This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

While the Mark 1 Intrepid is long obsolete, it was a fantastic camera for the era in which it was produced. It became the foundation of a resurgence in modern large-format camera creation, not only from the folks at Intrepid. And while this camera is long gone, it certainly left an impression on me and my photography. This camera was designed to make large format affordable and modern construction. And it certainly made that dream a reality. Was the camera perfect? Far from it, I had many problems with this camera, but for what it was and what it cost, it made a large format,Read More →

When it comes to slide film, Fuji Sensia introduced me to the medium, but it was Astia that made me love slide film. Sitting neatly in the worlds of Velvia 100 and Provia 100, Astia is often an overlooked member of the Fujichrome family, with more people going towards Velvia for rich saturated colours or Provia for a more natural tonality. But Astia was a happy medium between the two; you get a stronger contrast than Provia and more natural colours than Velvia. Astia quickly became my go-to slide film for trips and events where I wanted the magic of slide film with a bitRead More →

Over the previous year, I worked hard to expand my knowledge of black & white film developers and find myself down a deep rabbit hole. Some good, some meh. Some I didn’t care for or I found them to be too specialised for average use. And while I have several up for review later this year and you can check those out later, here are seven that have stood out in my head as worthy of using again and of getting you out of the rut of using the more vanilla developers like D-76/ID-11, HC-110/Ilfotec HC, and Rodinal. 1 – Adox FX-39 II Based onRead More →

Several years ago, when I was starting to branch out in my home film developing, I would try a lot of different, strange, and odd-ball developers. Sure I went with the basics, D-76, HC-110, Rodinal. But as I continued to listen to the Film Photography Podcast, I started to get my hands on stranger items, PMK Pyro being the first speciality developer and from there Pyrocat-HD which has become a fast favourite. But then I heard Matt talk about a developer call FA-1027. The next trip I made to New York City, I popped into B&H and got myself a bottle. Sadly I have onlyRead More →

Many have heard the analogy of an elephant and a beaver to describe the relationship between Canada and the United States. Even though we are two separate countries and cultures, whatever happens in the United States is like when the elephant rolls over, it does and will affect Canada. The American Civil War is the perfect example of what happens when the elephant rolls over. While the conflict was primarily an American war, it had ripple effects across the globe. The war is not the primary focus of this project, however, as I mentioned in the previous post, is one of the external reasons toRead More →

If there is a singular group that I had a clue about going deep into this project, that group would be the Family Compact. And how you view them relies on your view of Canadian History. To some they are the antagonist of this particular branch of Canadian history, to others, they represent Canadian loyalty to the British Crown in the rebellions. But for me, they now stand as the opposite side of the same coin during the Upper Canada Rebellion. The Compact represented the colonial elite, the new ruling class. They controlled every aspect, every part of the government, the law, and the church.Read More →

When it comes to iconic films, Ilford HP5+ rates as one of the big ones, with a history as old as Ilford FP4+ and dates back to 1935. And while it only got its ASA-400 speed rating in 1960 is certainly is a film that can take amazing images. While many see HP5+ as a direct competitor to Kodak Tri-X, I do see two separate films each responding differently to the range of developers out there. And while I’ve had a rocky time with the 35mm version of the film, I’ve come to accept HP5+ is certainly an amazing film! Film Specs Type: Panchromatic B&WRead More →

Robert Barrie is one of the more unique people related to the War of 1812 that I have researched and written on. While he managed to earn a disreputable reputation among the American population among the British and Canadians whom he interacted with he was well liked and respected. Barrie was born on the 5th of May 1774 in Florida, which at the time was still under British Rule, the son of Doctor Robert Barrie and Dolly Gardner. Despite his birth in North America he was raised in England. After his father passed away when he was still an infant his mother would move backRead More →

One of the unsung heroes of the Anglo-American War of 1812, the burly red-haired Robert Dickson was born to a merchant father in Dumfries Scotland in 1765. After his father’s business had failed, Robert along with his two brothers travelled to Upper Canada to work for their uncle, Robert Hamilton. Hamilton was a wealthy gentleman in Upper Canada, and while the two brothers found success with Hamilton’s business the dull clerical work did not appeal to the adventurous Robert. Robert would find his element in the Northwest upon his posting to Mackinac Island. He expanded his trade network among the northern tribes in both UpperRead More →