Category Archives: Reviews

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Plastic Filmtastic

I was bitten by the toy camera bug a while back after getting a Holga, which has served me well, but recently on the Film Photography Podcast they were pushing this odd “new” camera that Michael Raso had discovered on “The Bay” named The Debonair, it looked like a cross between a Diana and a Holga. He had managed to stumble upon a lot of 2000 of these cameras sitting in a warehouse in Rochester, New York. I didn’t need another toy camera, but after seeing some of the shots out of the camera I needed to get one, and at twenty bucks, it wasn’t that expensive.

Cheers!

The camera itself is fairly light weight, but still feels solid in my hands, good control placement also. The camera is all plastic, built in the 1980s in Hong Kong, features a “Super” 60mm f/8 lens with two shutter speeds, one for sun, one for cloudy/flash. Focus is handled by the zone system, and it has a hotshoe, but doesn’t need batteries to operate a flash, which is a plus! It takes your regular 120 roll film and shoots in a portrait orented 6×4.5 format giving you 16 shots on a roll of film.

Candice

Optically I was surprised at the all plastic camera, the images when focused right came out really sharp with plesant vingetting around the edges, and with a flash makes for a great party camera. The one issue I have with the camera is loading it. You slide the entire back/bottom off the camera to load the film, and putting this back on is a bit of a pain, but in the end worth it for the wonderful images you get out of the camera. I do highly recomend this camera as a nice way to get into toy camera photography, very unassuming and no-nonsense, and more importantly it’s fun. And in the end isn’t that what photography should be…fun? At least I think so.

Let me explain this...

So why not Pick one up in the store today!

All images shot with the FPP Plastic Filmtastic Debonair on Fuji Neopan Acros 100 developed in Kodak HC-110 Dilution B for 5:00 at 20C.

Kodak ProPhoto XL

A couple weeks back I recieved a package from Michael Raso of the Film Photography Project, in addition to the flash bracket I had ordered for my Polaroid Auto 250 there were a couple rolls of film, 2 120 format Kodak Ektachrome E100G and E100GX, some E100G in 35mm and a roll of ProPhoto XL. The E100G series I was well aware of and now sadly Kodak has ended it’s entire line of E-6 films, but the ProPhoto XL was one I had not seen before.

Toronto - ProPhoto XL Tests

With good reason, some searches on the Internet revealed that the film was aimed at International markets and was simply a rebrand of their Gold line of films. I don’t say this like it’s a bad thing, I’ve used the Kodak Gold and Royal Gold line of films in the past with great results. The one thing that I really like about the Gold line of film is the warm cast that it has which really helps bring a punch to the images. So I wasn’t too concerned about the image that would come out of this ProPhoto XL.

Toronto - ProPhoto XL Tests

Although the day itself was pretty grey and dull. Rainy, miserable, I figured I’d give it a shot, as one person commented, a grey day is perfect for testing films.

Toronto - ProPhoto XL Tests

Like most Kodak films upon scanning there is a clear majenta shift in the shadows, that’s an easy fix in Photoshop, give the colour balance slider a bit more green on the shadows area to correct that. Images are fairly sharp, grain is acceptable for the speed. Just don’t let the name fool you, although it may say “ProPhoto” this is not one of Kodak’s Professional line of films, also don’t let that scare you, this is a great everyday film that can be used to test or just shots out on the town.