If you have ever listened to my photography journey then you will have had heard of this particular camera, I am of course talking about the Minolta Hi-Matic 7s. While among the plethora of fixed lens rangefinders that flooded the market through the 1960s and 1970s it doesn’t stand out among some of the era’s heavy hitters, the Hi-Matic 7s is a sleeper of a camera. And for me, it holds the honour of being my first personal film camera a five-dollar purchase at a garage sale in 2002 it would be a near-constant companion until I got my first SLR. Still, it was aRead More →

This is a beast of camera. I mean I thought that lugging around a 4×5 was crazy, the GX680iii is just nuts. This camera would feel more at home in a studio than in the field. But I often find studio work boring. But as a system camera it is incredible, a couple it with excellent Fuji glass on the front and you have a power camera that gives you the flexibility of large format with the convenience of roll film. Special Thanks to James Lee for loaning me the camera for this review. Despite being a studio camera it came out on a hike!Read More →

When it comes to cult cameras, I don’t think any company can compete with Olympus for the sheer number of models that have gained cult status before the current wave of point-and-shoot madness. You have the Mju (ยต) aka Stylus, Stylus Epic, the entire XA line, and then there’s this camera, the Trip 35. When it comes to sleek and stylish cameras not to mention easy to operate and compact the Trip 35 has all of that in spades. And it probably helped catapult the camera to fame with the support of David Bailey. My own journey into the Trip 35 started with the FilmRead More →

There aren’t many cameras out there that I’ve picked up and loved right off the bat. I could probably count them all on just one hand. Oddly enough they’re all from the Nikon F series. The Nikon F2 came into my toolkit by chance and quickly earned a strong reputation for being a reliable camera in any weather and one that has been on the waiting list for a total CLA when I have the chance to send away. I can use all my manual focus lenses on it, and it doesn’t miss a beat. A constant companion on photo walks and trips, easy toRead More →

Before we begin, even still today I am primarily a Nikon shooter. Sure I have had a couple of Canon cameras come through my collection throughout the years, in fact this is my second AE-1 Program to come and go. The first camera went on to help out my friend Nick in Ohio with a photography course he took in University and the second, this camera, went to my friend Laura from the 49th after her T50 kicked the bucket. But when it comes to Canon cameras and if you are a friend and fan of the Film Photography Podcast, the Canon AE-1 Program isRead More →

When it comes to cameras that have seen a lot of action through my life as a photographer, there is currently none as worthy of the title of a constant companion as my Rolleiflex 2.8F. The twin-lens design is not a new one in the camera world, first coming out in the 1880s. But for me, the Rolleiflex has been in my hands shortly after getting into medium format film with a Lubitel 2 first, then a Yashica-12. After being offered a Rolleiflex by a gentleman at my church which belonged to his father and not knowing anything about the camera at that point, IRead More →

Accept no copy, the one the only, the iconic camera that started out life as the bargain model that featured the new K-Mount (Introduced in 1975), but has since gained greater popularity, and the camera you most likely used in your High School Photography Course, is the Pentax K1000. This all mechanical marvel is the essential student camera and general beater that can be used pretty much anywhere in the world today! The wide range of top quality lenses and ease of use saw it named the Film Photography Project’s Camera of the Year for 2014 and after having several passes in and out ofRead More →

When my Nikon F80 started to flake out, I needed a replacement, but in those days the Nikon F5 (my grail camera) remained financially out of reach, so I went with the one step down from the F5, the F4. The camera quickly gained my trust as the go-to 35mm camera when I headed out into the field and lasted in my collection for several years before I switched to the Nikon F5 and even then there was overlap. Despite the flaws of the early autofocus, the LCD bleed, and limitations with manual focus and AF-G lenses, the F4 became a constant companion. I knewRead More →