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If you had to pick the epicentre of abandoned buildings in the American Rust Belt, many cities can claim that title. The 1970s were not kind to North American industry, and cities like Buffalo, Cleveland, Detroit and many more still feel the sting of that troubled decade. Then there is Gary, Indiana; you can throw a rock in many parts of Gary and break the window of an abandoned building. And despite the stories I had heard about the city being a murder capital with rampant crime and watching not only your car but your wallet. I never once felt uncomfortable in Gary, unlike Detroit,Read More →

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I was more familiar with Robert Preston in his final role as Centauri in The Last Starfighter but my mom and my wife will always sing the line “Gary, Indiana” from the movie “The Music Man” and while it might have tripped along softly on the tongue this way. The city of Gary today is a far cry from what it once was in the early 20th Century. This boom steel town has seen its highs and is now in its lows. I would have loved to include every building I explored in Gary in my “Between Darkness & Light” Series, the simple fact isRead More →

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Regarding locations, the former Indiana Army Ammunition Plant is by far the largest location I ever explored and only a tiny percentage of the total area. This massive factory is terribly repeatable, as it was designed to be an enormous plant for the production of smokeless powder during the Second World War. Based on what I’ve read and seen, I spent almost all the time at the Indiana Ordnance Works No. 1 and a bit of the Hoiser Ordnance Works. Either way, this was a single location I spent five hours at, but I still feel that I only saw a little but at theRead More →

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The year was 2013, a new voice had recently joined the Film Photography Podcast, one Mat Marrash. Mat had dived headfirst into the world of film photography and had not looked back and begun speaking about a type of developer I had never heard of before, Pyro developers. Well, I was instantly interested, having myself dived headfirst into the wonderful world of home B&W development. I was also looking for something outside the normal D-76, HC-110, and Rodinal developers. Well, this Pyrocat-HD stuff seemed interesting, but getting it shipped to Canada proved difficult at the time, so with a trip to New York City inRead More →

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There is a tonne of iconic film stocks that have been released and are no longer with us; I’m thinking Kodak Plus-X, Kodak Panatomic-X, almost the entire line of Polaroid Film. And among those Polaroid films, the one that probably hurt the hardest when it saw cancellation in 2008 is Type 55. Type 55 is a unique film even among Polaroid instant films in that it produces a usable print (obviously) but also a usable negative. And it is a legend that the negative used in Type 55 is based on Kodak Panatomic-X. It is also among those films that I wish I got toRead More →

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Do you know that Kodak D-76 has a cousin? Although in the grand timeline of things, I can’t place exactly when the stuff was first released. But if I had to hazard a guess it was sometime in the 1920s. It proved to be a favourite of Ansel Adams along with HC-110. Today Kodak no longer produces D-23 in favourite of the far more shelf-stable D-76, but you can still mix it up from raw chemistry if you know the formula (I’ll be sharing that later) or you can purchase pre-made kits. Personally, I enjoy working with D-23 when I need some compensating capabilities andRead More →

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Back in the early days when I was just starting to explore the wonderful world of films outside of Fuji, Kodak, and Ilford I hopped on the Freestyle website and discovered two brands of film I had never heard of before and landed myself a variety of Efke and Adox films. Today I’m going with one of my favourite of these ‘classic’ emulsions, and that is Adox CHS 100. Like Efke, CHS films are silver rich, grainy and lands you a mid-century classic look. Sadly, the original CHS 100 ended when Fotoimipex closed down shop in 2012. Adox, however, bounced back and still produce onRead More →

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Through 2016 I did a 52-Roll project where I shot the Rollei RPX films for each week, out of the three flavours available my personal favourite remained RPX 25, a spiritual successor to the iconic Agfa APX 25. These days in film photography there aren’t many offerings below ASA-100, Pan F+ is a solid choice, but sometimes you want something sharp, fine-grained, and slow. And for that, you have Rollei RPX 25. While the thin polyester base might make it hard to handle in the bag and widely thin in sheet formats, the results are worth the trouble. Film Specs Type: Panchromatic B&W Film Base:Read More →

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A little sidebar, I wrote this blog post a while back as a post if I had nothing to post here for the week sort of a filler. However recent news made me post this sooner! That great news is that Ektachrome is back! Kodak will be releasing a new version of Kodak Ektachrome E100G in the fall of 2017. There’s more than battles, drill, and lazing about to a reenactment. Once the public leaves, the camps become the social centres for the evening. And being a reenactor one thing I have been a little lax on is capturing these behind-the-scenes moments once the public’sRead More →

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While many continued to use and love the all mechanical Nikon F2 the F3 was a departure of sorts for Nikon moving towards an electronic-based camera and a very stylish one at that. Designed by the noted industrial designer Giorgetto Giugiaro who introduced the red strip that still appears on Nikon SLRs today. This is the camera that got me back into semi-automatic manual focus photography after I received it as a gift from a photojournalist with a vast collection of lenses and the MD-4 motor drive. While heavily used, this camera has seen a lot of action in the past and continues to seeRead More →