There’s no denying when you get a group of photographers together for a long period to time there’s bound to be some cross-person camera exchanges. Well that’s what we’re talking about because there’s been a fair amount of exchanges of gear between our hosts even in the short four years we’ve been operating. Nikon F5 – The Nikon F5 is no stranger to the CCR, we talked about it back when we did our brilliant Nikon F-Series where we first were joined by Bill Smith. But today, it’s John Meadows who recently acquired the F5 off of James Lee (who upgraded to the F6). AsRead More →

It’s always interesting to see what you can do with what Adox calls a ‘closed imaging system.’ CMS 20 II is a film that is specifically designed for one developer, and one developer only that is Adotech II. In fact, in their datasheet, they even discourage the use of traditional developers as they could yield poor and unpredictable results. But thanks to the power of the Internet and having a bit of an experimental side and writing these blogs for you, my dear readers let us continue and say you can use traditional developers with CMS 20, and the results are rather stunning. Film SpecsRead More →

If you want your images to have something that no other images have, then shoot Infrared film, it literally sees the world in a different light, infrared light to be exact. While these days there aren’t many options for black and white or even colour infrared films save for Rollei IR400 and the FPP Infrapan 200. There are however many in the near infrared range. I don’t often work with infrared film stocks as they need just the right set of circumstances to work well. Not to mention special filters, even cameras need to be done right as the film is highly sensitive. But whenRead More →

Pentax, the name that is always linked with the student special K1000, however, Pentax had a broad range of fantastic cameras, and for this episode, the gang takes a look at their shelves to discover the hidden gems that they have from the Pentax line. Cameras Featured on Today’s Episode Pentax Spotmatic SP F – While not the original Pentax SLR, it certain is a big step forward with automatic lenses and TTL metering. A worthy camera for any manual shooter plue the Super-Takumar lenses have a fantastic repuation not to mention a plethora of M42 lenses will let this camera sing. Make: Pentax Model:Read More →

We love our own cameras so for the most part will bring something we’re used to or have some experience with to the table for the past episodes. So for November we’re switching it up, throwing a wrench in the works…we’re doing a mystery camera challenge! That’s right each host has selected a camera from their collection (to make things fair/easy the only criteria was that it had to be a 120 camera, and we all used the same film Rollei RPX xxx) and not told anyone else, then we each pull a name from a hat and use that person’s camera. Cameras featured onRead More →

While generally an underdog camera in the 6×4.5 market, the Pentax 645 is by far my favourite of all the cameras within the line. Probably because you don’t see many of them kicking around. I know of only three other photographers in my area that use the camera. But unlike its contemporaries this wasn’t a system camera. You got the body and that was it there was little you could do. But because of that you got a camera that had a built in light meter, motordrive, and grip. Plus the backing of some fantastic optics! While a bit bulky the Pentax 645 is aRead More →

You’re probably thinking, what do I mean by Visual Whiplash? It was mentioned in a comment left on one of my recent photos posted to my photostream, where right next to each other is a 4×5 image that’s sharp, crisp, and clear…and then a pinhole photo that’s rather soft. Visual Whiplash. I was at first a bit disappointed at these, I mean they’re not what I’m used to getting out of my trusty Pentax 645, they look like something a bit out of a toy camera. But oddly enough they’ve started to grow on me. So what got me into Pinhole photography after avoiding itRead More →

The outlook for General Henry Procter in the west was grim at best, hopeless at the worst. On September 10th, 1813 Commodore Oliver Hazard Perry had managed to take on the British Royal Navy Squadron on Lake Erie and capture all the ships intact, finally wresting control of Lake Erie from the mighty Royal Navy, this left the door wide open for a full out invasion of Upper Canada in the West. We have met the enemy and they are ours, Hazard penned in a dispatch to General William Henry Harrison who was waiting in the south. Harrison took this as an open invitation. ProcterRead More →

Oliver Hazard Perry, one of the great American Heroes that made his name in the War of 1812. A navy man through and through and the man who beat the Royal Navy at their own game. Born in August 23rd, 1785 in South Kingston, Rhode Island entered the fledgling United States Navy at age 15 as a mid-shipman. He saw his first action during the First Barbary war in Tripoli under Commodore Preble. By 1802 he was promoted to Lieutenant and offered the post of master and commander of the Schooner Revenge with Commodore John Roger’s squadron. As it was a time of peace, PerryRead More →

As you may know the human eye can only see a small part of the full light spectrum in the world. This is known as the visible spectrum, and it is what photography works with…mostly. Using special films and filters you can actually photograph in the infrared spectrum. I recently came into possesion of several rolls of Infrared film, sadly not the famous Kodak HIE, but two rolls of Konica IR750, a bunch of (highly sought after) Efke IR820, a roll of (sort of infrared) Ilford SFX200, and bought some Rollei Infrared film. So I purchased a nice Kenko R72 filter big enough to screwRead More →