Tag Archives: fuji

Strange Brew – The Caffenol Experiment

I’ve honestly smelled better in abandoned buildings than this dark brown almost black solution sitting on the counter in my film lab (read: laundry room), but will it actually develop film, everything I’ve read and seen online says it will, my brain and nose say otherwise and I pour it into the tank. So as I agitate the tank, I am hoping that this strange brew (with apologies to Bob & Doug McKenzie) does its job.

So before I continue, let me answer the question that some of you may be asking, what exactly is caffenol? Caffenol is a film developer that you can make at home using various ingredients that are readily available and is generally non-toxic and definitely not restricted. The blend I will be working with is known as Caffenol-C-M. Within this blend there are four ingredients, the first being water, 500mL of it in my case, next is 50mL of washing soda (Sodium Carbonate), 8mL of Vitamin-C powder, and then 80mL of instant coffee. When it comes to coffee the going theory is that the cheaper the coffee is the better job it will do, so to that end I decided to prove this through experimentation. I shot four rolls of Fuji Neopan Acros 100; three rolls I would develop in Caffenol-C-M, and one in HC-110 (a traditional film developer). Of the three developed in Caffenol, the first would be developed in the Folgers Blend (cost of the bottle, $5.00), the second in the Nescafe Blend (cost of the bottle, $8.00), and the final in the Davidoff Blend (cost of the bottle, $11.00). But how exactly does this blend develop film? There are three different agents at work here, the first two are developers. The instant coffee contains a chemical called caffeic acid (C9H8O4), this is the same stuff you find in your average aspirin, this acts as your reducing agent and does most of the heavy lifting converting the silver halide salts found in b&w film into metallic silver leaving them on the film base to create the image. The second developer is ascorbic acid (C6H8O6) this is where the Vitamin-C powder comes into play. Although this doesn’t do the same amount of work as the caffeic acid, it does speed up the process, reduces fogging, and prevents staining. The final addition is the sodium carbonate this is the accelerator, raising the pH level of the solution and allowing the developers to do their job.

The process I’d use to develop is as follows, Caffenol-C-M (500mL water, 50mL washing soda, 8mL vitamin-c powder, 80mL instant coffee) develop for fifteen minutes, then a water stop bath for one minute, then fix with Ilford Rapid Fixer (1+9) for five minutes.

Control Images – Kodak HC-110 Dil. B 5:00 @ 20C
Strange Brew - Roll 4 - Control

Strange Brew - Roll 4 - Control

Strange Brew - Roll 4 - Control

The first roll through the tank was the Folgers Blend, the negatives were rather dense, and I was afraid there were not any images on them, but after holding them up to the light I could see the frames. Next step was into the scanner, and this is where I was really blown away, although fairly flat, the tonal range and grayscale were fantastic, and the sharpness of the images were truly something else.

Folgers Blend – 12:00 @ 20C
Strange Brew - Roll 1 - Folgers Blend

Strange Brew - Roll 1 - Folgers Blend

Strange Brew - Roll 1 - Folgers Blend

The second roll was developed using the Nescafe Blend. Again the negatives were rather dense, but again images were there. When the scans came out the tonal range was much more flat than what I had gotten out of the Folgers blend, and the images were not as sharp. Although the images were pleasing, and decent separation of tone, there wasn’t any depth.

Nescafe Blend – 8:30 @ 27C
Strange Brew - Roll 2 - Nescafe Blend

Strange Brew - Roll 2 - Nescafe Blend

Strange Brew - Roll 2 - Nescafe Blend

The third roll was developed using the Davidoff Espresso 57 Blend. Wow, just wow, overall the negatives were a lot cleaner than the other two blends with the images much clearer to the naked eye and when held up to the light, but the real surprise was again with the scans. The image were much sharper than the Folgers blend there’s lots of depth and separation in the tones which are equal if not cleaner than the Folgers hands down.

