I first saw this lens mounted on the front of a Nikon F3 with an MD-4 motor drive attached and I can honestly say it would be the first time I ever saw f/1.4 glass. Most of my past 50mm lenses were either f/1.7 or f/1.8. And while it’s not too much difference between the two apertures, there is plenty different between the two lenses. The AI-S Nikkor 50/1.4 carries forward the tradition of the fast Nikon 50 Nikon would be the first camera company to introduce such a lens back in 1950. And while optically, the formula has changed, the AI-S version is theRead More →

The first SLR camera I owned, a Minolta SR-T 102, came with the non-X version of this lens. Aside from a Kiron zoom lens, the Rokkor PF 50/1.7, was the lens that lived on that camera. And when I got the newer version, I made sure that even though I gave up my Minolta bodies, I kept a lot of my good Rokkor glass. And I’m glad I did, while these days I use the 45/2 pancake more, I make sure never to let this general-purpose, everyday use, fast prime that will never let you down. Lens Specifications Make: Minolta Model: MC Rokkor-X PF 1:1.7Read More →

When you’re in the film photography community, you celebrate things differently. I mean, sure you’d do the usual birthday traditions with your family but among your film photographer friends, you get together for a photo walk. No? Maybe it’s just the Toronto Film Shooters group. The morning started particularly cold, but at least it kept the traffic light or it was actually the early hour. The trouble with being in Milton there’s no easy way I’d like to drive into Toronto, plus having to leave my car somewhere and needing to loop back to the start doesn’t always jive with my general flow of theRead More →

Fast films, it’s something we in Canada need to work with a lot because of our long dark cold winters. But what is a fast film? Well, that depends on your historical context. The first version of Ilford HP released in 1935 was only rated at ISO-160, by the second iteration in 1939 it was boosted to ASA-200. It wasn’t until 1960 with the release of HP3 that it reached the speed of ASA-400. And today the list of fast films is lengthy and we could spend hours talking on every film we’ve shot, so we’re going to drop it down to only eight stocks.Read More →

When it comes to Fuji I have had some experience with their equipment, from the Texas Leica to the beast of the GX680iii. However, I have never tried one of their 35mm options. And they have a few, the cult Klasse being among them. So when I went to look for something unique to review for number 101 and the first camera review of the new year, the ST605 came across my desk. At face value the Fujica is just another mechanical SLR from the 70s, I mean the look the styling. But in reality, the ST605 is a sleeper, an inexpensive SLR that takesRead More →

If you think you’ve seen this camera before in my reviews, you’d be partly right; the Leica R3 is the cousin of the XE-7, both are internally the same camera with some external differences (also the obvious being the lens mount). The XE marked a new era for Minolta as it introduced the idea of a semi-automatic camera and a confident professional air to their cameras, not to mention a new style of names, the X rather than sticking with the old SR nomenclature. While many companies went with smaller form factors in the 1970s, Minolta stuck with their bulky designs, at least for theRead More →

If there is one film out there that I have disliked the most but have had a radical change of viewpoints Delta 400 is that film. Like TMax 400, I just find Delta 400 too modern, and boring. It’s not a bad film; it’s just not exciting. It gives you a film that is almost equal in performance as TMax 400. And while I’ve found that the film isn’t bad, it just needs better development in many cases. While some people have managed to tame the film, I do have found through Delta Def Jam; it’s a great choice if you can’t get your handsRead More →

In the past, I have chosen to use just a single film stock to shoot these film challenges laid out by Emuslive. Not because I have to based on the rules of the challenge, just because I choose to. In part one I used Delta 100 in 35mm and part two Delta 400 in 120. But for part three I decided to go crazy and shoot not one, not two, but four rolls from all across the spectrum. Following no real pattern, shooting from the hip and living with the results! I plan to have seven solid shots from each of the four rolls toRead More →

When it comes to iconic cameras, Nikon does not have a shortage in their catalogue. From the highly valued rangefinders to the game-changing Nikon F. Plus all the professional camera bodies that followed in the footsteps of the original system camera. But among the cameras that are highly sought after by many photographers still, today are the compact SLRs of the 1970s and 1980s. Among those is the Nikon FM and the electronic cousin, the Nikon FE. For me, the FE fits into that little niche between my all-mechanical Nikon F2 Photomic and the fair more automatic Nikon FA. The FE fills the gap whenRead More →

When it comes to the Delta line of films from Ilford, my least favourite is Delta 400; I don’t know why. I just never got the results I honestly liked out of it. So with Delta Def Jam in full swing, I figured why not give it another go! Downtown Cambridge, or rather the historical name for this part of the city, Galt has always been on my radar as a place to take a camera and have some fun. While I have tried in the past to do some shooting here, the camera I had with me just didn’t behave. I grabbed my Rolleiflex,Read More →