{"id":6177,"date":"2024-09-19T06:00:01","date_gmt":"2024-09-19T10:00:01","guid":{"rendered":"http:\/\/www.alexluyckx.com\/blog\/?p=6177"},"modified":"2024-07-29T06:44:45","modified_gmt":"2024-07-29T10:44:45","slug":"classic-film-review-kodak-tri-x-pan","status":"publish","type":"post","link":"http:\/\/www.alexluyckx.com\/blog\/2024\/09\/19\/classic-film-review-kodak-tri-x-pan\/","title":{"rendered":"Classic Film Review &#8211; Kodak Tri-X Pan"},"content":{"rendered":"<p>You may have a couple of questions when looking at this review. First, haven&#8217;t I already reviewed Kodak Tri-X? To answer that, yes, it was one of the earliest films I reviewed, but this isn&#8217;t 400TX. This is Tri-X Pan or 320TXP\/TXP, a more classic version of the modern classic emulsion. The second is, how can it be a classic review if the emulsion is still being made? Again, the sheet format of 320TXP is still in production, but the roll film was discontinued in 2010. But I quickly learned that I shot this film a lot more in sheet format than roll film format, but I figured why not go back and revisit this lovely classic emulsion and give it a bit more publicity.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2024\/05\/cfrb-320txp-1024x538.jpg\" alt=\"\" width=\"1024\" height=\"538\" class=\"aligncenter size-large wp-image-6194\" srcset=\"http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2024\/05\/cfrb-320txp-1024x538.jpg 1024w, http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2024\/05\/cfrb-320txp-300x158.jpg 300w, http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2024\/05\/cfrb-320txp-768x403.jpg 768w, http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2024\/05\/cfrb-320txp-425x223.jpg 425w, http:\/\/www.alexluyckx.com\/blog\/wp-content\/uploads\/2024\/05\/cfrb-320txp.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><strong>Film Specs<\/strong><br \/>\nManufacturer: Kodak<br \/>\nName: Tri-X Pan (320TXP)<br \/>\nType: Panchromatic Black &#038; White<br \/>\nFilm Base: Acetate<br \/>\nFilm Speed: ASA-320, Latitude:<br \/>\nFormats Available: Medium (120\/220), Sheets<br \/>\nDiscontinued: Roll Film (120\/220) 2010<\/p>\n<p><strong>Group 01 &#8211; Kodak D-76<\/strong><br \/>\nThere is always something special about pairing a classic emulsion with a classic developer, and Kodak D-76 (or similar clones) will make Tri-X Pan sing, especially in 4&#215;5. Despite the simplicity of the developer, it does make everything look good. There&#8217;s already little visible grain in large format, but it adds to that wide tonal range, especially in a 1+1 mix. The more dilute mix will also help drop the contrast and reduce the grain while maintaining the overall sharpness of the images. The results can be mixed with the older version in 120, but it is still a good pick for the expired and fresh film choices.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/12687544464\/\" title=\"52:320TXP - Week 07 - Crown Point\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3691\/12687544464_2b3839ddc1_b.jpg\" width=\"1024\" height=\"774\" alt=\"52:320TXP - Week 07 - Crown Point\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Anniversary Speed Graphic &#8211; Schneider-Kreuznack Angulon 1:6,8\/90 &#8211; Kodak Tri-X Pan @ ASA-320 &#8211; Kodak D-76 (1+1) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/47491874671\/\" title=\"Project:1867 - The Clarkson-Barnett House\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7821\/47491874671_a157908ef9_b.jpg\" width=\"1024\" height=\"807\" alt=\"Project:1867 - The Clarkson-Barnett House\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Pacemaker Crown Graphic &#8211; Schneider-Kreuznach Symmar-S 1:5.6\/210 &#8211; Kodak Tri-X 320 @ ASA-320 &#8211; Kodak D-76 (Stock) 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/46768490374\/\" title=\"Project:1867 - The Robinson-Adamson House\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7922\/46768490374_86e73c6728_b.jpg\" width=\"1024\" height=\"792\" alt=\"Project:1867 - The Robinson-Adamson House\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Pacemaker Crown Graphic &#8211; Schneider-Kreuznach Symmar-S 1:5.6\/210 &#8211; Kodak Tri-X 320 @ ASA-320 &#8211; Kodak D-76 (Stock) 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/47491874801\/\" title=\"Project:1867 - The Barber House\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7800\/47491874801_1939614dbd_b.jpg\" width=\"1024\" height=\"792\" alt=\"Project:1867 - The Barber House\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Pacemaker Crown Graphic &#8211; Schneider-Kreuznach Symmar-S 1:5.6\/210 &#8211; Kodak Tri-X 320 @ ASA-320 &#8211; Kodak D-76 (Stock) 5:30 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Group 02 &#8211; Kodak HC-110<\/strong><br \/>\nSecond to D-76, Kodak HC-110 is a safe choice for developing your Tri-X Pan, another classic choice for a classic emulsion. I&#8217;m more likely to choose a more dilute mix for my HC-110\/Ilfotec HC; Ithe base Dilution B (1+31) is the best choice. It bumps the contrast slightly but not overly so, as it helps give a more compressed tonal range and high-to-medium contrast. You get a slight increase in visible grain in the 120 format, but it adds to overall edge sharpness. Dropping to 1+63 would muddy the water and should only be used when dealing with high-contrast lighting or when more compensation is needed. You don&#8217;t have a compensating developer available.