If there is one lens in my entire lineup that I know and have used the least, the Rokkor 135/2.8 is that lens. I’ve had the lens for some time and decided to keep it after I got out of Minolta cameras as my primary camera kit but dug it out when I got the XG-M and XE-7 in close succession to each other. And I have used the lens a total of twice. Once on the XG-M and once on my a6000 at Disney. As you probably have seen when it comes to short telephoto lenses my focal length of choice is the 100Read More →

These days distance is the name of the game, but what lens can you slap on your camera, well we at CCR have come up with four options that will help you go long! Today we’re talking about telephoto lenses from the short to the long and even a couple of macro lenses thrown in for good measure! Nikon AI Nikkor 105mm 1:2.5 You can’t go wrong with a classic, and the iconic Nikkor 105/2.5 is a favourite for everyone around the table. But for Bill, his choice of for the version of the 105/2.5 is the AI variant. While the original version of theRead More →

In a continuation from the last episode, Bill and James are again joined by Marwan from SilverGrain Classics. In today’s episode, we’ll be talking about the cameras that disrupted Leica’s little kingdom of Rangefinders, the SLR. And the fact that despite not wanting anything to do with them, Lecia would be forced kicking and screaming into the SLR market with mixed results. While Leica sat tall among camera manufactures when it came to rangefinders, the fact of the matter was that by the 1960s the SLR had been gaining traction among photographers both professionals and amateurs. While Leica had the capacity to built high-quality cameras,Read More →

When I started building my Minolta A-Mount kit, the Maxxum 100/2.8 Macro was not the first choice for a short telephoto lens. Instead, I was more drawn to the 135mm f/2.8 lens, only because Minolta did not have a 105, which has always been my preferred short telephoto prime lens. It wouldn’t be until a Toronto Film Shooters event last year hosted by Burlington Camera that I had the chance to try out the 100mm macro for the first time care of my good friend James McFarlane. While I wasn’t completely sold at that point, I wasn’t completely turned off the lens either. That lovelyRead More →

If there is one lens that lives on my XE-7 so much so that I feel it’s fixed to the camera, it is the Rokkor-X 45/2. This lens is a beautiful piece of glass that honestly, I wouldn’t want to replace with a 35mm focal length for my Minolta kit. It’s the lens that went through all of a trip to Disney World and Universal without being taken off the camera despite bringing a 135mm lens with which did more on the digital a6000 then on the XE-7. And while it looks a little silly strapped onto the beast that is the XE-7, as aRead More →

The first SLR camera I owned, a Minolta SR-T 102, came with the non-X version of this lens. Aside from a Kiron zoom lens, the Rokkor PF 50/1.7, was the lens that lived on that camera. And when I got the newer version, I made sure that even though I gave up my Minolta bodies, I kept a lot of my good Rokkor glass. And I’m glad I did, while these days I use the 45/2 pancake more, I make sure never to let this general-purpose, everyday use, fast prime that will never let you down. Lens Specifications Make: Minolta Model: MC Rokkor-X PF 1:1.7Read More →

One of the first things that struck me as odd when I was building my A-Mount lens collection was the 50mm, after getting the two zoom lenses (35-70 and 70-210) I went for a fast prime and what lens collection wouldn’t be complete with the fast fifty while companies like Nikon, Olympus, and Canon produced their 50mm at f/1.8. Minolta, well they’re different they went with the f/1.7. But let’s not quibble over that, I just happened always to like the fact Minolta was different. And back when I was first shooting SLRs with an SR-T 102 I had the 50mm lens; in fact, IRead More →

I’ll be the first to admit, I’m a sucker for professional 35mm cameras, and there are two that I’ve always wanted, the Nikon F5 and the Minolta Maxxum 9. While I loved working with the Maxxum 7, the 9 still drew me in just that little bit more. And while the 7 and 9 share many similar features and design cues, the Maxxum 7 to the Maxxum 9 is what the Nikon F100 is to the Nikon F5. All solid cameras, it’s just the 9 and F5 are aimed more for the professional than the advanced amateur. I was sold on the 9 as soonRead More →

Thinking back to what could have been, I remember when I first got into film photography, photography in general and happened across Minolta. The SR-T 102, Hi-Matic 7s, even the X-7a, but I wanted to make the jump to autofocus. I was in a local bargain shop and happened across an open box, the Maxxum 7. It didn’t come with a lens and was well outside my price range. And now that I know more about that shop, it was probably hot also. I ended up switching to Nikon. But here it is now, the Minolta Maxxum 7, what many online sites describe as theRead More →

Wait, you’re probably thinking what is a Disney Travel Blog doing here since you mostly expect photography, film photography at that. Well don’t worry, there’s plenty of both some beautiful images from Walt Disney World and some handy tips from one photographer to another when travelling to Walt Disney World (or even Disneyland Park). And if you’re thinking all you can capture at Disney is family snapshots, think again. Disney is immersive, you honestly feel like you’re a world traveller especially in Epcot and Animal Kingdom. So don’t be afraid to bring your cameras, but I do suggest following a few tips that I’ll outlineRead More →