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One of the most rewarding and frustrating parts of working with traditional film mediums is developing the film yourself. This often allows for faster turnaround and greater control. However, when things go sideways, you can only blame yourself. I started developing black & white film myself over ten years ago now for two reasons. First, I was inspired after attending my first Photostock event, where I saw all the fantastic work people were doing and had the opportunity to chat with my good friend Matt Marrash. Second, my local lab had reduced its processing to a single day of C-41. The owner (Joan) took meRead More →

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The folks at the Film Photography Project have once again reached into their bag of tricks and brought out the latest addition to their line of monster films, in this case Jiangshi 400. The name Jiangshi honours the jumping vampire (and ghosts) of Chinese legend. The film itself comes from China and is relatively new to the North American market. While rated at ASA-400, most signs point to the fact the film responds better when over-exposed by a stop at ASA-200 and pulled in development, so I’ll be shooting all four roll at that ASA-200 mark. Although like many films out of China the emulsionRead More →

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I went into the city with a grand plan; in fact, I had this entire post already written and was ready to commit. But then the day came when I was going to execute the plan, and everything didn’t seem right. By the time I got to the train station and stood in the mass of people all waiting for the next train, it all didn’t feel right. I knew what I wanted to do, but there was that looming threat of rain and even thunderstorms. I did not want to get caught in a sudden downpour and have no place to shelter. I alsoRead More →