Davidoff Blend – 10:30 @ 24C
Strange Brew - Roll 3 - Davidoff Blend

Strange Brew - Roll 3 - Davidoff Blend

Strange Brew - Roll 3 - Davidoff Blend

So in conclusion, does the theory of the cheaper the instant coffee stand? Not really, all three types proved that they could develop film without any major issues, but in my mind the Davidoff (most expensive) did the better job by far. How does caffenol stand up to regular film developer (HC-110) well it really doesn’t, Caffenol produces much more grain in the film, which really isn’t a bad thing) and does produce a much denser negative compared to HC-110. But Caffenol does hold one thing that HC-110 does not, it’s something that you can blend, and modify all you like to produce the image that you want. So if you take anything out of this, it’s a springboard to try it yourself and continue to play and have fun. I’d like to thank the Caffenol Blog, the Caffenol Cookbook, and Deputy Dan Domme for their help in making this a success.

Plastic Filmtastic

I was bitten by the toy camera bug a while back after getting a Holga, which has served me well, but recently on the Film Photography Podcast they were pushing this odd “new” camera that Michael Raso had discovered on “The Bay” named The Debonair, it looked like a cross between a Diana and a Holga. He had managed to stumble upon a lot of 2000 of these cameras sitting in a warehouse in Rochester, New York. I didn’t need another toy camera, but after seeing some of the shots out of the camera I needed to get one, and at twenty bucks, it wasn’t that expensive.

Cheers!

The camera itself is fairly light weight, but still feels solid in my hands, good control placement also. The camera is all plastic, built in the 1980s in Hong Kong, features a “Super” 60mm f/8 lens with two shutter speeds, one for sun, one for cloudy/flash. Focus is handled by the zone system, and it has a hotshoe, but doesn’t need batteries to operate a flash, which is a plus! It takes your regular 120 roll film and shoots in a portrait orented 6×4.5 format giving you 16 shots on a roll of film.

Candice

Optically I was surprised at the all plastic camera, the images when focused right came out really sharp with plesant vingetting around the edges, and with a flash makes for a great party camera. The one issue I have with the camera is loading it. You slide the entire back/bottom off the camera to load the film, and putting this back on is a bit of a pain, but in the end worth it for the wonderful images you get out of the camera. I do highly recomend this camera as a nice way to get into toy camera photography, very unassuming and no-nonsense, and more importantly it’s fun. And in the end isn’t that what photography should be…fun? At least I think so.

Let me explain this...

So why not Pick one up in the store today!

All images shot with the FPP Plastic Filmtastic Debonair on Fuji Neopan Acros 100 developed in Kodak HC-110 Dilution B for 5:00 at 20C.

Photostock Pt. 4 – The People

The key to photostock was not the location, or the trips, the food, the road…but rather…the people. No one looked down on anyone, everyone helped out eachother, talk, shoot the breeze, drink. It just felt comfortable, especally for me, a first time participant in the event, I knew…one other person who was going, Mat. But in hte end it didn’t really matter I was welcomed be open arms.

The People of Photostock 2012

Goatee

Mat

Pipe

Hands

Blowing Smoke

John

Photostock 2012

Photostock 2012

If you want to see all the Photostock Images, head on over to Flickr!. How many days until Photostock again?

Photostock Pt. 3 – The Location

Ontario is beautiful, there’s no changing that, but sometimes you leave and go someplace else and only find that the same beauty you so like in the north can be found elsewhere, that’s exactly how I felt when I drove through Northern Michigan. I feel the state gets a bad rap because of places like Detroit and Flint (New Jersey is the same way), but there is incredable beauty to be found in the northern part of the state. You will be treated to miles of wooded areas, quant villages, friendly people, and sunsets…well sunsets.

Cross Village Port
The beach and port at Cross Village. A quick stop, before returning to the Birchwood.

The Harbor.
Harbor Springs, now a favourite town of mine. Plus a late night fudge shop helps alot.

Fort Michilimackinac - 1715-1780
Fort Michilimackinac a french outpost taken by the British in the Seven Years War, destroyed with a new fort was built out on the island.

Horses at Dusk
There was a horse paddock next to the Birchwood, which gave us a good chance to grab photos.

Petosky Harbor
The harbor in Petosky, sadly I wasn’t able to spend too much time here. Maybe next year.

Photostock 2012
Fence line along the M-119

Playing with ORWO
Lighthouse

Photostock 2012
I did promise you a sunset. And here it is.

