{"id":666,"date":"2017-07-25T07:03:53","date_gmt":"2017-07-25T11:03:53","guid":{"rendered":"http:\/\/www.alexluyckx.com\/blog\/2023\/02\/07\/the-battle-of-fort-george-2017\/"},"modified":"2023-02-21T07:04:59","modified_gmt":"2023-02-21T12:04:59","slug":"the-battle-of-fort-george-2017","status":"publish","type":"post","link":"http:\/\/www.alexluyckx.com\/blog\/2017\/07\/25\/the-battle-of-fort-george-2017\/","title":{"rendered":"The Battle of Fort George &#8211; 2017"},"content":{"rendered":"<p>Many people have asked me how I first got into the reenacting hobby; my answer is a strange one for some. I got into the hobby through photography. It was back in 2008 when the Fort York Guard requested that I come along to the annual Siege of Fort Erie event to grab some photos. I walked away <a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/sets\/72157606670337744\/\" target=\"_blank\" rel=\"noopener\">with some great shots<\/a>, and my presence soon migrated to the 7th Battalion, 60th Regiment of Foot, a brand new reenacting unit at that point. I watched as these dedicated individuals portrayed what the British military was like during the Anglo-American War of 1812 and learned a lot more about the conflict than I had in Grade 8 history. In 2011, I made a decision, having saved up enough money I was going to join the hobby, and trade my camera in for a musket (not literally of course).<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35743418981\/in\/album-72157683974785370\/\" title=\"A Spring in his Step\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4213\/35743418981_d676155e21_b.jpg\" width=\"1024\" height=\"1024\" alt=\"A Spring in his Step\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Hasselblad 500c &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Ilford Pan F+ @ ASA-50 &#8211; Ilford Microphen (stock) 6:00 @ 20C<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35065468473\/in\/album-72157683974785370\/\" title=\"Taking the Polish\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4297\/35065468473_482525c208_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Taking the Polish\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Hasselblad 500c &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Ilford Pan F+ @ ASA-50 &#8211; Ilford Microphen (stock) 6:00 @ 20C<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35743417321\/in\/album-72157683974785370\/\" title=\"Getting the Polish On\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4279\/35743417321_fb9a165d55_b.jpg\" width=\"1024\" height=\"1024\" alt=\"Getting the Polish On\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Hasselblad 500c &#8211; Carl Zeiss Planar 80mm 1:2.8 &#8211; Ilford Pan F+ @ ASA-50 &#8211; Ilford Microphen (stock) 6:00 @ 20C<\/em><\/p>\n<p>I would still bring a camera with to some events, capturing more behind-the-scenes actions of camp life as a reenactor and the quirks of my unit (7\/60th of course). Occasionally, I would still visit an event as a photographer, or even take a day off if I had some injury or lack of a unit to march with, which has become less an issue today. But I usually left the big guns at home because often I don&#8217;t have the room to lug around any more than a small collection of compact cameras and no long telephotos. This year&#8217;s Fort George Event had a bit of a twist; we were staying in the blockhouse on the site, so I had a secure spot for my camera gear and not having to bring all the camping gear I had room in my car.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35854337266\/in\/album-72157683974785370\/\" title=\"Stalking the Line\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4312\/35854337266_898d66effb_b.jpg\" width=\"672\" height=\"1024\" alt=\"Stalking the Line\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Efke KB100 @ ASA-100 &#8211; Blazinal (1+50) 10:00 @ 20C<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35507169130\/in\/album-72157683974785370\/\" title=\"You Call that Polished?\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4306\/35507169130_e58372a94d_b.jpg\" width=\"1024\" height=\"691\" alt=\"You Call that Polished?\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Efke KB100 @ ASA-100 &#8211; Blazinal (1+50) 10:00 @ 20C<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35854334946\/in\/album-72157683974785370\/\" title=\"Drum Major\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4208\/35854334946_26676c03a8_b.jpg\" width=\"1024\" height=\"692\" alt=\"Drum Major\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Efke KB100 @ ASA-100 &#8211; Blazinal (1+50) 10:00 @ 20C<\/em><\/p>\n<p>Saturday I stuck to the Hasselblad 500c as I was shooting for the July Summer Film Party contest and I joined the 10th Royal Veteran Battalion for both the change of command ceremony and the two battles. All of them went off wonderfully with the evening tactical being a favourite of mine. On Sunday I was ready to shoot differently, with a proper event kit, that is my Nikon F5 and 70-200mm telephoto lens and several rolls of film.