Despite being far more niche these days, film photography still hangs on. And while there are plenty of options out there for getting your films lab developed and colour film developed, both C-41 and E-6 is fairly uniform no matter what chemical you buy. Except for E-6, Cinestill has a unique E-6 kit, but that’s a whole other thing. When it comes to Black & White, there is a tonne of options available to you for development. It can seem a bit overwhelming at times. But I have spent close to a decade developing my own Black & White at home and have tried aRead More →

Let me start this by saying that DD-X and I have not had the best of relationships. The first time I used it I wasn’t happy with my results and decided that I was never going to touch the stuff again. But hey, almost every filmstock and developer are worth a second glance. DD-X, like its Kodak cousin, TMax developer was initially designed for use with the Delta range of films, specifically Delta 3200. Ilford has two versions of this developer, Ilfotec DD which is designed mainly for automated film processors that will use a dedicated replenisher and used in the stock formulation. White DD-XRead More →

You’re probably thinking if I reviewed Kodak HC-110, why am I reviewing Ilford Ilfotec HC? Aren’t they the same thing? Well, the answer is yes and no. While Ilfotec HC is the Ilford version of Kodak HC-110, there are some subtle differences between the two. Here in Canada, the Ilford liquid chemistry is a pricey purchase and can be hard to come by. However, I chanced across a short-dated bottle of Ilfotec HC on a trip to Burlington Camera and decided to take a chance. Now, if you know me and my processing habits, you’ll know that I make a bottle of HC-110 last, soRead More →

These days I will rarely work with Ilfosol 3, but it remains a developer that I always keep in the back of my mind. After learning how to develop my own black & white film from my good friend Julie using Kodak D-76, it would be a few more years before I started taking on the process full time. When I went into Burlington Camera to get all the equipment I needed to take on the daunting task some eight years ago, Joan pointed me towards Ilfosol 3 as a good starting point when you didn’t want to keep a large quantity of developer mixedRead More →

Let’s face it, winter is coming. And I don’t know about you but I love to get out and photograph in the winter, there’s something magical about having snow choaked woods or urban streets in the middle of a snowstorm that calls out to me. But shooting in the snow and cold is not something for the faint of heart, it’s cold, windy, snowy. And your average battery hates the cold weather and often their life is curtailed by the bitterly cold winters we have been having of late. But never fear, I’m going to walk you through my approach to cold weather photography fromRead More →

It seems that Lomography is starting to branch out from their usual suppliers. After the release of their Kino line last year with Berlin and Potsdam, which are in fact rebranded (and in the case of the first run of Berlin, re-spooled) ORWO N74 and UN54 respectively it is no surprise that this year they released two new films in their Kino line. But these weren’t the usual fare that I’ve seen from Lomography, it seems they to have jumped on the Ultra-Low bandwagon and release two slow films. The first release, Fantomé is an ASA-8 film with lots of contrast and second is BabylonRead More →

One thing that I enjoyed about the Sheet film version of this film (When it was called Ilford Ortho Copy Plus) is that some developer/time combinations had no film speed listed so in some cases I shot the stuff as low as ASA-6. So here I decided to test the roll film in the same way. And you know what? It worked! I selected five scenes and shot every scene three times, at ASA-25 (left), ASA-12 (middle), and ASA-6 (right) and processed them all D-76 (1+1). How did I go about making these frames? I used my Pentax Spotmeter V, in a couple of theRead More →

When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

When I started building my Minolta A-Mount kit, the Maxxum 100/2.8 Macro was not the first choice for a short telephoto lens. Instead, I was more drawn to the 135mm f/2.8 lens, only because Minolta did not have a 105, which has always been my preferred short telephoto prime lens. It wouldn’t be until a Toronto Film Shooters event last year hosted by Burlington Camera that I had the chance to try out the 100mm macro for the first time care of my good friend James McFarlane. While I wasn’t completely sold at that point, I wasn’t completely turned off the lens either. That lovelyRead More →

When it comes to 200-Speed films, I don’t have the best view, and usually end up with decent results (Rollei Superpan 200), other times I dislike them entirely. When it comes to Ilford’s offering, SFX 200, it goes in a slightly different direction. See, I have shot SFX a lot more than I initially thought, but it never stuck too much into my film supply mostly because if I need to shoot a 200-Speed film, I’m more likely to pull a 400-Speed film (Tri-X or Fomapan 400) or push a 100-Speed film (TMax 100). See, SFX is fun in the sense that it has anRead More →