‘Roid Week 2012

It’s the week that all Instant Photographers look forward to, that week where we celebrate in our little (well not so little) obsession with Instant Film. ‘Roid Week. This year, I actually managed to get in photos for all five days (last year I made it only four…due to a camping trip on the Friday that took me away from my computer/scanner, not a bad thing overall). It was as always fun, a bit qwirky, and filled with strange stares from students and coworkers as I lugged these old cameras around and smiled as I tucked away Integral film from the Impossible Project, or peeled off Fuji Pack Film.

Monday – Polaroid Spectra – Impossible PZ600 UV+ (due to a busy day at work, and bad weather I pulled out some film I had shot in Toronto earlier, but never scanned)
'Roid Week 2012 - Day One

Tuesday – Auto 250 – Fuji FP-3000b (nothing like a cloudy day to whip out some contrasty B&W)
'Roid Week 2012 - Day Two

Wednsday – SX-70 Sonar OneStep – Impossible PX680 Gold Frame (no ND filter, L/D wheel turned all the way to darken)
'Roid Week 2012 - Day Three

Thursday – ColorPack II – Fuji FP-100c (left overs…and double exposures)
'Roid Week 2012 - Day Four

Friday – Spectra – PZ600 UV+ (Nothing like using up your last pack so you can buy more!)
'Roid Week 2012 - Day Five

Project:1812 – Fort Wellington

Fort Wellington is one of the many forts that helped defend Upper Canada during the War of 1812, but unlike many other forts of the era it was never directly attacked. By 1810 the small village of Prescott had been founded along the shores of the St. Lawrence River and the King’s Highway which ran between Montreal, Kingston, and York (Toronto). Prescott soon found importance in travel along the St. Lawrence as bateaux from Montreal, used to navigate the rapids, would be off loaded onto the larger lake freighters to continue onto Kingston, York, and the Niagara region.

Project:1812 - Fort Wellington
The main gate at Fort Wellington

Since both the British and Americans depended on the river for quick movement of supplies, both sides wanted to keep the peace at the start of the War of 1812. That however was not the case; raids by both sides turned both sides of the river into the front lines. The British began construction and completed Fort Wellington in 1813. The fort was named after the Duke of Wellington, Sir Arthur Wellesley, who had just won several key victories in the fight against Napoleonic France. The fort was mostly an earthwork wall, a single wooden blockhouse, a gate, and a stockade. Two 24-pound cannon were pointed out at the river and could easily fire upon their American counterparts in the village of Ogdensburg. Although the American’s never directly attacked the fort, the troops from Fort Wellington participated in the Raid on Ogdensburg in February of 1813, and again at the Battle of Crysler’s Farm in November of the same year. When the war ended in 1814 the troops were removed from the fort and it was abandoned.

Project:1812 - Fort Wellington
The 1839 Blockhouse. Now holds displays on the fort’s history

Despite being abandoned the British Military still maintained ownership of the land and the structures that were starting to fall in upon themselves. When the rebellions in Upper and Lower Canada took hold in the 1830s the military again occupied the old fort and began reconstructing it. By 1839 the fort’s earthworks were shored up, a new three-story masonry blockhouse constructed, a guardhouse, cookhouse, latrine, and officer’s quarters constructed. The two 24-pound cannon were remounted; two 12-pound cannon, two 14-inch mortars, and a 36-pound carronade were added to make Fort Wellington a force to be reckoned with. The rebels made plans to seize Fort Wellington, now a major depot for the Canadian Militia in the area, but the commanders were tipped off and they were able to interdict and defeat the rebels at Windmill Point. The British maintained a garrison at the fort until 1863, when the defense was turned over to the militia. The Canadian government maintained a presence at the fort, even using it as a depot for troops heading off to Europe during the First World War.

Project:1812 - Fort Wellington
One of the two 24-pound cannon at the fort. Yes, it works.

At the end of the First World War the nearly 100 year old fort was turned over the civilian government who restored and reopened it as a national historic site. Today Fort Wellington has been restored to what it would have looked like in 1846 (which makes doing 1812 reenactments there a bit odd). The fort has maintained many of the structures that were constructed between 1837 and 1839, the officer’s quarters, blockhouse and gate are still there. The guardhouse and cookhouse were demolished in the early 20th century due to them being structurally unsound. The latrine is also still there, and has been made famous by the fort. Archeological work in the latrine pit has offered us a unique view into the life of an average soldier in the 19th century by the trash that was found to have been tossed into the pit. The Fort’s new visitors centre also features the wreak of an 1812 era gunboat that was brought up from the St. Lawrence River.