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/13101777125\/\" title=\"52:320TXP - Week 10 - The Ambassador Bridge\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3787\/13101777125_88a7d9d3ee_b.jpg\" width=\"1024\" height=\"688\" alt=\"52:320TXP - Week 10 - The Ambassador Bridge\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Anniversary Speed Graphic &#8211; Schneider-Kreuznack Angulon 1:6,8\/90 &#8211; Kodak Tri-X Pan @ ASA-320 &#8211; Kodak HC-110 Dil. B 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/8385522785\/\" title=\"Project:1812 - Fort Meigs\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/8360\/8385522785_8072e3a70c_b.jpg\" width=\"1024\" height=\"737\" alt=\"Project:1812 - Fort Meigs\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Pentax 645 &#8211; SMC Pentax A 645 35mm 1:3.5 &#8211; Kodak Tri-X Pan @ ASA-320 &#8211; Kodak HC-110 Dil. B 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14715653992\/\" title=\"52:320TXP - Week 29 - A Mad World, My Masters\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3864\/14715653992_1e57d8f66e_b.jpg\" width=\"1024\" height=\"806\" alt=\"52:320TXP - Week 29 - A Mad World, My Masters\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Anniversary Speed Graphic &#8211; Schneider-Kreuznack Angulon 1:6,8\/90 &#8211; Kodak Tri-X Pan &#8211; ASA-320 &#8211; Kodak HC-110 Dil. B 5:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/8736122989\/\" title=\"Lister\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7286\/8736122989_f0acb906e2_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Lister\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Bronica SQ-Ai &#8211; Zenzanon-PS 65mm 1:4 &#8211; Kodak Tri-X Pan @ ASA-320 &#8211; Kodak HC-110 Dil. B 5:30 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Group 03 &#8211; Rodinal<\/strong><br \/>\nWhen I first started using Kodak Tri-X, I never thought Rodinal would be a good match for the film. And while I still feel that way, it&#8217;s more because of how things look in 35mm, but getting up in 120 and 4&#215;5 formats, it is a surprisingly excellent match. Now, I would avoid using Rodinal with expired versions of the film, but for fresh film, it is fantastic. You want to give it a one-stop overexposure and use a dilute mix, 1+50 or even a 1+100 with semi-stand development. It will help compensate for Rodinal&#8217;s sharpening and high-contrast nature and give a far smoother result. I like how it increases the grain but makes the edges sharp and keeps that wide tonal range. I still have yet to decide, but if I need better sharpness, then Rodinal is for sure.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48647169672\/\" title=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48647169672_c898fb71bf_b.jpg\" width=\"1024\" height=\"730\" alt=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Linhoff Technika V &#8211; Nikon Nikkor-W 180mm 1:5.6 &#8211; Kodak Tri-X 320 @ ASA-200 &#8211; Blazinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48647034166\/\" title=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48647034166_7c47a0a179_b.jpg\" width=\"1024\" height=\"822\" alt=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Linhoff Technika V &#8211; Nikon Nikkor-W 180mm 1:5.6 &#8211; Kodak Tri-X 320 @ ASA-200 &#8211; Blazinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48647033901\/\" title=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48647033901_0423ab6a4b_b.jpg\" width=\"1024\" height=\"776\" alt=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Linhoff Technika V &#8211; Nikon Nikkor-W 180mm 1:5.6 &#8211; Kodak Tri-X 320 @ ASA-200 &#8211; Blazinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/48646669993\/\" title=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/65535\/48646669993_09f1fc2be9_b.jpg\" width=\"1024\" height=\"815\" alt=\"Camera Review Blog No. 110 - Linhoff Technika Master V\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Linhoff Technika V &#8211; Nikon Nikkor-W 180mm 1:5.6 &#8211; Kodak Tri-X 320 @ ASA-200 &#8211; Blazinal (1+50) 9:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Group 04 &#8211; Kodak Xtol<\/strong><br \/>\nFor modern developers and Tri-X Pan, there is no better choice than Xtol or its various clones. If you aren&#8217;t a fan of grain but want to maintain edge sharpness, then Xtol will be an excellent match for both the 4&#215;5 and 120 versions of the film. Xtol will easily knock back the visible grain, keeping the edge sharp and providing fantastic tonality. This is because I often go for the 1+1 dilution rather than stock when shooting at box speed. Now, if you are going into under-exposure and push development, go with stock to maximise the ability of Xtol to keep the grain under control while using the 1+1 for over-exposure and pull development.