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The film that started the whole Svema craze with the Film Photography Project, Svema Foto 200. Свема is a film stock that is relatively unknown here in North America unless you are of course fans of the Film Photography Podcast. The name comes from the combination of two Russian words, Светочувствительные Материалы, translated means Photosensitive Materials. While Svema collapsed when the Soviet Union died in the 1990s, another Eastern European film manufacture, Astrum, continues the legacy of Svema using some of the old machinery in a new factory in Shostka, Ukraine. Now I did try a roll or two of Foto 200 when it firstRead More →

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No strangers on this bridge, Lomography Potsdam 100 is the second film released in their Kino series of films. Potsdam 100 is ORWO UN54 a film that I have shot a lot with for the past several years. Compared to N74, UN54 is super sharp, fine-grained and has a fantastic tonality and one I have only developed in a limited number of developers, so I’m looking forward to trying it out in different developers. Designed as Eastern Europe version of Kodak Plus-X and it certainly shows. What struck me is that the film is marked as Lomography Potsdam in the rebate area, which means thatRead More →

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Me debunk an American myth? And take my life in my hands? Where the great plains begin At the hundredth meridian At the hundredth meridian Where the great plains begin As a Canadian, I’m ashamed to say the furthest west I’ve ever travelled in our remarkable country is Sault Ste. Marie, Ontario. But after getting married two years ago, I gained a whole new branch of the family and my wife, and I decided that it was high time I met them. And earlier in the month, Heather and I went out beyond the hundredth meridian and dived deep into the great plains. While notRead More →