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I have a love/hate relationship with Bronica cameras. If you listen to the Classic Camera Revival Podcast, I railed against the Bronica SQ-Am in episode 22, and I gave away my SQ-Ai because of ergonomic issues I had with the camera. But putting all that aside I went into shooting the ETRS with an open mind and discovered a rather fun camera. When it comes to 645 cameras, the ETRS is the real underdog while the Mamiya m645 and to a lesser extent the Pentax 645 get most of the glory. Which to people looking to crack into medium format the ETR line of camerasRead More →

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Sometimes a camera sings, sometimes a camera just sucks, and then there’s the Maxxum 5000. It’s a meh camera, K-Car of cameras, the Maxxum 5000 isn’t the bell of the ball, and it is a little meh on the handling, but for basic, no-nonsense SLR photography, the 5000 is a cheap option with an A-Mount. Let me explain a little bit more. Some cameras are amazing that they grab your attention as soon as you pick it up, for me that would be the Nikon F2, F3, and F5. Also the Rolleiflex 2.8F and several other cameras. Others are so downright terrible that you wantRead More →

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If there is one type of cameras that I have little experience with its folders. Back in the summer, I did have a chance to review one; nothing could prepare me for the Ventura. It’s a camera with a bit of an identity issue, in addition to the Ventura Deluxe it could also be the Ventura 66 or the Isolette II, and while this camera did not perform how I thought it would it did give me a pleasant surprise. The history nerd in me also digs the fact that the camera was made in the “US Zone” part of the occupation of Germany afterRead More →

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There’s something to be said about a solid camera in your hands. It gives you a sense of being in the zone, a healthy weight, the feel of the mirror slamming up to expose the frame. Meet the Spotmatic, and this is one beast of an SLR. It’s clunky; it’s heavy, and yet feels so right to shoot. The Pentax Spotmatic was one of the first SLRs on the market to feature full open aperture TTL metering. And then there are the lenses, which focus smoothly and are super sharp. Disclaimer: This is an old review, and is scheduled for an update and may lookRead More →

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I’m going to come out and say it right off the bat. I’m used to handling big and bulky SLRs. Yet as I feel smaller cameras like the Nikon FE, Nikon FA, and Pentax ME Super, I realised that there needed to be a single instigator of this shift in SLR size. That camera is the Olympus OM-1, released just under two decades from the first ‘system’ SLR, the Nikon F. But the OM-1 switched the game, changed the narrative on the system camera. It showed you didn’t need a bulky camera to get results. And those who use the OM-1 or any of theRead More →

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While I have reviewed many cameras over the course of the two years running this project, and there have been many satisfying cameras. The one sub-type of cameras I haven’t explored in much detail is the SLRs from the 1990s. That is the plastic consumer SLRs that dominated the market before the advent of digital SLRs. The only other one I’ve checked out was the Nikon F90, which is a fantastic camera! And after listening to Episode 152 of the Film Photography Podcast I decided to check another one out and landed on a sweet deal on the Maxxum 700si! Disclaimer: This is an oldRead More →

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There’s something to be said about the ergonomics of cameras, for the most part, they hadn’t moved beyond the box cameras that dominated the snapshot market. Even the single lens reflex cameras and rangefinder cameras were boxes. And while they weren’t too bad to hang onto for extended periods of time there had to be something better. Today we have cameras with excellent grips, but the first thing I realized when I picked up the Contaflex Super B was that it wasn’t a box, and the trapezoid shape of the body would make the camera an enjoyable one to shoot as I walked from theRead More →

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To say the Mamiya Universal is clunky and hard to use is an understatement. But it is not wholly un-useable, you just need to find the flow of the camera. The Universal isn’t a bad camera, underrated, hard to use yes, but a good camera. And while the whole Press series is a strange departure and little more than a footnote in the history of Mamiya, it almost seems like they were trying to build a system camera to see that they could before hitting the big time with their medium format SLRs. But there is a strange draw to a camera system that youRead More →

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I’m a sucker for mechanical match needle SLRs. They’re simple, elegant and great to learn on and even now still a joy to shoot. The FT3 is just that, an easy to use, fun camera that can if needed double as a self-defence weapon. The sad part is that the FT3 only was made for a few months before being superseded by the Nikon FM. A unique creature among the more-consumer-oriented Nikkormat lines the FT3 can use AI and AI-S lenses even if they don’t have the coupling claw. Sadly you won’t be able to use the Non-AI glass that many Nikkormat shooters love. CameraRead More →

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If you have ever used the Olympus Trip 35 then, you’ll be right at home with the Minoltina-P. The camera is a fixed lens, semi-automatic point and shoot from the 1960s and honestly before I saw it on the shelf at Burlington Camera I had never even known this camera existed. But don’t let that scare you, Minolta produced a lot of underdog cameras through the 1960s that often were as good as their competitors. The Hi-Matic went up against the Olympus 35 and Cannonet Series, and the Minoltina, well it’s an Olympus Trip 35. Disclaimer: This is an old review, and is scheduled forRead More →