The Nikon F5, at first glance you might mistake it for a digital SLR. I certainly have been asked ‘what sensor is in that camera’ and depending on my mood and my general view of the person asking I might reply with something a little more sarcastic, other times a simple response is “oh a 36x24mm or full-frame as it’s called in digital photography.” The F5 was my second grail camera after switching over to a Nikon system from Minolta, in fact, I picked up the battery grip for the F80 to make it look like an F5 because at the time the F5 wasRead More →

If there is a single camera out there that most people will associate with professional film photographers, it is the Hasselblad V-System. Designed and built in Sweeden, the Hasselblad is the luxury camera of the medium format market. While the 500c is the original model to use a leaf shutter, it is a good entry point into the Hasselblad system if you can find one at the right price. Thankfully I was able to find a complete setup (lens, finder, back) for a reasonable price, but soon found that there is a certain cost to owning a Hasselblad system. And the fact you can’t justRead More →

When you first lay eyes on the Contax G series of cameras you’re going to wonder to yourself, what sort of camera are these? Are they rangefinders? Are they some kind of digital camera? A dressed-up point and shoot? Well the G Series is sort of both, well it certainly is not a digital camera. But it’s a rangefinder and a dressed-up point-and-shoot, in reality, it’s a camera that’s in a class all of its own, the Autofocus Rangefinder (AFRF). I don’t remember exactly what drew me to the G2 when I first got my hands on the camera back at the end of theRead More →

When it comes to 35mm SLRs I’m solidly in the Nikon camp. Yet, Canon had something that could be considered an equal, if not a stronger camera for the 1970s than the Nikon offering of the time. That being the Canon F-1, Canon’s answer to the Nikon F2. Sadly the F-1 only lived a short time in my collection before going to a good friend who had a larger selection of Canon lenses. I know it went to a good home. But as a camera, the F-1 is an amazing performer and if I had more lenses it would have been a strong addition toRead More →

When it comes to fixed lens rangefinders, these cameras were what got me into photography with my very first camera, the Hi-Matic 7s. But these cameras are usually fixed on having f/2.8 or f/1.8 lenses due to the shutters available. Yashica decided to go bigger and often faster with their Lynx line of cameras. So when I had the chance to get my hands on the fixed lens rangefinder with the fastest lens available among these cameras (there are no others with an f/1.4 lens according to all of us in the Alliance), I had to take it out for review. But when it comesRead More →

If you have ever listened to my photography journey then you will have had heard of this particular camera, I am of course talking about the Minolta Hi-Matic 7s. While among the plethora of fixed lens rangefinders that flooded the market through the 1960s and 1970s it doesn’t stand out among some of the era’s heavy hitters, the Hi-Matic 7s is a sleeper of a camera. And for me, it holds the honour of being my first personal film camera a five-dollar purchase at a garage sale in 2002 it would be a near-constant companion until I got my first SLR. Still, it was aRead More →

This is a beast of a camera. I mean, I thought that lugging around a 4×5 was crazy; the GX680iii is just nuts. This camera would feel more at home in a studio than in the field. But I often find studio work boring. But as a system camera, it is incredible. A couple of them with excellent Fuji glass on the front, and you have a powerful camera that gives you the flexibility of large format with the convenience of roll film. Special Thanks to James Lee for loaning me the camera for this review twice now. Camera Specifications Make: Fujifilm Model: GX680iii Type:Read More →

When it comes to cult cameras, I don’t think any company can compete with Olympus for the sheer number of models that have gained cult status before the current wave of point-and-shoot madness. You have the Mju (µ) aka Stylus, Stylus Epic, the entire XA line, and then there’s this camera, the Trip 35. When it comes to sleek and stylish cameras not to mention easy to operate and compact the Trip 35 has all of that in spades. And it probably helped catapult the camera to fame with the support of David Bailey. My own journey into the Trip 35 started with the FilmRead More →

Moral within the American army was falling fast by the autumn of 1813. While Detroit had one, and at the Battle of the Thames William Henry Harrison had secured the western parts of Upper Canada, a majority of the colony remained in the hands of the British, and the only American army that could strike remained pinned at Fort George. The other two armies languished at Sacket’s Harbor and Burlington Vermont on Lake Champlain. The secretary of war, John Armstrong was at odds with his new Commander-In-Chief, General James Wilkinson where to strike next. Wilkinson believed that the best place to strike against the BritishRead More →

Many things can be used to describe the Shawnee leader Tecumseh. Hero, Legend, Warrior, Hunter. Like many who fought in the war, Tecumseh’s name only became larger after his death, following in the line of those like Perry, Harrison, Brock, and Secord. But the war was in Tecumseh’s blood, despite him wanting nothing more than peace. Born in the latter half of the 1760s in the Ohio Valley, he was born into conflict. His true name, Tecumethe, meaning shooting star, was given to him as he was born under such an astrological sign. However, history has named him Tecumseh. The Shawnee had been forced toRead More →