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Don’t worry, this isn’t a post about new-age music. Back in August, I had the chance to tour one of Canada’s museum ships again; we don’t have many, especially here in Ontario. But it got me thinking about how important these museum ships are in bringing us closer to history. It’s all well and good to read about the naval battles of the past. But being able to walk the decks of the ships that were right in the thick of things is something else. My first experience with museum ships came way back in the 1990s on a family vacation to Hilton Head andRead More →

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I knew, I just knew that one day I would end up here with a large format camera. You could say I was influenced by the Film Photography Project and one of their hosts specifically. The Crown Graphic was one of three large-format cameras I owned and used; it was also the one that ‘fit’ my style of photography best, and the one I used the longest before I left the format. While not the largest format I used, 4×5 was the sheet film format that I used the most. If I had to lay the blame for my getting into large-format photography, I wouldRead More →

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There’s something so unique about looking back on a trip and thinking, “I was in a place where history was being made.” Remember, not all history is good history, but it was history all the same. Ten years ago, I visited a city I had wanted to visit for some time, but it had always slipped through my fingers. But in 2016 I finally decided to take some time and visit Washington, DC. It was the final place I needed to photograph and visit to complete my massive War of 1812 project, which, at that point, had been going on longer than the war itself,Read More →

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I was starting to worry that I wouldn’t be able to complete this trinity of the original Efke films. Still, a fellow film photographer came through and sent me not one, not four, but a brick of ten rolls of Efke 25, and not just in 35mm, but in 120, that’s right, we’re doing the final review in the Efke trilogy with Efke R25. Efke 25 is the slowest and hardest to handle of all the Efke films, rated nominally at ASA-25. It is based on the original line of films first released by Adox in the 1950s. This is a single-pass emulsion with highRead More →

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A few weeks ago, an event that I first attended in 2012 had its final form. Back on the 20th and 21st of June, a group gathered to celebrate the life of Bill Schwab, who had passed away in 2025 while doing what he did best: leading a group of keen photographers to explore the world. Bill was the brains behind an event called Photostock. It started as a small gathering in the woods on his property in Michigan, far from the dirty industrial south, but in the far more beautiful northern parts of the state. And while I’m a fan of an event becomingRead More →

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In the Urban Exploration hobby there is a concept of a risk to reward ratio. The idea is that an explorer needs to determine if the risk of entering the abandoned building is worth the reward of what might be seen inside. In my case, if I saw an abandoned house in an active neighbourhood, I might think that the risk of getting caught inside what could be a mundane house is not worth the potential reward of having a perfectly intact time-capsule. Another explorer might think differently. But if I saw an abandoned factory, I would probably think that the risk of getting caughtRead More →

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Last year, for an episode of the Classic Camera Revival, I interviewed Pedro, the owner of Máquinas de Outros Tempos, or Machines from Another Time, a dedicated film lab and camera shop in Porto, Portugal. One of the other projects that the company runs is Cinemot, a supplier of film, both respooled and directly contracted for production. After listening to Pedro’s passion for film photography, I decided to order some of the film stocks offered by the company the black-and-white offerings. More importantly, I ordered these directly from Cinemot, and the time it took to get from Portugal to Canada was rather quick. Those beingRead More →

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I have a troubled history with 200-speed films. They’ve always given me more trouble and often try too hard, which can be detrimental. I struggled to find a way through Fomapan 200 and Rollei Superpan 200. Both Svema and Derev Pan 200-speed offerings were far more trouble than they’re worth. And then last year, along came Kentmere 200, a middle child for the Kentmere budget offerings. In all these colour film releases, Kentmere 200 took a backseat. But I latched onto Kentmere 200 almost right away. I already enjoyed Kentmere 100 and Kentmere 400, and the first flush of Kentmere 200 proved a solid performer.Read More →

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By 1814, both sides were starting to tire of the war. For the Americans, they had been facing no actual movement. The Royal Navy was causing havoc on the east coast. The British held Mackinac Island, Fort Niagara, the District of Maine, and Prarie Du Chien. The Americans only held Fort Erie, having been turned back in their Niagara invasion. They were under siege and had some control of the western edge of Upper Canada but nothing beyond the settlements of Sandwich and Amherstburg. The possibility of peace negotiations had started in 1813 but were soon shut down. However, with long lines of communication betweenRead More →

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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →