Tag Archives: Olympus 35 SP

CCR Review 29 – Olympus 35SP

Playing along the same lines of the fixed lens camera rangefinders of the 1960s and 70s the Olympus 35 SP is one of the top models that you can get from that era, I’d actually rank it equal with the Minolta Hi-Matic 7s. And the best part as many people go for the Cannonet line of cameras, the 35 SP again like the 7s is more of an underdog camera and like many Olympus cameras has gained somewhat of a cult following. But what made the camera stand out among it’s peers that a dual metering system that had both a center weighted and an on-demand spot meter as well that were both available even when the camera was in manual mode.

CCR - Review 29 - Olympus 35 SP

The Dirt
Make: Olympus
Model: 35 SP
Type: Rangefinder
Format: 35mm, 35x24mm
Lens: Fixed, Olympus G.Zuiko 1:1,7 f=42mm
Year of Manufacture: 1969-1976

CCR - Review 29 - Olympus 35 SP

CCR - Review 29 - Olympus 35 SP

The Good
This is a fantastic camera, light weight, easy to handle, the focus ring has a wonderful lever that makes it super smooth to focus without moving your hand from the bottom of the camera. And pairing that with the sharp just a little wider than normal 42mm Zuiko lens makes the images even better. But the thing that makes the camera really shine is the meter. This was one of the few fixed lens rangefinders that has a dual meter, both center weighted normally and a button you press that gives you a spot meter reading. And to make it even better the camera meter does this in both fully automatic mode and manual mode. And as for manual mode the camera meter display in the finder uses the EV scale, but on the lens barrel you can easy adjust the aperture and shutter speed and a display window will give you your EV number. Or just run full manually with Sunny-16 or an external meter as the mechanical body will run even without a battery.

CCR - Review 29 - Olympus 35 SP

CCR - Review 29 - Olympus 35 SP

The Bad
Like many of these cameras of the era the camera does take a mercury battery so finding one with a functioning battery is possible but rare and the replacements are out there but again cost a bit of money and don’t last as long. But on the other side of the coin being a mechanical camera means it will function even without a battery. The second beef I have with the camera isn’t the meter itself but the placement of the meter. The window is off to the side so if you want to use filters on the camera you do have to take the filter factor into account and even with my head it’s difficult to figure that out on the fly. So generally I don’t.

CCR - Review 29 - Olympus 35 SP

CCR - Review 29 - Olympus 35 SP

The Lowdown
These are certainly beautiful cameras to both shoot with and use, and being a bit on the side of the underdog you can get these for fairly cheap and they really won’t let you down. With a solid meter and great optics, as well as fantastic handling. If you’re looking for a good camera for street work or just a general travel camera that you can throw in your bag, the 35 SP or any camera from the Olympus 35 series will suit you just fine!

All photos taken in Oakville, Ontario
Olympus Stylus Epic DLX – Olympus G.Zuiko 1:1,7 f=42mm – Svema Foto 400 – Xtol (1+1) 14:00 @ 20C

Classic Camera Revival – Episode 3 – Rangefinders


A favoured camera of the street photography group, the rangefinder, is one of those niche cameras that is often associated with brands like Leica. However while none of us have a Leica to present this episode we have some fine (cheaper) alternatives to the Leica that are sure to get your attention. The main feature of the rangefinder is that the viewfinder is often off-set from the taking lens, and uses a super-imposed image that you ‘line up’ to get the focus. However, composing takes a bit of work. The first rangefinders were produced by Kodak back in 1916, but really got popular in 1925 with the first Leica camera.

The cameras featured on this episode are:

Minolta Hi-Matic 7s – The Upgraded version of the Hi-Matic 7, this beautiful fixed lens rangefinder has a Rokkor 45mm f/1.7 lens, hot shoe and an auto exposure system from the SRT line of SLRs. But since it takes a mercury cell is no longer usable. But being mechanical the camera still works like a charm!

The Collection - September 2012

Foggy Dew



Kodak 35 RF – The coupled rangefinder version of the original Kodak 35, this ungainly looking camera was introduced in 1940 but don’t let the weird looks fool you, it’s a solid camera with legendary Kodak optics backing it up.




