panatomic-X back it&#8217;s nice to know you can still get somewhat of that antique look with a modern film. If you want to try out Panatomic-X yourself, the Film Photography Project still has some <a href=\"http:\/\/filmphotographyproject.com\/store\/expired-35mm-bw-kodak-panatomic-x\" target=\"_blank\" rel=\"noopener\">bulk loaded film for sale<\/a> or <a href=\"http:\/\/filmphotographyproject.com\/store\/35mm-bw-kodak-tmax-100-1-roll\" target=\"_blank\" rel=\"noopener\">pick up some fresh TMax 100<\/a> and try the trick out yourself!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anyone who has been in photography for a long time will remember the legendary Kodak film, no, not Kodachrome, the other one&#8230;Panatomic-X. Panatomic-X was first released in 1933 and continued until 1987 this fine grain ASA-32 panchromatic black &#038; white film produced a huge tonal range and allowed for even 35mm negatives to be printed extremely large without noticeable grain&#8230;and when there was grain is was very pleasing. These days you cannot find fresh film, or even another film on the market like it. Most of the film I&#8217;ve shot expired back in the 1970s but can still be shot at box speed (ASA-32). The<a class=\"more-link\" href=\"http:\/\/www.alexluyckx.com\/blog\/2015\/05\/15\/the-panatomic-x-trick\/\"><span>Read More &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[1050,22,1049,477,845,354,32,171,288,26,29,612,31,83,610,201],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/388"}],"collection":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/comments?post=388"}],"version-history":[{"count":1,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/388\/revisions"}],"predecessor-version":[{"id":3255,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/388\/revisions\/3255"}],"wp:attachment":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/media?parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/categories?post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/tags?post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}