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I went into the city with a grand plan; in fact, I had this entire post already written and was ready to commit. But then the day came when I was going to execute the plan, and everything didn’t seem right. By the time I got to the train station and stood in the mass of people all waiting for the next train, it all didn’t feel right. I knew what I wanted to do, but there was that looming threat of rain and even thunderstorms. I did not want to get caught in a sudden downpour and have no place to shelter. I alsoRead More →

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If you have never heard of FX-37, don’t worry. I didn’t know about the developer either until I saw a post from Flic Film about it on their Instagram feed. It fits in with the plethora of other “FX” developers, some of which I have reviewed on the blog (FX-39 II and FX-2). FX-37 is the invention of noted British photographer Geoffrey Crawley to solve the problem of sharpness in T-Grained emulsions. As a developer, FX-37 is a non-solvent developer designed to maximise the sharpness of these modern emulsions but can also work with traditional cubic-grained films. Technical Details Manufacturer: Flic Film Name: Crawley’s FX-37Read More →

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The Minolta Zoom 24-105mm is Minolta’s late-model elevated kit lens, released initially with the Maxxum 7. It was designed to be better than the lower spec kit lens, the 28-100mm. And you know, when you put the two lenses next to each other, the 24-105 is a far better lens and doesn’t carry a hefty price tag. In all fairness, I was not happy with the results I got from the 28-100, and my copy broke and had to be fixed with a doner lens. However, the 24-105 is only slightly better as a lens because despite being an elevated kit lens, it is stillRead More →

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If you’re familiar with Toronto’s financial district and downtown Toronto as a whole you may have some understand of an entire underground community that connects most of the tall towers that dominate the skyline. But many walk right over this warren of pedestrian tunnels without even realising that the employees can quickly move between buildings, access services and even grab a bite to eat without stepping outside. Known as the PATH, the system is one that I’ve been in before and quickly got lost and locked out of, but having some time, I decided to go on a mission to try and explore and photographRead More →

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Last year, I participated in a ‘hidden project. Usually, when I do a photography project, I have regular blog posts and a Flickr album all related to it. But not this one; this was another group project called 12 Months On Film; it ran on Instagram and was moderated by the Film Shooters Collective. The purpose was to get cameras off shelves, film out of fridges and enjoy photography. The guidelines were simple, shoot a different camera each month, you could use different film stocks, developers or all the same, but the camera had to be different each month. A rather nice change from theRead More →

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Back in 2023, I came across an exciting developer, Compard R09 Spezial, after some digging I discovered that R09 Spezial had nothing to do with Rodinal despite the name. It was Agfa Studionol, and when I wrote that review, it was mentioned to me in a comment that Bellini Foto produces a version of Studionol, Hydrofen. It took a bit of work, but I got a couple of small bottles of Hydrofen to write a review of the currently produced version of Studional. And true to my word in my review of R09 Spezial I made the point to do the majority of rolls usingRead More →

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Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

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I’m coming back for more, especially after being pleased with the results I got from the Formulary version of Kodak D-19. Like Formulary, Flic Film’s MQ-19 is a perfect clone of the classic high-contrast, fast-acting developer D-19, and while I am limited by what film stocks can be developed I did manage to find a few more options to run through the developer this time around include a few classic films that I did not include in the first time around. Like any good review, having a second chance with a developer gives a better chance to explore other options and get a better pictureRead More →

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Like many film photographers we have a tendency to collect not only cameras, lenses, and accessories but also film. And recently I was looking at the massive collection of film sitting in my storage area and thinking that I should shoot this all now before it all gets so expired it is no longer useful to anyone. In this post I’ll be sharing my selection of black & white films that I had laying around in my collection although one C-41 roll did get included but because I decided to develop it in a traditional B&W developer it got stuck into this post. The firstRead More →

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While writing camera reviews remain a favourite of mine, second favourite is developers. Despite the challenges, it does allow me a bit more latitude in choices of films and gear. And while there are only a limited number of developers out there and some that are highly specialised or have limited film stocks that are available. But despite the limited numbers, there are in many cases a tonne of clones out there that allow me to fully explore these developers. I’ll be walking through how I write and work through reviewing film developers as I write my review of Flic Film MQ-19. The main reasonRead More →