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I first visited the Canadian Warplane Heritage Museum in 1995 on a March Break with my mom, brother and Oma. While this was post-fire, they were all crammed into the one surviving original hangers. I still am a bit of a flyboy. I logged countless hours in Microsoft Flight and Combat Flight Simulator. But seeing these warplanes up close and personal was a dream come true. The stunning array of machine guns at the front of a B-25 Mitchell (there’s a 4×6 print at my parent’s home of that) and the massive bomb bay of the Avro Lancaster. Since then, the museum has become aRead More →

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Regarding film developers, I tend to stray from those designed for one specific film stock. It’s not that I don’t want to try them; I have a dislike of closed image systems. A good developer should be able to achieve a specific result with various films. And for a while, I thought that Foma Retro Special is explicitly designed for Foma Retropan 320 Soft, and while this is the ideal film for the developer, it can do so much more for the entire line of Foma films. After finding a source for the developer, I purchased a pack since I am finally running a reviewRead More →

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A particular classification of camera always elicits a nod of understanding; these are cameras with a mark of quality and precision. Names like Rollei, Hasselblad, Zeiss, and of course, Leica. Although through my work on this review, I have often found that not all Leica’s are treated with the same equal respect, and among many of the more snobbish Leica collectors and users, the M4-2 and M4-P are the ones that are seen as the redhead cousins of the classic M-Series of rangefinders. These cameras indeed hold a much higher space in my mind because of their historical significance in Leica history and Canadian history,Read More →

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I caught a glimpse of a modern production of this developer from the folks at Silvergrain Classics and immediately started to hunt down the developer. Most sources pointed to having to order from a European supplier and waiting a month for it to arrive when I ran across the developer at a local source, Downtown Camera. Well, I jumped at the chance. I first learned about Neofin Blau in my review of Adox FX-39 II, which is based upon Neofin Rouge; both developers are based on the works of noted German photographer Willi Beutler. Blau, unlike Rouge, is designed for films rated at ASA-200 orRead More →

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There’s always another developer out there to try out, and every time I start to wonder when I’ll need to wind down these reviews, another one pops up. In the case of Fotospeed FD10, I saw it on an Instagram story from a fellow film photographer and started to hunt it down. There are two versions of FD10 out there, Fotospeed and Berspeed; I’m not sure which company made the developer originally or what the developer was made for. But from what I’ve seen online, this is an excellent general-purpose developer for small-scale to large-volume processing. Technical Details Manufacturer: Fotospeed Name: Film Developer FD10 PrimaryRead More →

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The 1990s were weird. I know; I grew up in the 90s. But then some cameras were quirky, strange options with different looks and styles. And there is the Photura. At first glance, you will think that the Camera is a camcorder, but not a camcorder from the 1990s, but rather one of those solid-state deals from the 2010s before smartphones caught on as a means of recording your life. But the Photura was not alone; think about the Ricoh Miri and the Yashica Samurai. Yet, there’s a unique thing about the Photura; you can operate it with a single hand, drop in 35mm loading,Read More →

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I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →

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If there is one Door Open event in Ontario that has been consistent in my attendance is Hamilton’s. The Hamilton Doors Open event occurred over my birthday (40th) weekend. While I attended the event last year, it was a much shorter trip around the city. This year would be no different, with only three locations visited, armed with my D750 and 14-24mm lens and my trusty Mamiya m645 loaded with the 35mm lens and CineStill BwXX. My father-in-law and I went to three churches. Two familiar but not having visited in several years and one new location. St. Luke’s is a new addition to theRead More →

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If there is a single classic film emulsion that kept Polaroid Pack Film cameras going well after the demise of the original Polaroid company, that film is FP-100c. And while the film is no longer available today, it is the film stock that made me turn my head and start looking for Type-100 Polaroid cameras ever since receiving a ColorPack-II from the excellent Michael Raso and the Film Photography Project. FP-100c is the same film that continued the tradition of Polaroid Type-100 pack film that you shoot, then peel apart and shake it (like a Polaroid Picture) to help dry the chemistry. And to haveRead More →

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This past year has been a lot of fun looking at different cameras. While some of these cameras I will have already released a review, others will be coming out next year. But that’s the thing about writing these reviews is that I’m often working 2-3 months ahead of the actual release. I put a lot of work into these reviews, between looking up specs, shooting multiple rolls of film through the cameras and trying to get the best results so I can give a fair and balanced review. But a group in the film photography blogging community decided to put out a series ofRead More →