The history of Svema film or the entire photographic history from the former Soviet Bloc is a topic for a blog post all on its own. In the case of Svema, they had been producing black & white film for many years before the Second World War. However, they did not have a colour film. When the war happened, and Russia rolled through Eastern Germany, they captured many camera and film manufacturers, including Agfa. From the Agfa plant, they got their hands on colour films and produced Svema Color 125. The film has a colour palette all of its own and something that you don’tRead More →

Often overlooked by many photographers in favour of Portra 400, Portra 160 is a different film altogether and one that is not a particular favourite of mine. Part of the early resurgence of film from Kodak that brought us Ektar 100 and Portra 400. Portra 160 is the combination of the two early films Portra 160NC and 160VC. As the name suggests, the film is designed primarily for Portraits and presents a low contrast almost pastel look a clear departure from the vibrant colours you get from Ektar 100. Film Specs Type: Colour Negative, C-41 Process Film Base: Acetate Film Speed: ASA-160, Latitude +/- 2-StopsRead More →

Ektar 100 is one of my favourite colour films, and that’s saying a lot because I don’t shoot a lot of colour film. But when it comes to Ektar 100, it is the first of many ‘new’ colour films to come out of Kodak since I first started shooting film. The name itself, a historical word in the Kodak Dictionary is an acronym for Eastman Kodak TessAR the lenses produced between 1936 and 1962 and I own a 203mm Ektar which I still run on my Crown Graphic. Then it became a line of professional films rated at 25, 100, and 1600 starting in 1989,Read More →

Taking a look at one of the most sought after films from Lomography, their Purple line of Colour film brings back a similar look to the colour infrared films like Kodak Areochrome. But despite the Chrome in the Name, Lomochrome Purple XR is a colour negative film. Well, enter Purple XR, which can be shot at three different speeds to produce different results. Sadly I only had one roll thanks to the Emulsive Secret Santa, so why not shoot 12 frames for each speed have the roll processed as usual and see what happens! If you also note, I’ve had to come up with differentRead More →