Project:1812 - Fort Wellington
The fort’s famous latrine

Photos:
Nikon FM2 – AI-S Nikkor 50mm 1:1.8
Fuji Neopan Acros 100

Sources:
Guidebook to the Historic Sites of the War of 1812 Second Edition, Revised and Updated
Gilbert Collins

The Bridge

Hidden behind a hospital and a massive shopping mall a tiny road dead ends at a park. You can still see the old light standards continuing down. I had some time to kill on a Saturday afternoon so I decided to stop and check it out, having a camera with me I naturally brought it along for the hike.

The Middle Road Bridge

Down at the base of the road I was drawn out onto one the side trails that ran along a river bank, following it around I noticed something in the distance, it looked like a bridge, but not a bridge one would expect, it looked like an old road bridge.

The Middle Road Bridge

I moved in closer to said bridge, sticking to the river, it looked old, concret with stone pilings on either bank.

The Middle Road Bridge

The bridge was only a single lane, and happened to continue the road that I had followed initally, this was a bowstring truss (I remembered that from the Bridge project I had in Grade 5), and it was old, that much was clear, such details are not put onto most modern bridges, functionality before form eh? At least there was a plaque to date the bridge, 1909.

The Middle Road Bridge

The Middle Road Bridge

Some research on The King’s Highway website pulls up the following. The bridge was part indeed built as a bowstring truss bridge in 1909, the first such bridge in Ontario, and the road I was walking on…was the Middle Road, yes, the road that in the 1930s was converted into Ontario’s first limited access freeway. The bridge however only served one year on the Middle road before the highway was realigned and a bigger (and less attractive) bridge was constructed.

Nikon F3 – AI-S Nikkor 50mm 1:1.4 – Fuji Provia 100F (RDPIII)

Project:52 – Week 23

The Summer Road Trip, a big station wagon, kids, parents, the pet, and the open highway heading to anywhere. Well in my case, me, a four door sedan, and a well thought out route. Down through Ohio, PA, and Western New York. So for week 23 as I had the entire week off work I decided to use a Polaroid Land Camera and Fuji Pack Film to capture the trip. So for this post I chose my favourite from each day of the week.

Project:52 - Week 23
Saturday – The Henry Ford Museum.

Project:52 - Week 23
Sunday – The Glencoe Neighborhood (the entire place is abandoned)

Project:52 - Week 23
Monday – Nick and I while wandering Tipp City found an old merry-go-round at the city park and wanted to try a proof of concept, since we both left our digitals at the car realized that the Polaroid was the only option.

Project:52 - Week 23
Tuesday – The Wright Brother’s Memorial just outside the Wright Patterson Air Force Base in Dayton, OH.

Project:52 - Week 23
Wednesday – The house that Thomas Edison was born in. The house is located in Milan, OH.

Project:52 - Week 23
Thursday – A Gazebo in the park of Meadville, PA.

Project:52 - Week 23
Friday – The Erie Canal through downtown Lockport, NY.

Polaroid Automatic 240 Land Camera – Fuji FP-3000b

Fire! In the Disco.

No, these aren’t photos from an electric six concert. But rather one of my favourite places to go visit, the former Firestone plant on Hamilton’s industrial sector. This ancient structure, tucked neatly away behind a very active recycling complex (which was also at one time a part of the factory as a whole) was first built in 1921, and expanded over the years. It shuttered it’s doors in 2001, from active use (Firestone had already left it in 1987). It made the perfect place to give my Nikon F4 a work out, pairing this pro camera from the late 1980s (It was released the year after Firestone closed the plant) and the modern 14-24mm lens, and a roll of Fuji Velvia (the pre-2005 stuff). The only thing that would’ve made it better was if I was using Kodachrome.

The size and openness of the plant is what makes using an ultrawide lens perfect for this space, and the rich contrastry colour that Velvia is known for only added to the natural light filtering into the place.

Wide Angle, Empty Spaces

Empty and Green

Drip, Drip, Drip

The Upper Room

Want to see more of Firestone? Visit here: Fire In the Disco on Flickr