One of my favourite cities in Ontario to photograph is Ottawa, Ontario, also the Capital City of Canada. While not as grandiose in planning as Washington DC, this city has plenty of offer the photographer. A recent week’s holiday there with my wife gave me a chance to exersize several cameras from my toolkit and having plenty of my pro gear having shot a weekend before hand I was loaded for bear both in gear and film stock.
Day One found us going to the newly renovated Museum of Canadian History in Gatineau then across the river for lunch. Having been blessed with a sunny week I decided to keep most of my film stocks on the slower side, most rating no more than ASA-100. It also saw a return of Eastman 5363 a favourite motion picture stock that I did extensive tests with the first time it came to the still photography market through the Film Photography Project.
Another film that I gave a try with, and only the second time shooting in 120 is Bergger Pancro 400, a new film stock out of France from a company better known for their traditional photo paper I was fairly pleased with the stock. This time around I shot it at the full speed of ASA-400 just so that shooting at waist level I could get some deep depth of field and fast shutter speeds. While a little more grainy than I was expecting from a 400-speed film in medium format I am fairly pleased with the results.
While if you’re a following of this blog, you’ve already seen some of the film shots from Day Four through my review of the Holga 120N. But after the National Gallery, which has a beautiful photography exhibit at the moment, I swung up my trusty Nikon F2 Photomic. With blue skies and white clouds, it was time to get some filtering on the camera. While the MosaïCanada 150 display was begging for some Infrared work, I was rather pleased with the results of the Orange-22 filter.
The final day saw us kicking around Parliament Hill. Sadly I had to check my bag and Nikon F5 for the tour of Parliament and the Changing of the guard, I made a point to head back with the ultra-wide lens and some Fomapan 100, a beautiful film that I had yet to shoot in 35mm, to capture the seat of power for Canada. When I’ve run a project I like to keep the film stocks fairly consistent. And while I did make sure to bring multiples of two (mostly), I use vacations as a time to play around with new/odd film stocks, sometimes it turned out great. Other times not so much.