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When it comes to Nikon, you know most of the cameras in their catalogue, especially their professional offerings. But there are plenty of hidden gems in their camera line as well. Some even have a cult following, I’m thinking of course of their Nikkormat cameras. But what about the Nikon FG? Like many Nikon cameras of the 1980s, it’s often overlooked in favour of the semi-pro FE2/FM2(n) and for a good reason. The FE/FM series attracts a massive following because it followed the original Nikon design ethos of uncompromised industrial design and quality. But the late 1970s and into the 1980s brought a lot ofRead More →

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I remember the first time I saw the Pentax 645; it was at Belle Art Camera in Hamilton, Ontario. It was sitting there in all its medium format beauty with the 75mm f/2.8 lens. The store employee told me all about the camera, what it did, how it worked. And I was looking to up my medium format game. The price was right, so I dropped the cash and left with a camera that would come with me on future trips, projects, and even some weddings. As a camera, the Pentax 645 is a workhorse and a working man’s camera, it has everything you wantRead More →

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There’s something strange about the Smena 8M, it wasn’t my first experience with Soviet cameras and certainly wasn’t going to be my last. But the Smena 8m made me both loved and despised the cameras from the Soviet bloc. The camera is simple to the point of being demining, a chunk of plastic that has little to offer a photographer. Other than a strange joy and annoyance in general operation. Every time I used it, I wanted to give it away, tossing more images than those I kept. Yet now looking back at the three rolls I shot through the camera the resulting photos aren’tRead More →

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There aren’t many cameras out there that I’ve picked up and loved right off the bat. I could probably count them all on just one hand. Oddly enough they’re all from the Nikon F series. The Nikon F2 came into my toolkit by chance and quickly earned a strong reputation for being a reliable camera in any weather and one that has been on the waiting list for a total CLA when I have the chance to send away. I can use all my manual focus lenses on it, and it doesn’t miss a beat. A constant companion on photo walks and trips, easy toRead More →

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Before we begin, even still today I am primarily a Nikon shooter. Sure I have had a couple of Canon cameras come through my collection throughout the years, in fact this is my second AE-1 Program to come and go. The first camera went on to help out my friend Nick in Ohio with a photography course he took in University and the second, this camera, went to my friend Laura from the 49th after her T50 kicked the bucket. But when it comes to Canon cameras and if you are a friend and fan of the Film Photography Podcast, the Canon AE-1 Program isRead More →

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When I call the Rolleiflex 2.8F the oldest camera in my toolkit, that doesn’t mean it is oldest by age, rather oldest having been in my toolkit the longest of any other cameras. I got the camera in 2010 after buying it from the original owner. The original owner having purchased it in Germany in 1969 along with most major accessories, and since then it became a near-constant companion. And the camera saw a lot of action from trips to abandoned buildings, nature to weddings and other portrait sessions. The Rolleiflex 2.8F is my third and honestly final TLR in my kit having solidified myRead More →

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I sadly was unable to participate in the week long celebration of Instant Photography last year because I was in the Chicagoland region, but this year I went full force and worked on reducing my stock of expired Polaroid and Impossible material! I got the shooting started early over the weekend before ‘roid week so I’d have two days worth of material already stocked up. Day One – Jaite Depot Anniversary Speed Graphic – Fuji Fujinon-W 1:56/125 – Polaroid Type 79 Located in the Cuyahoga Valley National Park in Ohio, the Jaite train depot one served the company town, the town’s surviving building now serveRead More →

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Many people have heard me complain about lugging around the large format gear, a heavy tripod, lots of film holders, and all the extra gear that comes with shooting large format. But I keep on shooting it. So many ask why…so in response to Mat’s blog on the subject. And while it’s complaining, it’s nothing compared to when Mat and I drove around the Cleveland Flats in 2013, and he had the massive Sinar P2 8×10 camera. So why do I shoot it? Because the results are outstanding, I find that it disciplines me; I can go out with ten sheets of film and comeRead More →

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It’s the week that all Instant Photographers look forward to, that week where we celebrate in our little (well not so little) obsession with Instant Film. ‘Roid Week. This year, I actually managed to get in photos for all five days (last year I made it only four…due to a camping trip on the Friday that took me away from my computer/scanner, not a bad thing overall). It was as always fun, a bit qwirky, and filled with strange stares from students and coworkers as I lugged these old cameras around and smiled as I tucked away Integral film from the Impossible Project, or peeledRead More →

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110 is back, the Film Photography Project predicted that 2012 would be the year of 110 film, and they were right. The format gained popularity through the 1970s when Kodak introduced the format based on the subminature 16mm format but in their own cartridge. My very first camera was a 110 camera that I used a grand totally of twice before it broke. So when all this hype about 110 was brewing through the FPP, I sort of shyed away from it. There are better formats in my mind. But still the question remained who would make the film? Sure FPP had found a stashRead More →