The strange part about the arrival of democracy or somewhat responsible government in Canada is that it was not something won by force of arms or through negotiation; instead this first step towards self-government and limited autonomy is one that was granted to the provinces of the Empire in a change of public opinion. By 1848, it no longer made sense to hold onto the empire in the manner that still dated to the 18th Century, even though the Colonial Office and Parliament had tried hard for many years. You have to remember the 1840 Act of Union still found it’s foundation in the 1791Read More →

Like Robert Baldwin, Louis Hypolite-La Fontaine is a figure in Canadian History that I have never learned about or even knew existed until I started researching this project. And even then, he nearly ended up playing a secondary role in my narrative. I quickly realised that if I had done that it would have done a great disservice to his role in Canadian History and his foundational efforts from the run-up to the Lower Canada Rebellions and into the establishment of Responsible Government and the unified reform movement in the Province of Canada. Born the 4th of October, 1807 the fourth son of a BouchervilleRead More →

When it comes to a winning colour film for the modern film age, look no further than Kodak Portra 400. The stock, a combination of the best of the older VC and NC stocks, the film burst onto the scene as part of the early film resurgence from Kodak. When it comes to fast colour films and money is no object then you want to shoot Portra 400, it’s like the Tri-X of the colour film world, you can push and pull the film all you want, even on the same roll! Which makes it in my mind the perfect film for digital shooters toRead More →

Despite being a cheap alternative the folding SX-70, the OneStep is an icon among camera collectors, and instant photographers, the white plastic and more importantly the rainbow strip are so iconic it graced the first icon for Instagram. The Polaroid OneStep is a white plastic camera, and this is a black one! I can honestly say I’ve never seen one like this before. But I couldn’t well forget an icon in the world of Polaroid, and unlike many of the older models, this one still works. Special thanks to Knox Presbyterian Church in Milton, Ontario for this camera. Camera Specifications Make: Polaroid Model: OneStep SERead More →

Often overlooked by many photographers in favour of Portra 400, Portra 160 is a different film altogether and one that is not a particular favourite of mine. Part of the early resurgence of film from Kodak that brought us Ektar 100 and Portra 400. Portra 160 is the combination of the two early films Portra 160NC and 160VC. As the name suggests, the film is designed primarily for Portraits and presents a low contrast almost pastel look a clear departure from the vibrant colours you get from Ektar 100. Film Specs Type: Colour Negative, C-41 Process Film Base: Acetate Film Speed: ASA-160, Latitude +/- 2-StopsRead More →

From the grand bridges spanning the St. Lawerence River, east along QC-175, the homes become older, these give away to even older structures, towered armouries, and then the grand Parliament Building of the National Assembly and in front of you stands the old walled city. The Old City of Quebec is only one of two cities in North America that retains their fortifications. Heather and I decided to make a super-long weekend for ourselves last month and head to one of the oldest cities in Canada, Quebec. Now, this was not the first time I had visited the city, but the last time I spentRead More →

If you remember back to my review of the new release of Kodak TMax P3200 I mentioned that I wanted to give the film stock a better chance at impressing me, the review is a chance to see how the film behaves in different developers. I’d give it a chance to show me what it can do at 1600, 3200, and 6400 but all developed in Kodak’s TMax developer. The 3200 images are from the original review, so I made a point to get another two rolls and shoot them accordingly and then develop them both in TMax Developer. Please note, I use the termRead More →

The reintroduction of TMax P3200 had a bit of a polarizing effect on the film photography community. Many welcomed it back, seeing this as a positive step for Kodak, a teaser before they get the new Ektachrome back on shelves and in cameras. Others were rather derisive on the move, decrying it wanting films like Plus-X back before a high-speed film because we still have Ilford Delta 3200 and it comes in Medium Format as well! I took a more balanced approach, I’ve only really shot high-speed films a few times, but I figured hey, might as well give it a go. I had shotRead More →

While not many people would notice it, but when watching a film, and you come across this amazing sequence in black & white, the rich tones across the board, and just a classic cinematic look and wonder, how can I make my still images look that good! Well if you are watching a film shot on traditional film stock the answer is rather easy, Eastman Double-X 5222. Chances are you’ve seen a film shot on this stock, such as the opening sequence of Casino Royale or Shindler’s List. I first came across Double-X a few years back when I purchased some rolls through the FilmRead More →

The middle-of-the-road film stock in the RPX line and another fantastic entry. Like RPX 25, RPX 100 is the spiritual successor to Agfa APX 100. While I don’t have much experience with APX 100 (I have about 50 sheets of the stuff in 4×5), the film is similar in look to Kodak TMax 100. And actually, you can use some of the TMax 100 times with RPX 100. While it’s no FP4+, I actually think RPX 100 is slightly better than Kodak TMax 100 mostly because of the huge latitude on the film, in fact, you can even do the Panatomic-X trick and shoot theRead More →