Classic Camera Revival – Episode 134 – Recent Developments


While Film Photography has been around for a while, some recent developments have occurred within the hobby and community. So in today’s episode, Alex, James, John, and Bill sit down to discuss the recently B&W developers they’ve been using and the newest photo-sharing site, Grainery!

Developers Mentioned On Today’s Show
A new player in town, 510-Pyro, takes a typically toxic developer type and tones it down to something far safer than even Pyrocat-HD. First released in 2006 and refreshed in 2012, 510-Pyro is another magic bullet developer. It offers everything you love about a pyro developer; it gives you that desired stain on the negative (more with the non-acidic fixer, but still present with a normal fixer), plus high acutance, fine-grain, superb tonal separation and lots of forgiveness. You can easily pull out shadows and highlight details from the negative even if they look underdeveloped.

Camera Review Blog No. 148 - Mamiya C220f
Mamiya C220f – Mamiya-Sekor 1:2.8 f=80mm – Fomapan 100 @ ASA-100 – 510-Pyro (1+100) 8:30 @ 20C
Film Review Blog No. 90 - Kosmo Foto Agent Shadow - Roll No. 02 (510-Pyro)
Nikon FE2 – AI-S Nikkor 35mm 1:2.8 (Yellow-12) – Kosmo Foto Agent Shadow @ ASA-400 – 510-Pyro (1+100) 10:30 @ 20C
Napoleon At Rest
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Ilford Delta 100 @ ASA-100 – 510-Pyro (1+100) 10:30 @ 20C
Film Review Blog No. 88 - Agfa Copex Rapid - Roll No. 3 (510-Pyro)
Mamiya m645 – Mamiya-Sekor C 45mm 1:2.8 N – Agfa Copex Rapid @ ASA-64 – 510-Pyro (1+300) 20:00 @ 21C

HRX is a bit of an odd-ball developer, especially how you mix it from concentrate. It is an alternative developer to something in the pyro category and can be a bit of a magic bullet. HRX is a developer that tries to check all the boxes with fine grain, sharpness, and close-to-box speed. And while James has been able to get the results he wants out of stock standard developers, but realises that he didn’t shoot things just right. But HRX certainly gets him the results he wants from how he shoots the film.

Minolta XE-7 – Minolta MD W.Rokkor-X 28mm 1:2.8 – Adox CHS 100 II @ ASA-100 – SPUR HRX (1+17) 10:45 @ 20C
Camera Review Blog No. 68 - Zenza Bronica GS-1
Bronica GS-1 – Zenzanon-PG 1:3.5 f=100mm – Ilford Delta 100 @ ASA-80 – SPUR HRX (1+20) 9:00 @ 20C
The Dog Fountain
Voigtlander Bessa – Voigtlander Anastigmat Voigtar 1:4,5 F=11cm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

The Moody Darkness
Nikon F5 – AF-S Nikkor 14-24mm 1:2.8G – Ilford HP5+ @ ASA-400
SPUR HRX (1+17) 11:00 @ 20C

Black/White & Green
Coming from a strong backing of LegacyPro instead of Kodak, and when the LegacyPro ran out, John decided to try out Flic Film’s Black/White & Green. This is a commercially available version of PC-TEA. It looks and acts like old-school HC-110 and gives you developing times equivalent to D-76 1+2. It also is safe to use in septic systems, and you only have to run it with a single dilution. It takes a bit to mix up due to the thick concentrate, but with a bit of effort, it will mix up nicely; it also is longer developing times and is all Canadian. And if you are looking for developing times, Flic Film has an extensive list of films and times on its website.

Fuji Fujica GW690 – EBC Fujinon 90mm f/3.5 – Ilford HP5+ @ ASA-800 – Flic Film Black/White & Green (1+49)

Hasselblad 500c/m – Rollei Retro 80s – Flic Film Black/White & Green (1+49)
Elm Street YWCA
Fujifilm GSW690II – EBC Fujinon-W f=65mm 1:5.6 – Ilford Ortho+ @ ASA-80 – Flic Film Black/White & Green (1+49) 11:30 @ 20C

Grainery – The New Game in Town
A new player in online photo sharing. Grainery is based on the idea of Instagram as it was supposed to be and used to be. But is more dedicated to film photographers, with a similar look and feel to Instagram but in a much softer form. There’s no video, no ads, and it is filled with like-minded photographers. Right now, it is a web-based application, but mobile apps for iOS and Android are coming soon. But for now, the website is mobile browser friendly. The app allows you to add your most common cameras, lenses, and film stocks. It also allows for better uploads; there’s no cropping. What you see is what you get! And while CCR won’t have an official account, our hosts on today’s show are all on the platform and working to build up their online catalogue.

Bill Smith –
Alex Luyckx –
John Meadows –
James Lee –

Want a subscription to SilverGrain Classics and are a fan of Classic Camera Revival? Visit their shop online and buy a magazine or a subscription? Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). In Quebec, Photo Service (Montreal, QC) and Studio Argentique (Montreal, QC), Out West there’s Kerrisdale Cameras (BC), The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), (Ontario), the Film Photography Project or Freestyle Photographic. Looking for development options, check out these labs that have our support, Boréalis Photo Lab, Old School Photo Lab, The Darkroom, and Film Rescue International.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival, Twitter @ccamerarevival, and Instagram (@classiccamerarevival)!

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