When it comes to a winning colour film for the modern film age, look no further than Kodak Portra 400. The stock, a combination of the best of the older VC and NC stocks, the film burst onto the scene as part of the early film resurgence from Kodak. When it comes to fast colour films and money is no object then you want to shoot Portra 400, it’s like the Tri-X of the colour film world, you can push and pull the film all you want, even on the same roll! Which makes it in my mind the perfect film for digital shooters toRead More →

The rebellion was over, long live the rebellion. The one thing that surprised me that even after the failures of Duncombe and MacKenzie at London and Toronto and after they had fled to the United States and MacKenzie had set up his dream state, the Republic of Canada the violence did not end there and nor did the rebellion. But was the violence that made up the grossly over-named Patriot War part of the Rebellion or was it something else. The troubles that continued throughout all of 1838; I have chosen to split the troubles into three parts all held together by a common theme,Read More →

It’s the rumble in the professional jungle! Yes, I’m pitting the two mid-1990s pro bodies I have in my toolbox against each other in a friendly competition! This contest isn’t to see which is better than the other, I use and work with both cameras often side-by-side. And honestly I consider them both equally amazing cameras in my mind, I mean look at the glowing reviews I’ve given both cameras. For this little contest, I’ve set a few rules. First, this contest saw completion on the same day, shot-for-shot. Also, I set both to matrix/average metering and full Auto Exposure. In both cases, I mountedRead More →

Ektar 100 is one of my favourite colour films, and that’s saying a lot because I don’t shoot a lot of colour film. But when it comes to Ektar 100, it is the first of many ‘new’ colour films to come out of Kodak since I first started shooting film. The name itself, a historical word in the Kodak Dictionary is an acronym for Eastman Kodak TessAR the lenses produced between 1936 and 1962 and I own a 203mm Ektar which I still run on my Crown Graphic. Then it became a line of professional films rated at 25, 100, and 1600 starting in 1989,Read More →

It was the 6th of November 1837, and Lower Canada had erupted in open armed revolt against the Colonial Government. The Patriotes under Louis-Joseph Papineau and many others fuelled by the ideals of the American Revolution, French Liberty, and Republicanism. They decided that they would only rid themselves of the influence of the British Ruling Class, a group of Tory elites organised into a group known as the Chateau Clique was to begin a revolution when their demands for reform were ignored. There had been some communication between Lower Canada Patriotes and the radicals in Upper Canada under William Lyon MacKenzie. And while a coordinatedRead More →

I have to say, Kodak took the photography world by storm when they announced the return of Ektachrome. Kodak got out of the colour reversal game in 2013, after over 70 years of production dating back in 1940. But in 2018 they announced the return of Ektachrome in a new formulation called E100. It again took some time, with a re-release of TMax P3200 keeping us teased, but it finally hit the market with an initial release which was snapped up, but now the supply is flowing! I never shot a lot of slide film and stuck mostly with Fuji products. But when I shotRead More →

Up until 1834, there had been a conflict between those in Upper Canada who were reform-minded and those who were allied with the Conservative Family Compact. But those in the reform movement had no desire for radical change or an American style republic, but there were also some that were. The same remained on the Tory side, there were those who were moderates who thought that some change might not be a bad thing, but others who wanted stricter controls, those who wanted to turn Upper Canada into a perfect England, where English was supreme, and the only church was the Anglican church. But likeRead More →

There are many iconic cameras out there, the Nikon F, the F2, the Leica Rangefinders, Rolleiflex, Stylus Epic, Crown Graphic, and many more. And while many films have achieved popular success, there is only a single one that has captured the imagination of thousands if not more through its life, and that film is Kodak Kodachrome — introduced in 1935 as one of the first commercially successful colour slide film. Launched initially as a colour movie film, it soon flooded into the still photography market. The Kodachrome I shot was introduced in 1974, although the first ASA-64 Kodachrome was released as Kodachrome-X in 1962, however,Read More →

Nikon Series E Zoom 70~150mm 1:3.5 The Series E lenses from Nikon often get a bad rap, and while many are not the best, there’s nothing wrong with them. And for John the 70-150mm zoom lenses makes for a great budget tele-zoom. While it does suffer from zoom creep with the push/pull design there’s nothing wrong with these optics. And while the f/3.5 isn’t the fastest in the group that is a constant f/3.5 no matter where you are on the focal lengths. Lens Specs: Make: Nikon Model: Nikon Series E Zoom 70~150mm 1:3.5 Focal Length: 70-150mm Aperture Range: f/3.5-f/32, 7 Blades Optics: 12 ElementsRead More →

One of the biggest things in film photography these days is taking old ‘dead stock’ and respooling it for regular photographic use, and the most recent addition to these boutique films is Street Candy ATM 400. As the name suggests, the film is aimed at street photographers (or those who identify as street photographers), and ATM means this is a former film used in surveillance cameras on Automated Teller Machines. And since most modern ATMs use digital technology to fill the need for security surveillance. While originally available only in Europe it’s been recently brought into North America through the Film Photography Project. It certainlyRead More →