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Alright, I said I wasn’t going to get one of these, well, specifically an autofocus version of the Nikkor 20mm lens. The Minolta one solidified my enjoyment of the 20mm focal length, and I was passively looking for a manual focus lens, either AI or AI-S, because then it would work on all my cameras without fail. But I also don’t turn up my nose to a lens when offered. And well, here we are, the 20mm f/2.8D. I do like my wide-angle choices, and the 20mm offers up a nice in-between when 24mm isn’t wide enough and 14mm is too wide. And I don’tRead More →

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In the Urban Exploration hobby there is a concept of a risk to reward ratio. The idea is that an explorer needs to determine if the risk of entering the abandoned building is worth the reward of what might be seen inside. In my case, if I saw an abandoned house in an active neighbourhood, I might think that the risk of getting caught inside what could be a mundane house is not worth the potential reward of having a perfectly intact time-capsule. Another explorer might think differently. But if I saw an abandoned factory, I would probably think that the risk of getting caughtRead More →

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Last year, for an episode of the Classic Camera Revival, I interviewed Pedro, the owner of Máquinas de Outros Tempos, or Machines from Another Time, a dedicated film lab and camera shop in Porto, Portugal. One of the other projects that the company runs is Cinemot, a supplier of film, both respooled and directly contracted for production. After listening to Pedro’s passion for film photography, I decided to order some of the film stocks offered by the company the black-and-white offerings. More importantly, I ordered these directly from Cinemot, and the time it took to get from Portugal to Canada was rather quick. Those beingRead More →

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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

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This year marked a major milestone for my podcast, the Classic Camera Revival. And while I call it ‘my’ podcast, unlike other content I’ve posted in this series of entries, CCR is far more a community effort. I wanted it to be not on my shoulders only but rather based around a team of dedicated people who can take on every duty along the way. It’s only fair that the final entry in the series is centred around creating the podcast. Since we started in 2015, a lot has changed in almost every aspect, from how and when we record to the production and evenRead More →

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Nikon is known for many things; among them is its insane level of detail regarding its macro lenses, or micro lenses in Nikon parlance. For those who aren’t in the know, macro photography is photographing small objects and reproducing them at life-size. Nikon produced its first macro lens in 1956 for the rangefinder or S-Series of cameras, a 55mm f/3.5; this got carried into the F-Mount in 1961, the Micro-Nikkor 1:3.5 f=5.5cm. This lens was improved through its lifetime, eventually becoming the legendary AI-S Micro-Nikkor 55mm 1:2.8, then got an AF make-over and eventually was superseded by this lens, the Micro-Nikkor 60mm 1:2.8. First introducedRead More →

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You don’t often hear professional system camera in the same sentence as Pentax. But Pentax cameras have had their place in professional photography since the ESII, it is only that Pentax hasn’t always marketed cameras towards the professional market demographic. The Pentax MZ-S would be the last 35mm SLR to fit into that marketing segment and be the last camera to be developed under the original Asahi Optical Co. name (it was officially changed to Pentax in 2002). My review of the Pentax MZ-S is a long time coming, it was first promised in 2022 but the timely CCR 10th Anniversary and the visit ofRead More →

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I don’t take folding cameras out that often. First, I only have a pair of them; second, they can be a pain to use. But my good friend and fellow film photographer Jim Graves made a post that was dedicated to being folder week from 19 October to 24 October. The whole thing was started by another talented photographer, Tom Northenscold. So, why not dust off the pair of Zeiss Ikon folders and take them out for a spin? This included the simple Ikonta 521, a 6×4.5 format option with no rangefinder, to the massive but hard to handle Super-Ikonta 531/2, a 6×9 beast withRead More →

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I guess you could say that this post comes out from a short I released on YouTube last month about why photo walks are important and that you should go on photo walks. When the average person hears the term ‘photo walk’ they tend to think of a group usually medium or large. And I’ll admit, large groups of strangers can be a bit iffy. But a photo walk doesn’t have to be in a group, you don’t even have to have another person with you. My good friend and fellow photographer, Michael Hurley, goes on solo photo walks all the time. In fact, he’sRead More →

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It feels weird writing it as color instead of colour but as it is the proper name of the camera I will have to struggle through. The Polaroid Colorpack II is one of several rigid body pack film cameras to come out of Polaroid through the late 1960s and into mid 1970s, there has been several different models to carry the Colorpack name and all seem to share similar specifications. It’s been a while since I used this camera, and I think I ended up donating it to another photographer as this was one of the first pack film cameras that I ever got. ItRead More →