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35105694283\/in\/dateposted-public\/\" title=\"The Look\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4287\/35105694283_942d1113d2_b.jpg\" width=\"1024\" height=\"685\" alt=\"The Look\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Kodak Plus-X @ ASA-125 &#8211; Kodak D-23 (Stock) 7:00 @ 20C<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35074900074\/in\/dateposted-public\/\" title=\"Sentry Duty\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4206\/35074900074_3d44d98109_b.jpg\" width=\"1024\" height=\"666\" alt=\"Sentry Duty\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Kodak Plus-X @ ASA-125 &#8211; Kodak D-23 (Stock) 7:00 @ 20C<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35105695283\/in\/dateposted-public\/\" title=\"Oh Hai\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4320\/35105695283_e395385e58_b.jpg\" width=\"1024\" height=\"690\" alt=\"Oh Hai\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Kodak Plus-X @ ASA-125 &#8211; Kodak D-23 (Stock) 7:00 @ 20C<\/em><\/p>\n<p>Having studied the work of several photographers who frequent events, namely <a href=\"https:\/\/laughingdevilphotography.wordpress.com\/\" target=\"_blank\" rel=\"noopener\">Michael Hurley<\/a>, and taking the critique from my lovely wife to heart I left the wide and normal lenses at home and packed the only the 70-200mm and 105mm lenses in order to photograph the people as well as the battle itself. And the best part is that I woke up Sunday in the right mood for some people photography. Locking my lens into f\/4, I went to work around camp. The joys of being known as both a reenactor and a photographer are that I can wander about at will.<\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35850165232\/in\/dateposted-public\/\" title=\"Come on Lads\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4320\/35850165232_03d0dd46c5_b.jpg\" width=\"703\" height=\"1024\" alt=\"Come on Lads\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Agfaphoto Vista Plus @ ASA-400 &#8211; Processing By: Burlington Camera<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35850163202\/in\/dateposted-public\/\" title=\"Let&#x27;s Show &#x27;em what we&#x27;re made of\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4299\/35850163202_f62ac24f16_b.jpg\" width=\"1024\" height=\"688\" alt=\"Let&#x27;s Show &#x27;em what we&#x27;re made of\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Agfaphoto Vista Plus @ ASA-400 &#8211; Processing By: Burlington Camera<\/em><\/p>\n<p><a data-flickr-embed=\"true\"  href=\"https:\/\/www.flickr.com\/photos\/axle81401\/35850160122\/in\/dateposted-public\/\" title=\"One Final Volley\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/farm5.staticflickr.com\/4319\/35850160122_e95b364361_b.jpg\" width=\"1024\" height=\"679\" alt=\"One Final Volley\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\n<em>Nikon F5 &#8211; AF-S Nikkor 70-200mm 1:2.8G VR &#8211; Agfaphoto Vista Plus @ ASA-400 &#8211; Processing By: Burlington Camera<\/em><\/p>\n<p>When it came time to do battle I switched out for a colour film stock, thanks to my friend James. I had never shot Agfaphoto Vista Plus a fast colour negative film but it sure felt and behaves like Fuji Superia 400, even down to the negative marks on the edges. And of course switching into a shutter priority mode, something I had not done before when shooting a battle sequence. Now the trick with shooting a reenactment is burst shooting, but having only a single roll of 36-Exposures, I had to trust my gut and ability to shut off the brain and listen for the commands. Make ready, bring the camera up and compose the image, present, half-press the shutter release to get focus and exposure, FIRE, fire off a single shot. A little different than with a musket, but sometimes you need to adapt to a situation. A different way of doing things like the two digital shooters flanking me. If you want to see the full set head over <a href=\"https:\/\/www.flickr.com\/photos\/axle81401\/albums\/72157683974785370\" target=\"_blank\" rel=\"noopener\">to my Flickr set<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many people have asked me how I first got into the reenacting hobby; my answer is a strange one for some. I got into the hobby through photography. It was back in 2008 when the Fort York Guard requested that I come along to the annual Siege of Fort Erie event to grab some photos. I walked away with some great shots, and my presence soon migrated to the 7th Battalion, 60th Regiment of Foot, a brand new reenacting unit at that point. I watched as these dedicated individuals portrayed what the British military was like during the Anglo-American War of 1812 and learned a<a class=\"more-link\" href=\"http:\/\/www.alexluyckx.com\/blog\/2017\/07\/25\/the-battle-of-fort-george-2017\/\"><span>Read More &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[1367,126,910,22,182,298,290,152,129,148,278,109,82,29,1207,1075,106],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/666"}],"collection":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/comments?post=666"}],"version-history":[{"count":1,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/666\/revisions"}],"predecessor-version":[{"id":3669,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/posts\/666\/revisions\/3669"}],"wp:attachment":[{"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/media?parent=666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/categories?post=666"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.alexluyckx.com\/blog\/wp-json\/wp\/v2\/tags?post=666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}