If you’ve followed my photography journey, one of the first developers that became a favourite is Kodak HC-110, which switched to Ilfotec HC last year when I finished off my final bottle of the OG HC-110. But sometimes, you have to send in the clones. I’ve been aware of LegacyPro, and other clones HC-110 developers for some time but have never thought to give them a try. But after learning that Ilfotec LC29 is a variant of Ilfotec HC, I made a point to try L110. L110 is HC-110 but in an easier to pour format. To make the point that it will perform exactlyRead More →

When it comes to fast Nikon Zooms, the modern trinity is the 14-24/2.8G, 24-70/2.8G and 70-200/2.8G (although I’m sure these have all been updated to the new E-Type lenses by this posting). However, a pair of these lenses have older versions; while the focal lengths are different, the constant f/2.8 aperture is the same. Now in my own lens catalogue I have only a pair of the G-Type in the trinity, the 14-24 and 70-200, but the cost of the 24-70 plus the word being it doesn’t work too well with film (I’ll have to test that) kept me from purchasing the lens. But theRead More →

When it comes to Ilford developers here in North America, we have access to most of their chemical stocks. But there is one that is a bit of a unicorn, and that is Ilfotec LC29, and I can’t see why! This is a developer that, despite being close to Ilfotec HC, does not produce images in line with what Ilfotec HC produces, and it is far easier to pour than Ilfotec HC! I splashed it a little bit at how easily it flowed. Right from the start, I knew I had a winner here in LC29 and feel bad that it isn’t readily available hereRead More →

You can never have too many D-76/ID-11 clones. And while there are tonnes already on the market, plus the capacity to mix one up yourself at home. I want to introduce the latest clone on the market, Flic Film Classic MQ. Flic Film is a new Canadian film lab based in Alberta, Canada. While they focus on re-rolling motion picture film stock, they have a healthy film chemistry group. In addition to their brilliant Black/White & Green, among their offerings is a D-76 clone, Classic MQ (Metol/Hydroquinone). But it is available in the smaller 1L volume rather than mixing up a whole gallon of stockRead More →

When it comes to Film Washi, they certainly have gotten their hands on some interesting film stocks. And after enjoying some of their products last year, one of their products I’ve wanted to try. But with any repurposed film stock, you have to wait for the raw materials to become available. Thankfully after watching out on the Film Photography Project’s store I saw them come back in stock thanks to their email newsletter. Type “F” is a special X-Ray film used for mass lung disease diagnoses; according to the Film Washi website, it is truly a unique film that offers, coated without an anti-halation layer,Read More →

It’s been a while since I got to do a film of the month challenge put on by the team at the Embrace the Grain Podcast, mainly because some of the more recent ones have focused on colour films. And I’m not often one to jump on colour films. For a couple of reasons, first being I don’t like scanning colour film, and second, it’s difficult to get processed on time as I don’t keep colour chemicals at home. So when January’s film was announced as being Japan Camera Hunter Streetpan 400, I jumped, and I had a roll stashed away. I took the filmRead More →

Most people would drive past a small red building sitting along Highway 25 south of the Canadian National train line running over the roadway heading into downtown from Highway 401. The red building has the appearance of a railroad station. Still, the rail line is sitting high above, and there is no way for the station even to serve the line when Canadian National operated passenger services. The building is Milton’s third train station. It is not so far from its original location located on the outskirts of the downtown next to Milton’s claim to fame, the P.L. Robertson factory, maker of the Robertson screw.Read More →

If there’s one thing that is always uncertain these days is the availability and quality of photochemistry. At the same time, some companies have had no issues with maintaining their normal level of quality. As manufacturers of the materials and chemistries shift away from the originals, things get a little grey. Thankfully some are willing to take a chance and help keep things going, and one such company is Adox. While most of their chemical offerings are based on formulas from other firms, Rodinal, FX-39, and Atomal spring to mind. Adox XT-3 is a new offering, backwards engineers from Kodak Xtol a well-loved Ascorbic AcidRead More →

In our first episode, we discussed those cameras that can take any work we throw their way, and so to close off this season; we’re bringing that topic back! What makes things interesting is that some of our choices have changed, and some familiar cameras are still on the table but in different people’s hands! And there are no surprises in this list; we have cameras like Hasselblads, Mamiya, Olympus, Nikon, Canon, and Minolta are all in our choices. And when it comes to workhorses, these are cameras that will work in any condition and deliver solid image quality. You also need a camera thatRead More →

I remember not being overly excited about Rollei Paul & Reinhold when it was first announced in September of 2020. I mean, yes, it is great to see a special edition film released to celebrate the 100th Anniversary of a premier and historic camera maker (Franke & Heidecke later Rollei). There was little data on the film at the time, and there are still many gaps. Given that the actual film stock is unknown, it’s either a limited edition run (made in Italy, not Belgium) or a found stock that has been rebranded. Either way, Rollei has been tight-lipped about the film’s source. Given thatRead More →