When you think of all the developers out there, D-76, D-23, HC-110, DK-50, Rodinal, these are all designed specifically for developing standard black & white films, but there is another developer that often flew under the radar mainly because it proved so industry-specific that the home photography wouldn’t even think of using the developer in their own processing. That developer is D-96, originally created by Kodak for use to develop black & white motion picture film. But the average photographer cannot get small quantities of D-96 but that’s where Cinestill stepped in releasing their own version of D96 along with the Film Photography Project. IRead More →

When it comes to Film Washi, I remained initially unsure of hopping onto the wagon of the world’s littlest film company. While some of their initial offerings were paper-based, they began to expand into traditionally based film stocks. Film Washi Type “S” or Washi S as I’ll be calling the film from now on, is not designed for pictorial use at all, even titles or special effects. Washi S is designed for optical recording of sound. Which as you may have already through will produce a high-contrast image. But I will say one thing I am impressed that I got good photos out of theRead More →

When it comes to Canon cameras, you can count the number of times they’ve been featured on the one hand. I’ll admit that I am a Nikon guy, but when this beauty was offered up, I couldn’t say no. The Canon EOS 650 while fairly plain and no-nonsense is a camera is a significant part of the history of photography. The EOS 650 is the first autofocus offering from Canon and the lens mount it introduced changed the company’s direction. And while I was a little warry of the camera, it performed beautifully it did take a bit of time of figure out some ofRead More →