It’s been a while since I’ve had a wedding to write about, and this wedding is one that has been in the works for some time now. And the longest I’ve ever been on retainer for a job. But in this case, it was well worth the wait. I am of course talking about the wedding between Amy and Jeremy.
The trouble with weddings is how do you go about photographing them? I say this because a wedding is a job that is many jobs. You’re a portrait photographer, event photographer, counsellor, valet, gopher, and many other jobs on top of everything else.
So this time around I made a point to approach this wedding how I do weddings best, as a photojournalist. Because, while a wedding is an event, it’s also a story, the story of the day. So when I arrived, I started to work to tell the story of Amy and Jeremy’s wedding.
And you know, I hit my groove, I just moved along taking things as they came. I also found out that I can be in two places at once especially during the ceremony. Having the small, lightweight a6000 and sticking to only three lenses for the camera allowed me to capture the ceremony (and edit out all the crying photos) along with my trusty F5 (first time shooting it at a wedding) with only the 50mm lens. An outdoor wedding gave me all the space I needed to move around and eliminated the need to have the heavy 70-200mm lens I had lugged along; the classic AI-S Nikkor 105mm f/2.5 gave me all the reach I needed.
For portraits, I wanted something a little bigger to work with so out came the Hasselblad, again the first time the Hassy has been used at a wedding along with the Gossen Lunasix F. It sang as well as we moved throughout the village. Having never been to the Kawartha Settler’s Village I had settled to scout the place using their website and Flickr to come up with the buildings I wanted to us. And what made the whole thing a fantastic job to shoot, is how smoothly I worked with the people and how well they responded.
As for the film stock, of course, I went with Kodak Tri-X 400. When you’re out shooting something important, you have to go with a film stock you know and trust and what better way to shooting a wedding as a photojournalist than with the go-to film for photojournalism. The only difference is that instead of using Pyrocat-HD for the portraits I decided to try something different and developed the medium format Tri-X in Blazinal (Rodinal) and the results they speak for themselves. I wish nothing but happiness for these two, it’s been a long time coming, and it was well worth the wait.
Colour Digitals: Sony A6000 + Sony E PZ 16-50mm 1:3.5-5.6 OSS, AF Nikkor 35mm 1:2D, AI-S Nikkor 105mm 1:2.5, KMZ Helios 44M-2
B&W Film (Rectangular): Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak Tri-X 400 @ ASA-400
Kodak HC-110 Dil. B 6:00 @ 20C
B&W Film (Square): Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak Tri-X 400 @ ASA-200
Blazinal (1+25) 7:00 @ 20C