These cameras go by many names, Alpha, Dynax and of course we in North American call them Maxxum. They are the first commercially successful autofocus SLRs, they changed the came, they set the trend. Today James and Alex are again joined by Marwan of Silvergrain Classics who isn’t only a Leica user, he also uses Minolta Dynax (in his case) and joins us to share his wealth of knowledge as we go from the 7000 to the 7 and almost everything in between. Plus with the return of Marwan, Silvergrain Classics has a special offer for all our listeners, if you order a subscription orRead More →

In today’s episode, Chrissie, Bill, and John are joined by fellow podcaster and film photography enthusiast, Brandy who is one part of the on a break podcast Film Photo Geeks. And is an amazing photographer in her own right. Brandy got her start on the Film Photo Geeks as their house guest that never left and ended up being a guest host when the other host, Alex, could not sit in the chair. And even after Alex ended up getting a teaching job that interfered with recording and Brandy just stayed on with Laura. Brandy got her start in photography when her father purchased anRead More →

Let’s face it, 2020 wasn’t the best year and while we would have loved to have gathered with all our listeners in the GTHA region for our five year anniversary that just couldn’t happen because we’re still in the time of plague. And while we never got into the studio as much as we wanted, we figured in the final episode of our season we should safely gather with three meters between each other to bring you the season finale. And like the holiday season that is upon us, there are lots of leftovers and our team has been busy through this past year andRead More →

If there is one lens in my entire lineup that I know and have used the least, the Rokkor 135/2.8 is that lens. I’ve had the lens for some time and decided to keep it after I got out of Minolta cameras as my primary camera kit but dug it out when I got the XG-M and XE-7 in close succession to each other. And I have used the lens a total of twice. Once on the XG-M and once on my a6000 at Disney. As you probably have seen when it comes to short telephoto lenses my focal length of choice is the 100Read More →

These days distance is the name of the game, but what lens can you slap on your camera, well we at CCR have come up with four options that will help you go long! Today we’re talking about telephoto lenses from the short to the long and even a couple of macro lenses thrown in for good measure! Nikon AI Nikkor 105mm 1:2.5 You can’t go wrong with a classic, and the iconic Nikkor 105/2.5 is a favourite for everyone around the table. But for Bill, his choice of for the version of the 105/2.5 is the AI variant. While the original version of theRead More →

In a continuation from the last episode, Bill and James are again joined by Marwan from SilverGrain Classics. In today’s episode, we’ll be talking about the cameras that disrupted Leica’s little kingdom of Rangefinders, the SLR. And the fact that despite not wanting anything to do with them, Lecia would be forced kicking and screaming into the SLR market with mixed results. While Leica sat tall among camera manufactures when it came to rangefinders, the fact of the matter was that by the 1960s the SLR had been gaining traction among photographers both professionals and amateurs. While Leica had the capacity to built high-quality cameras,Read More →

When I started building my Minolta A-Mount kit, the Maxxum 100/2.8 Macro was not the first choice for a short telephoto lens. Instead, I was more drawn to the 135mm f/2.8 lens, only because Minolta did not have a 105, which has always been my preferred short telephoto prime lens. It wouldn’t be until a Toronto Film Shooters event last year hosted by Burlington Camera that I had the chance to try out the 100mm macro for the first time care of my good friend James McFarlane. While I wasn’t completely sold at that point, I wasn’t completely turned off the lens either. That lovelyRead More →

If there is one lens that lives on my XE-7 so much so that I feel it’s fixed to the camera, it is the Rokkor-X 45/2. This lens is a beautiful piece of glass that honestly, I wouldn’t want to replace with a 35mm focal length for my Minolta kit. It’s the lens that went through all of a trip to Disney World and Universal without being taken off the camera despite bringing a 135mm lens with which did more on the digital a6000 then on the XE-7. And while it looks a little silly strapped onto the beast that is the XE-7, as aRead More →

The first SLR camera I owned, a Minolta SR-T 102, came with the non-X version of this lens. Aside from a Kiron zoom lens, the Rokkor PF 50/1.7, was the lens that lived on that camera. And when I got the newer version, I made sure that even though I gave up my Minolta bodies, I kept a lot of my good Rokkor glass. And I’m glad I did, while these days I use the 45/2 pancake more, I make sure never to let this general-purpose, everyday use, fast prime that will never let you down. Lens Specifications Make: Minolta Model: MC Rokkor-X PF 1:1.7Read More →

One of the first things that struck me as odd when I was building my A-Mount lens collection was the 50mm, after getting the two zoom lenses (35-70 and 70-210) I went for a fast prime and what lens collection wouldn’t be complete with the fast fifty while companies like Nikon, Olympus, and Canon produced their 50mm at f/1.8. Minolta, well they’re different they went with the f/1.7. But let’s not quibble over that, I just happened always to like the fact Minolta was different. And back when I was first shooting SLRs with an SR-T 102 I had the 50mm lens; in fact, IRead More →