It’s always interesting to see what you can do with what Adox calls a ‘closed imaging system.’ CMS 20 II is a film that is specifically designed for one developer, and one developer only that is Adotech II. In fact, in their datasheet, they even discourage the use of traditional developers as they could yield poor and unpredictable results. But thanks to the power of the Internet and having a bit of an experimental side and writing these blogs for you, my dear readers let us continue and say you can use traditional developers with CMS 20, and the results are rather stunning. Film SpecsRead More →

I don’t mean to knock a camera right off the bat, but honestly, Pentax could have done far better than the Pentax MG. Built as part of the compact M series of Pentax SLRs following the release of the Olympus OM-1. Designed as an entry level camera and it shows, bare-bones, simple, and so small it hurts. But you have to take the good with the bad in these reviews, and it’s been a while since I found a camera that I immediately disliked the moment I picked it up. Thanks to James Lee for loaning out the MG for review. The Dirt Make: PentaxRead More →

There’s something fun about simplicity in a camera. Over the course of these reviews, I’ve shot cameras at every point on the spectrum from complex to annoyingly simple. But in the case of the Pentax P3n, it fits the perfect balance between sophisticated and simple. The P3n is a camera that you can take out, shoot from the hip and get outstanding results. The P3n is Pentax’s answer to that wonderfully strange period from the mechanical and manual 1970s and the automatic days of the 1980s a perfect blend of the old and the new. The camera is alternately known outside the USA at theRead More →

When in the past I’ve shot 6×7 cameras I’ve found them clunky and unwieldy. Think back to the Mamiya Universal and RB67. Even the Bronica GS-1 which is better than most. None of these cameras had the style and handling of the Pentax 67II. Now the 67II fixes what I would see as problems with the 6×7 and 67. This camera is a traditional 35mm SLR on steroids and worthy of the description. There are some cameras that I have an instant enjoyment of, and this camera certainly ranks among those. Thanks to James Lee for loaning out this beauty. The Dirt Make: Pentax Model:Read More →

The Beach neighbourhood in Toronto is not one that I have explored much. Sure I’ve done a wedding there, the 2015 spring Toronto Film Shooters Meetup happened here, had a week of my latest 52-Roll project there, and even recorded an episode of Classic Camera Revival out there. Okay, so maybe I have spent more time in the Beaches than I thought I had. But, it’s always fun to go and check out a part of the city I don’t often have a chance to visit. Bill Smith, while an Oakville resident often finds himself in the area, and offered to host a little photoRead More →

Pentax, the name that is always linked with the student special K1000, however, Pentax had a broad range of fantastic cameras, and for this episode, the gang takes a look at their shelves to discover the hidden gems that they have from the Pentax line. Cameras Featured on Today’s Episode Pentax Spotmatic SP F – While not the original Pentax SLR, it certain is a big step forward with automatic lenses and TTL metering. A worthy camera for any manual shooter plue the Super-Takumar lenses have a fantastic repuation not to mention a plethora of M42 lenses will let this camera sing. Make: Pentax Model:Read More →

There’s something to be said about a solid camera in your hands. It gives you a sense of being in the zone, a healthy weight, the feel of the mirror slamming up to expose the frame. Meet the Spotmatic, and this is one beast of an SLR. It’s clunky; it’s heavy, and yet feels so right to shoot. The Pentax Spotmatic was one of the first SLRs on the market to feature full open aperture TTL metering. And then there are the lenses, which focus smoothly and are super sharp. The Dirt Make: Asahi Optical Co. Model: Pentax Spotmatic SPII Type: Single Lens Reflex Format:Read More →

While generally an underdog camera in the 6×4.5 market, the Pentax 645 is by far my favourite of all the cameras within the line. Probably because you don’t see many of them kicking around. I know of only three other photographers in my area that use the camera. But unlike its contemporaries this wasn’t a system camera. You got the body and that was it there was little you could do. But because of that you got a camera that had a built in light meter, motordrive, and grip. Plus the backing of some fantastic optics! While a bit bulky the Pentax 645 is aRead More →

Back in the Summer there was a call out for unofficial FPP (Film Photography Project) meetups. As I do volunteer work for the FPP I took it upon myself to start organizing ones in Southern Ontario, but being busy I decided, hey why not just host one a season. Cross Promoting the event to APUG, and I settled on “Toronto Film Shooters Meetup” the Summer 2013 event was a good one, we took a very hot afternoon to wander around the Don Valley Brick Works. So for the fall at the suggestion of two other FPP fans in the area, Mike and John, for theRead More →

When it rains, the last place you’ll want to be is Fort Meigs, trust me on this one. The fort isn’t the nicest fort that got involved in the war, there is not a long drawn out or particularly memorable history about the depot fortification. It really is more of an afterthought, a post designed to be a stopping point for troops and supplies, and while it saw only two sieges over the course of the war it did stand out in one way. It was the largest wooden palisade wall fort in all of North America, at least when it was first built. UnlikeRead More →