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Kodak Direct Positive Panchromatic Safety Film, or Kodak DPPSF, is probably the oldest film that I have ever taken in for review. Kodak DFFPSF is one of the many motion picture films Kodak produced, originally used for duplication or special effects. This stock expired in 1957. I initially didn’t plan to run it through a review, but I decided to. What makes this review different from others is that there is no real documentation on how to develop the film other than Kodak’s specific motion picture film processes. So I thought, what if I did my usual developers but used ‘universal’ techniques for each? Well,Read More →

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Last year was a big year for more premium modern 35mm cameras; you have the Pentax 17, the Lomography MC-A, and this one. The RETO Kodak Snapic A1 marked a major shift for RETO in their camera lineup. I’ve reviewed two of their previous offerings (Ultra-Wide & Slim and Kodak Ektar H35N), which are basic and cheap feeling; the Snapic A1 is a lightyear leap forward. The A1 offers a few things previous cameras did not: first, automatic film advance and rewind, second, two focus points for the three-element glass lens, and third, a proper OLED screen for information. And while it is advanced inRead More →

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After seeing the results I got out of Kodak TMax 100, I had high hopes for Delta 100. Delta 100, being a modern emulsion, is a good film stock: sharp, lots of contrast, and some decent latitude. Add to this that I’ve seen great results from Ilford HP5+ and FP4+, could that same magic work on Delta 100? Honestly, I think I worked myself up too much; when I first saw the results, I was disappointed, but quickly realised that maybe, for once, the data sheets were wrong. Film Specs Manufacturer: Harman Technologies Name: Ilford Delta 100 Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →

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I was starting to worry that I wouldn’t be able to complete this trinity of the original Efke films. Still, a fellow film photographer came through and sent me not one, not four, but a brick of ten rolls of Efke 25, and not just in 35mm, but in 120, that’s right, we’re doing the final review in the Efke trilogy with Efke R25. Efke 25 is the slowest and hardest to handle of all the Efke films, rated nominally at ASA-25. It is based on the original line of films first released by Adox in the 1950s. This is a single-pass emulsion with highRead More →

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Despite the group’s name, “Toronto Film Shooters Meetup,” we tend to host events beyond Toronto’s borders. There have been walks in Hamilton, Dundas, Niagara-On-The-Lake, Elora, Guelph, and Unionville. But this summer I decided to host one in my hometown of Milton, Ontario. And why? Well, it comes down to one major world event, the FIFA World Cup. Rather than make our plucky band of photographers figure out where a quiet spot in the city is to do a walk with coffee and beer, why not host something on a quiet Sunday afternoon in Milton’s historic downtown? For the event, I went with my Minolta MaxxumRead More →

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A few years ago, I reviewed a rather interesting developer, Diafine. Diafine is a universal black-and-white film developer. Universal in that it will develop all films using a fixed set of development times, which also requires that the film be exposed at a specific exposure index. But what if you could make this even simpler? Well, that’s where the fine folks at Flic Film come into play with their Elementary Developer. Like Diafine, Elementary is a two-bath developer with parts A and B, which you use as separate steps, but you only have one exposure time for all films and no need to expose theRead More →

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I can thank the sale of the Konica-Minolta camera division to Sony and a gift of a Nikon F80 that marked my one and only system shift in my photographic journey. The F80 was my go-to camera for many years, and it was the one that helped build up my Nikon AF system. There’s even one lens in my kit that I got with that F80. While my first two cameras were purchased through Garage Sales, the X-7a and the F80 were both gifts from other members of my church. It came to me from a teacher at Sheridan College. I wish I could rememberRead More →

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I love winter. Well, a specific type of winter, the winter we had this past winter. And while we’re all here now, looking forward to spring, I wanted to look back at the winter that was, because I had a lot of fun this year. So what made this winter better than, say, the past two that we had? Well, first off, we got snow early, back in November 2025, which was awesome. And sure, we did lose all of it over the rest of the month and into December. But we did get some back in December, only to lose it again. But weRead More →

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While it has taken me a while to come to like Ilford HP5+ the one thing that this film stock can take is punishment. And I’ve done a fair bit of pushing on HP5+ in the past with some excellent success. Last year it was pushing it to ASA-1600 and developing in Fujifilm SPD with some of the best results I’ve seen. I have also seen some excellent results back on the slower end of things. So I have high hopes for this roll. Film Specs Manufacturer: Ilford Photo Name: Ilford HP5+ Type: Panchromatic B&W, Cubic Grained Film Base: Acetate Film Speed: ASA-400, Tested Latitude:Read More →

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Alright, I said I wasn’t going to get one of these, well, specifically an autofocus version of the Nikkor 20mm lens. The Minolta one solidified my enjoyment of the 20mm focal length, and I was passively looking for a manual focus lens, either AI or AI-S, because then it would work on all my cameras without fail. But I also don’t turn up my nose to a lens when offered. And well, here we are, the 20mm f/2.8D. I do like my wide-angle choices, and the 20mm offers up a nice in-between when 24mm isn’t wide enough and 14mm is too wide. And I don’tRead More →