One thing that I enjoyed about the Sheet film version of this film (When it was called Ilford Ortho Copy Plus) is that some developer/time combinations had no film speed listed so in some cases I shot the stuff as low as ASA-6. So here I decided to test the roll film in the same way. And you know what? It worked! I selected five scenes and shot every scene three times, at ASA-25 (left), ASA-12 (middle), and ASA-6 (right) and processed them all D-76 (1+1). How did I go about making these frames? I used my Pentax Spotmeter V, in a couple of theRead More →

Earlier this year I completed the second major historical photographic project on the Confederation of Canada and the events and places that lead up to the joining of four British Provinces in British North America into the Dominion of Canada in 1867. Over the course of that project, I came across many events and locations that inspired me to try and tell the deeper story. Of course, I couldn’t tell every story so instead, I selected two that I felt I couldn’t tell the whole story due to the timeline for the project ending in 1867. One of these is the railroad through Ontario theRead More →

When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

When it comes to 200-Speed films, I don’t have the best view, and usually end up with decent results (Rollei Superpan 200), other times I dislike them entirely. When it comes to Ilford’s offering, SFX 200, it goes in a slightly different direction. See, I have shot SFX a lot more than I initially thought, but it never stuck too much into my film supply mostly because if I need to shoot a 200-Speed film, I’m more likely to pull a 400-Speed film (Tri-X or Fomapan 400) or push a 100-Speed film (TMax 100). See, SFX is fun in the sense that it has anRead More →

While Ortho 80 Plus might appear to be a new film, it isn’t a new film. I’m surprised I missed reviewing the film earlier in this series. I skipped over a film I had shot in the past for a good two years. And thinking back that doesn’t surprise me; the film never made much of an impact. But also the film was, until recently, only available in 4×5. But I also only shot a single box of the stuff back in 2014. The results were excellent, and it was the first time shooting an ultra-low ISO film and one that had no set filmRead More →

Okay, so things are weird right now, nothing seems right, days, time, rules all have no meaning anymore. But there is one thing that has kept me going, and that is my photography. When I learned that there would be an FP4Party is June, I felt pleased. Sadly the party never came into being, but that didn’t stop me from having a party for one. I had to come up with some sort of idea of what I would do for the party. Thankfully I had a couple of rolls of Ilford FP4+ in medium format hanging around from a project that never got offRead More →

The idea of a small light meter is nothing new, ever since the concept of an exposure meter that clip onto the camera through an accessory shoe (or hot shoe). When I was shooting a Barnack Leica, I used one such meter, the Voigtlander VCII. A fantastic meter, easy to use, a little restrictive at times, but never missed a beat. I don’t recall what happened to mine. It either stopped working or got lost on an adventure on in my one move. When my good friend and regular of the Toronto Film Shooters Meetup, Matt Bechberger, let me know he aimed to release hisRead More →

Do you know that Kodak D-76 has a cousin? Although in the grand timeline of things, I can’t place exactly when the stuff was first released. But if I had to hazard a guess it was sometime in the 1920s. It proved to be a favourite of Ansel Adams along with HC-110. Today Kodak no longer produces D-23 in favourite of the far more shelf-stable D-76, but you can still mix it up from raw chemistry if you know the formula (I’ll be sharing that later) or you can purchase pre-made kits. Personally, I enjoy working with D-23 when I need some compensating capabilities andRead More →

There are new developers, there are old developers, and then there is Rodinal. First released in 1891 by Agfa, Rodinal is the brainchild of the Doctor, not that Doctor, but Dr Momme Anderesen who disliked the reliance on hydroquinone in the traditional film developers of the day. Instead, he began work on using Aromatic Amines in 1880 before settling on p-aminophenol. The result is the developer we call today Rodinal. And for much of its life was a closely guarded secret by Agfa, at least until the patent expired. And while today Agfa exists, Rodinal has taken on many different forms, but the same formula.Read More →

Here we are, there is always a certain bittersweetness about completing a project. And for me, this one was an eye-opener. It challenged not only my world view but my view of my own country and our history. But that is what history is supposed to do, challenge us to learn from the past and see how we can change the future. And here is the trouble with history, we can only see it through the eyes of those who wrote it and our personal bias. And trust me, it is hard to overcome your own bias. But the biggest problem with history that isRead More →