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The bakelite beast, the snap shot camera of the 1950s and a staple camera in most every antique camera store I’ve visited. The Brownie Hawkeye flash was one of many cheap Kodak snapshot cameras that was a staple of plenty of families and still stands up today as a solid starter 620 camera because you can actually use a 120 spool in the camera providing you have a 620 spool in the take up! But although it works, I really don’t recommend it, as you’ll often damage the film itself. The Dirt Make: Kodak Model: Brownie Hawkeye Flash Type: Point and Shoot Format: Medium FormatRead More →

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If you ever wondered how the average consumer took photos 100 years ago look no further. This is the oldest camera in my collection with a manufacturing date of 1916 but despite the age it still works perfectly! Mostly because it takes a still available film size! And even more impressive is that it still works like a charm. Oddly enough for the longest time I thought that this camera was some weird Canadian version of a No. 2 Brownie and had continued to all it as such it was only recently that I learned the actual name for the camera, the No.2 Hawk-Eye ModelRead More →

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It’s yet another winner from the wonderful folks at Olympus! This is probably my favourite modern point & shoot camera, no fuss, no muss. If I want to just go out and shoot and not have to worry about carrying bags of additional gear, or at a wedding when you don’t want to pull out the SLR and don’t want to fiddle with an XA. Small, compact, with amazing results. The Dirt Make: Olympus Model: Stylus Epic DLX (ยต[mju:]-II) Type: Point and Shoot Format: 35mm, 35x24mm Lens: Fixed, Olympus Lens 35mm 1:2.8 Year of Manufacture: 1997 The Good Probably the best part about this cameraRead More →

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Playing along the same lines of the fixed lens camera rangefinders of the 1960s and 70s the Olympus 35 SP is one of the top models that you can get from that era, I’d actually rank it equal with the Minolta Hi-Matic 7s. And the best part as many people go for the Cannonet line of cameras, the 35 SP again like the 7s is more of an underdog camera and like many Olympus cameras has gained somewhat of a cult following. But what made the camera stand out among it’s peers that a dual metering system that had both a center weighted and anRead More →

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The Nikon F is the great-grandfather of all the professional level Nikon SLRs, yes even modern digital professional digital SLRs can trace their ancestry back to the Nikon F. The Nikon F introduced the idea of a system SLR where everything could be swapped out to make the camera fit the task you wanted it to do and your own personal style as a photographer and saw production for just under two decades before being replaced by the Nikon F2. For this review, I’ll be running with a Nikon F Photomic FTn however the meter is no longer working. The Dirt Make: Nikon Model: FRead More →

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When it comes to bare-bones Mechanical SLRs, the Zenit 122K is as bare-bones as they come. This mostly plastic camera comes from the rather odd times right near the end of the Cold War and Soviet rule in Russia. I mean it’s pretty basic even for someone who just wants to learn how to use an all manual camera. But oddly enough the camera still looks cool, in fact at forty yards you might think it a Contax RTS III or similar camera with a squat prism and all black with white lettering, but don’t be fooled this camera is no Contax…not by a longRead More →

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Probably the most powerful pocket camera I’ve ever used, the Olympus XA brings the power of the rangefinder, aperture priority and stunning optics into something that can fit in almost every pocket. I’ve used a couple cameras from the XA line in the past, the terribly restrictive XA1 (don’t let the 1 fool you, the 1 came later than the XA and was pretty darn limited), along with the wide angle XA4, but the XA is truly where Olympus made something that was nothing short of magic. The Dirt Make: Olympus Model: XA Type: Rangefinder Format: 35mm, 35x24mm Lens: Fixed, Olympus F.Zuiko 1:2.8 f=35mm YearRead More →

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The Nikon F5, at first glance you might mistake it for a digital SLR. I certainly have been asked ‘what sensor is in that camera’ and depending on my mood and my general view of the person asking I might reply with something a little more sarcastic, other times a simple response is “oh a 36x24mm or full-frame as it’s called in digital photography.” The F5 was my second grail camera after switching over to a Nikon system from Minolta, in fact, I picked up the battery grip for the F80 to make it look like an F5 because at the time the F5 wasRead More →

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It’s the home of the Greek gods and producer of several ‘cult classic’ cameras, today join Mike, Donna, and John (Alex has been captured by the French but should be back next month) as they dive into the wonderful world of Olympus cameras. Cameras featured on Today’s Show… John and The Olympus Pen F The Olympus Pen F is a classic, and unique as the only dedicated 35mm half-frame ever made. Beautiful to hold and handle, it is a joy to use! Here is a great information page on this little jewel. Here’s my Pen F, on a recent “photo outing” And here are aRead More →

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If there is an icon of Nikon’s durability and commitment to quality the Nikon FM2 is that camera. With one of the most extended production periods of any Nikon camera (1982-2001), the FM2 is a no-nonsense, mechanical camera that can take any punishment you throw at it. I picked up the FM2n originally as a gift to a friend, but quickly fell in love with the camera and promptly purchased an older FM for the friend and kept the FM2n for my own. The FM2n became a constant companion. The Dirt Make: Nikon Model: FM2n Type: 35mm, Single Lens Reflex Lens: Interchangeable, Nikon F-Mount YearRead More →