Olympus 35 SP – Another cult favourite of Olympus with both a centre weighted and spot metering system built in, and a 42mm f/1.7 Zuiko lens to back it all up, this compact rangefinder is very user friendly with wickedly sharp optics!





Voigtlander Bessa R – The only interchangeable lens rangefinder on the show today, the Bessa R, gives all those folks who are fans of the Leica Thread Mount (LTM/M39) a camera with TTL metering and easy loading! While not actually from the famous Voigtlander name, but rather designed and built by the Japanese company ‘Cosina,’ the the Bessa R is a solid contender.





Of course, this is far from a complete list of rangefinders out there. In addition to the iconic Leica lineup there are some other good cameras to look at.  Such as the Yashica Electro 35G, Canonet QL17 GIII, Konica S3, and Olympus XA.

The Darkroom
A topic that will get any traditional photographer going for hours (thankfully it didn’t for this episode) is developers! Even today there are still a pile of different developers available for black and white films, and they come in two different varieties. First being powder which you combine with water to create a stock solution which can be used on its own in many cases or diluted down with water. Second is liquid, which can be mixed into a stock solution (like Kodak HC-110) or diluted straight with water into a one-shot working dilution, such as Rodinal.

Some of the developers mentioned in today’s show include.

  • Rodinal – The oldest commercial developer still in production today, however it’s known as Blazinal, Adonal, or Agfa R09 One Shot. Produces incredibly sharp images but does enhance grain.
  • Pyro Developers – These are staining developers that produce amazing tones, fine grain, and sharp images. They do leave almost a sepia stain on the negs. Two types are mentioned, Pyrocat-HD and PMK Pyro, both are avalible from Photographer’s Formulary.
  • Diafine – This unique two bath developer (don’t mix the two baths) will produce ultra-fine grain, and increase film speed, sharpness, and resolution. Oh and the stuff lasts forever!
  • Kodak Xtol – A powdered fine grain developer from Kodak that produces good sharpeness and fine grain. It’s also one of the more environmentally friendly developers out there being based on Vitamin C. The downside is that you have to mix it up 5 liters at a time. A jerry can is a good idea for storage.
  • Caffenol – a developer that you can mix up yourself and you can make it in so many different ways. At the core is instant coffee, then you add additional stuff to change the results. Best part there’s nothing really dangerous that mixes in with it, just don’t drink it. Co-Host Alex did a good experiment with Caffenol a year or so back.
  • Kodak HC-110 – One of the more interesting developers because of the alphabet dilution table, and introduced without much fanfare. You can mix it up as a stock solution and dilute from there, or just dilute straight from syrup. If you want that ‘Tri-X look’ HC-110, Dilution B.
  • Kodak TMax Developer – Designed for use with the T-Grain (TMax) films, but don’t let that scare you, this is a fantastic developer that makes most film (even Tri-X and Plus-X) sing! There’s a little more grain but you do get nice sharp negs.
  • Ilfosol 3 – A general purpose film developer designed for use with slower films with great results especially with Pan F and Delta 100

If you want to try mix up your own developers you can find a pile of great recipes online at the Unblinking Eye. Also check out the Massive Dev Chart to get starting developing times. If you’re just starting out with film developing a good one to start with is Kodak D-76 or Ilford ID-11, as it’s cheap and works with almost every film out there! And more importantly don’t be afraid to experiment and find your favourites that get the results that you want! Just note that if you order liquid developers from US distributors you may not be able to ship them across the border, you may even face some restrictions with powder as well. New York City isn’t that far away and totally worth the trip just to see the awesomeness that is B&H!

If you are in the Toronto area be sure to check out host, John Meadow’s first gallery show: The Silver Path. Running from the 10th of April to the 19th. Check out his site for more details: johnmeadowsphotography.wordpress.com/the-silver-path-film-photography-by-john-meadows/!

Looking for a place to get this chemistry, check out Burlington Camera, Downtown Camera, or Film Plus if you’re in the GTA region of Ontario, if you’re on the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.