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After getting some excellent results from TMax 400, could lightning strike twice with TMax 100? Now I like TMax 100 far more than the 400 version mainly because TMax 400 despite being super sharp lacks a lot of character. But with TMax 100 I’ve always liked the results I’ve gotten out of it, but I’ve always under-exposed and pulled in development but I’ve never under-exposed and pushed. So will I get similar performance from TMax 100 as I got before? Well the answer is… Film Specs Manufacturer: Kodak Name: TMax 100 (100TMX) Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100 Formats Available: 135, 120,Read More →

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There are small cameras, and then there are small cameras. When designing cameras, there are certain constraints that you must work within. In the realm of 35mm cameras, you do have to make sure there’s enough room to fit the cartridge, and there have been some small 35mm cameras that I have reviewed. The one I think of is the RETO Ultra-Wide & Slim, and in the 35mm world, the smallest I’ve worked with is the Pentax MX (smaller than even the Olympus OM-1 and Nikon FM). But once you start to scale down the size of the film, you can bring the size ofRead More →

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Fujifilm Neopan Acros 100 is a film that has achieved cult status and is almost universally loved by film photographers. Personally, I see the value in Acros and appreciate what it can do, but it never became a staple in my photography. It offers fine-grain, incredible sharpness and tonality. It also has a long reciprocity making it perfect for long exposure. A capable portrait film that provides amazing skin tones, but is also versatile to use in other applications like landscape, astrophotography, and architecture. But then Acros 100 went away; Fuji discontinued Acros 100 in 2018, citing the inability to source the needed raw materials.Read More →

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When it comes to places I’ve photographed in my local area, the city of Brampton isn’t one I often visit for photography. Now, to be clear, I have made several trips to Brampton for photography, but mostly around Sheridan’s Davis Campus. But the historic downtown I’ve only visited twice, the first time was for a PYPS Winter Weekend and the second time to test out a new-to-me Olympus OM-1n. So when I was putting together a plan for this year’s 12 Months on Film, I wanted to include places I’d been only once or twice, and Brampton, though it didn’t make the initial cut, endedRead More →

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There’s something to be said about OEM lenses with full compatibility, native mount support, and a high level of quality control. That all comes with a cost attached. Then there are third-party manufacturers: companies that often offer the same level of compatibility, quality control, and multiple lens mount options, but many don’t carry a price tag as high as the original manufacturers’. So today, we have John and Bill, joined by Mario and Brian, to discuss all things third party, from classic Tokina, Tamron, and Sigma. Modern options from TTArtisans and 7Artisan lenses, and of course, Light Lens Labs, who are painstakingly creating modern, affordableRead More →

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In: Between Darkness & Light
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I had not been exploring in Buffalo proper since 2007, and honestly, if they had including some of these locations at that event I probably would have had a better time. So taking advantage of the invitation to join in a short Labour Day exploration in 2012 to check out a couple of locations on the other side of the border, I jumped on the chance. Both locations we checked out were right next to each other in a former industrial corridor on Northland Avenue. Of the two, the most interesting is this spot, the former Curtiss-Wright metal forming works, but its history is muchRead More →

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Do I really need to do another D-76 clone review? The answer is yes, yes I do. So during the end of production of Kodak chemicals by Sino Promise the fine folks at Adox Photo went out and purchased the rights to some of the names of Kodak chemicals, including D-76 (although you can still get Kodak D-76 now produced in the USA) as part of their efforts to ensure that the supply of these chemicals continue. And so in 2023 Adox D-76 hit the market, the one thing that sets Adox’s version apart is that it has a longer shelf life thanks to aRead More →

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I love winter. Well, a specific type of winter, the winter we had this past winter. And while we’re all here now, looking forward to spring, I wanted to look back at the winter that was, because I had a lot of fun this year. So what made this winter better than, say, the past two that we had? Well, first off, we got snow early, back in November 2025, which was awesome. And sure, we did lose all of it over the rest of the month and into December. But we did get some back in December, only to lose it again. But weRead More →

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So, back in December 2025, Alex handed out some expired film to James and Bill, and today we’re back revisiting the topic of expired film. And while Bill & James haven’t had the chance to shoot their rolls, Alex did shoot his odd duck of a roll. Everything from colour shifts to fog and bad chemical packs, it’s all about shooting and using expired film. From developing without any data to best practices, techniques and chemistry needed. Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’sRead More →

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In: Camera Tales
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A fixed-lens rangefinder is good, but the gold standard for photography was an SLR. I had used SLRs before, including the beat-up K1000 in my high school darkroom and a fellow student’s parent’s SLR. And now that I had been bitten by the photography bug, I was on the hunt for one. The effort did have a false start; I got a Zenit B at a garage sale and failed miserably with that camera. I ended up trading it for another K1000 because the other guy wanted the Helios-44-2 lens attached. But then I happened across the Minolta SR-T 102. Since I already had aRead More →