The first thing you’re going to think when you take a look at a C220f is that this is going to be a heavy camera, and then you’re going to pick it up and notice that it is relatively light for its size and form factor. I love a good system camera, but outside of the SLR world, there isn’t much in the way of system cameras in the medium format realm. At least until you look up Mamiya’s rather interesting C-Series of TLRs, they are proper TLRs in every way, but it’s also a complete system camera with interchangeable lenses, grips, and finders; theRead More →

If you think you’ve seen this camera reviewed before you would be right, after a fashion. The Polaroid 600 SE is a variant or derivative of the Mamiya Universal. While not an exact copy of the Universal, the 600 SE is designed to only accept Type-100 Pack Film rather than a choice of either Roll Film or Pack Film, and because of this only uses three lenses from the entire Press lineup due to the required image circle for the larger film size. Sadly it does retain much of the awkward functionality of the entire Press lineup but I figured I should give it anotherRead More →

It only makes sense that the iconic Mamiya m645 grew up, and ended up being a perfect camera that blends the traditional film and modern digital photographic market. I am of course talking about the Mamiya 645 AF-D III. The AF-D III is by far the newest and most advanced camera I’ve had a chance to review in these blogs and well worth the wait. The camera is the medium format camera for the 21st-Century hybrid shooter as it can accept both traditional medium format film and digital backs. The penultimate iteration of the classic wedding photographer workhorse that will pay for itself if youRead More →

Ever since I sold off my Pentax 645, I honestly thought I would not want another 645 camera; I mean, I had my Hasselblad. But there is some draw to the 645 formats; you don’t want a square, but that nice rectangle. And with my Hasselblad acting up, I wanted something similar but in 645. In other words, I wanted a system camera that could be customisable. One day I was sitting in the Higher Grounds coffee shop in Belfountain, having shot some 4×5, and an older man came over. We started talking as he recognised the Crown Graphic. He promptly offered his Mamiya m645Read More →

To say the Mamiya Universal is clunky and hard to use is an understatement. But it is not wholly un-useable, you just need to find the flow of the camera. The Universal isn’t a bad camera, underrated, hard to use yes, but a good camera. And while the whole Press series is a strange departure and little more than a footnote in the history of Mamiya, it almost seems like they were trying to build a system camera to see that they could before hitting the big time with their medium format SLRs. But there is a strange draw to a camera system that youRead More →

There is a reason that this camera is nicknamed the fridge it’s big, heavy, clunky, and near awkward to carry with you. But if you treat it right it will give you big beautiful images that will give you a cheaper alternative to 4×5 with near the same quality and more importantly the same aspect ratio in your negatives! Of course, for those unfamiliar with the system, there are two models of 6×7 Mamiya cameras the one being reviewed is the RB version. Special thanks to Alex Koroleski for loaning out this camera for this review! Disclaimer: This is an old review, while I amRead More →