<\/p>\n<p><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14784967015\/\" title=\"52:320TXP - Week 30 - The Last Blockhouse\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3861\/14784967015_119d103e32_b.jpg\" width=\"1024\" height=\"783\" alt=\"52:320TXP - Week 30 - The Last Blockhouse\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Anniversary Speed Graphic &#8211; Fuji Fujinon-W 1:5.6\/125 &#8211; Kodak Tri-X Pan &#8211; ASA-320 &#8211; Kodak Xtol (1+1) 8:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14001192454\/\" title=\"52:320TXP - Week 16 - Man the Trouble Is\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7361\/14001192454_6cf394e792_b.jpg\" width=\"1024\" height=\"748\" alt=\"52:320TXP - Week 16 - Man the Trouble Is\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Anniversary Speed Graphic &#8211; Fuji Fujinon-W 1:5.6\/125 (Orange-22) &#8211; Kodak Tri-X Pan &#8211; ASA-320 &#8211; Kodak Xtol (1+1) 8:30 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/14332003499\/\" title=\"52:320TXP - Week 26 - Among The Crosses\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/3909\/14332003499_4299113ce8_b.jpg\" width=\"1024\" height=\"801\" alt=\"52:320TXP - Week 26 - Among The Crosses\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Graflex Anniversary Speed Graphic &#8211; Kodak Ektar f:7.7 203mm &#8211; Kodak Tri-X Pan &#8211; ASA-200 &#8211; Kodak Xtol (1+1) 12:00 @ 20C<\/figcaption><\/figure><figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/axle81401\/10846655596\/\" title=\"Smoove Night - Oct 22nd\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/live.staticflickr.com\/7396\/10846655596_7be8e7583d_b.jpg\" width=\"1024\" height=\"747\" alt=\"Smoove Night - Oct 22nd\"\/><\/a><figcaption class=\"wp-caption-text\"><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script>Pentax 645 &#8211; SMC Pentax A 645 75mm 1:2.8 &#8211; Kodak Tri-X Pan (TXP) @ ASA-1250 &#8211; Kodak Xtol (Stock) 12:00 @ 20C<\/figcaption><\/figure><\/p>\n<p><strong>Final Thoughts<\/strong><br \/>\nWhile I am disappointed that you can no longer get 320TXP in 120 format, I am glad that Kodak did not change the 4&#215;5 version to match the modern 400TX. Due to the cost of 4&#215;5 sheets, I use it sparingly, but it would be my first choice for a paid job. I will always pick it up in expired rolls and sheets because I know the film will be delivered well and well made. Despite being a faster film, it handles ageing more than other fast films. Scanning the film is easy; I never struggled with that aspect of my photography, and while the 120 does tend to cup (like most Kodak films), the 4&#215;5 always dried flat. One of the best parts is that Tri-X Pan responds well to more developers than these four; I was always fond of how it looked in Pyro developers, PMK Pyro mainly, but it could also handle Pyrocat-HD and would look fabulous in 510-Pyro.<\/p>\n<p><strong>Further Reading<\/strong><br \/>\nDon&#8217;t just take my word on Kodak Tri-X Pan, you can check out the reviews by other awesome camera reviewers!<br \/>\n<em>No other reviews found.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>You may have a couple of questions when looking at this review. First, haven&#8217;t I already reviewed Kodak Tri-X? To answer that, yes, it was one of the earliest films I reviewed, but this isn&#8217;t 400TX. This is Tri-X Pan or 320TXP\/TXP, a more classic version of the modern classic emulsion. The second is, how can it be a classic review if the emulsion is still being made? Again, the sheet format of 320TXP is still in production, but the roll film was discontinued in 2010. But I quickly learned that I shot this film a lot more in sheet format than roll film format,<a class=\"more-link\" href=\"http:\/\/www.alexluyckx.com\/blog\/2024\/09\/19\/classic-film-review-kodak-tri-x-pan\/\"><span>Read More &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[126,22,286,73,74,331,1135,1759,283,28,1862,306,78,132,1860,1760,537,171,1861,1139,392,393,288,60,936,200,29,395,502,716,546,75,1720,543,549],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/6177"}],"collection":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/comments?post=6177"}],"version-history":[{"count":5,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/6177\/revisions"}],"predecessor-version":[{"id":6534,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/6177\/revisions\/6534"}],"wp:attachment":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/media?parent=6177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/categories?post=6177"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/tags?post=6177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}