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CCR Review 60 – KMZ Zenit E

Soviet cameras and I have had a rocky relationship. There’s only a handful out there that I like, and then there’s the Zenit E. This is a beautiful camera that is probably the pick of the litter from the Zenit line. One of my first SLRs was a Zenit B, the non-metered version of the E. And despite never getting a single frame from the camera. Because I had no clue what I was doing at the time, finding myself instantly familiar with the workings of the Zenit E and it certainly makes for a much better Soviet SLR than the other’s I’ve worked with in the past. Special thanks to James Lee for loaning out this camera for a review.

CCR Review 60 - KMZ Zenit E

The Dirt

  • Make: KMZ
  • Model: Zenit E
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36×24
  • Len: Interchangeable, M42 Screw Mount
  • Year of Manufacture: 1965-1968

CCR Review 60 - KMZ Zenit E

CCR Review 60 - KMZ Zenit E

The Good
There is nothing complicated about this camera. The operation, layout and general use of the camera make it easy for anyone to pickup and use. The only feature that this camera has is the uncoupled light meter, but more on that later. Despite the weight of the camera, it doesn’t detract from its use, although a nice heavy duty padded strap would be a good idea. A carbine style cross strap would be best. The M42 mount gives you a wide range of lenses to use on the camera both German and Soviet optics can easily mount on the camera. And as a bonus, most Soviet optics are direct copies of their German counterparts and often have their unique features that you don’t find in other lenses. Even though there is no automatic aperture on the camera that doesn’t detract from the operation, as you can easily set the aperture then open and close it with a simple twist ring that will stop at the correct aperture. The one thing to watch out for is the shutter speed dial; you can only set your shutter speed once the film has been advanced and shutter cocked, much like the rangefinders from the FED and Zorki line. Finally, there’s the sound of the camera, the noise the shutter and mirror make when in operation is substantial and pleasing, there’s no mistaking when you’ve fired a shot.

CCR Review 60 - KMZ Zenit E

CCR Review 60 - KMZ Zenit E

The Bad
Usually, if a camera has a selenium meter that tends to be a positive feature to a camera, no batteries needed, and usually still operates. In this case, however, the meter isn’t a handy thing to have on this camera. First, off the meter is uncoupled, this means that no matter how you adjust the camera settings the meter doesn’t react, there’s a second dial that you set to give you the camera settings based on the meter reading. Add to that the meter read out is on the top of the camera body only. It would be better to stick with Sunny-16 or an external meter. In addition to this, you’ll have a hard time ensure the correct film speed setting as the camera is calibrated more towards the old GOST scale with corresponding DIN numbers. Sadly these film speeds do not line up with most modern films, you do have options like GOST-130, but I’ve never seen that sort of film. There is also the matter of the long film advance crank, while a minor nuisance does make it difficult to fire off several shots in succession. And finally, I would be remiss if I didn’t mention that the Soviet Bloc did not have the best quality control so there is a chance that these cameras can break easily or purchased in a broken state. At least there’s a high chance with the right tools and manual you can do the repair yourself.

CCR Review 60 - KMZ Zenit E

CCR Review 60 - KMZ Zenit E

The Lowdown
Out of all the Soviet cameras I’ve reviewed to date, the Zenit E is only one of two that I would recommend picking up, but I would lean someone more towards a Zenit B, the non-metered version. Both are strong mechanical cameras that have a nice look and feel to take out on International Communist Camera day and are better than most of the later model Zenit cameras. But there is one thing that you should look for if you are thinking of getting one and that’s the lens. Most of these cameras shipped with and still come with a Helios 44-2 lens, this 58mm f/2 is a copy of the Carl Zeiss Biotar. It has also become somewhat of a cult lens in the portrait market even I have one that I use with my Sony a6000. The reason is that when you shoot a subject at about 5 feet away with the lens opened to f/2 you get a classic Petzval style swirl. So even if you get a broken Zenit, you still get an amazing lens to add to your collection.

All Photos Taken in Hamilton, Ontario
KMZ Zenit E – KMZ Helios 44-2 2/58 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C