Tag: podcast

Classic Camera Revival – Episode 32 – Sloppy Seconds

Classic Camera Revival – Episode 32 – Sloppy Seconds

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One thing is for sure when it comes to film photography unless you have the big bucks, you’re buying used gear. But there’s so much out there, what is a good way to buy this gear, maintain it, or even sell it! The gang jumps into a lively discussion on what to and not to do when buying used gear. Including on how to spot a fake Leica. You can also find additional information at Johan Niel’s site. Talking about optics including the dreaded fungus. Also, we decode Ebay for purchasing your used gear, and how to spot a bad deal!

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 31 – Mystery Camera Challenge II

Classic Camera Revival – Episode 31 – Mystery Camera Challenge II

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The Mystery Camera Challenge, a fun little game we played in Season 2 where we all bring a single camera to the table, then draw names and take a stab at using the camera that the person’s who’s name we drew. Unlike last seasons, this time around we are rocking 35mm film.

Cameras Featured on Today’s Episode

Zeiss Ikon Contaflex Super BC – Zeiss Ikon seemed to have a good thing going with their Contaflex line, but the Super BC is a decent addition with a shutter priority meter that is battery powered. The camera also is unique in that it takes interchangeable optics with the aperture and shutter (leaf) remaining on the camera body itself. The Super BC belongs to Mike and was shot by Bill.

Classic Camera Revival - Episode 31

  • Make: Zeiss Ikon
  • Model: Contaflex Super BC
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable Front Element Cluster, Breach lock
  • Year of Manufacture: 1965-1968

Corner House II

Old Acton House

What the Dickens

Kyocera Contax G2 – One of the world’s two auto-focus rangefinders, the other being the Contax G1. A solid performer, but not a true rangefinder as if you turn off the AF function it becomes little better than a zone-focus or guesstimates focus camera with little feedback in the viewfinder. But don’t let that stop you, quality Zeiss Licenced optics on the front. But even used these cameras carry a bit of a price tag. The G2 belongs to Alex and was shot by Mike.

Classic Camera Revival - Episode 31

  • Make: Kyocera
  • Model: Contax G2
  • Type: AF Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable, Contax G-Mount
  • Year of Manufacture: 1996

Classic Camera Revival - Trio

No Smoking

Classic Camera Revival Mystery Camera

Cosina Voigtländer Bessa R2M – The R2M gives the user a quality rangefinder experience that is pretty accessible to any photographer that knows their way around a camera. Combine that with the versatile Leica M-Mount, a solid meter with good exposure feedback. A bright viewfinder with solid parallax correction guides and easy film loading. Just watch out if you wear glasses, no built-in diopter can make it a slight pain to operate. The R2M belongs to John and was shot by Donna.

Classic Camera Revival - Episode 31

  • Make: Cosina
  • Model: Voigtländer Bessa R2M
  • Type: Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable, Leica M-Mount
  • Year of Manufacture: 2006

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Asahi Pentax H3 – Ashai had a long line of SLRs before the Spotmatic came on the scene and the H3 is one of them. But if you’ve shot a Spotmatic, you can shoot the H3, familiar handling, solid Takumar optics, and all manual functionality makes the camera a good performer and great handling. Just watch out, age may not has been kind to these cameras. The Pentax H3 belongs to Bill and was shot by Alex.

Classic Camera Revival - Episode 31

  • Make: Ashai
  • Model: Pentax H3
  • Type: Single Lens Reflex
  • Format: 135 (35mm) 36x24mm
  • Lens: Interchangeable, M42 Mount
  • Year of Manufacture: 1960

Classic Camera Revival - Mystery Camera Challenge II

Classic Camera Revival - Mystery Camera Challenge II

Classic Camera Revival - Mystery Camera Challenge II

Ricoh XR-P – When it came to Pentax clones Ricoh seemed to have it made. Which is funny, because they currently own Pentax. But the XR-P is your typical plastic camera but is solid to use, has a great meter, and has a K-Mount which opens up so many lens options, but even their own line of glass is solid performers. Combine that with an inexpensive price tag, and a slim motor drive and you got a throw-around camera. Just watch out, we are talking 1980s electronics when they go, they go. The XR-P belongs to Donna and was shot by John.

Classic Camera Revival - Episode 31

  • Make: Ricoh
  • Model: XR-P
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 24x36mm
  • Lens: Interchangeable, Pentax K-Mount
  • Year of Manufacture: 1984

Ricoh and FPP 200

Ricoh and FPP 200

Ricoh and FPP 200

One Last Chance – Efke Films
While we all mourn the loss of Efke film, recently a gentleman has been selling new-old-stock out of Croatia on Ebay for actually decent prices. For those who don’t know, Efke films were produced by Fotokemika, the company founded in 1947 produced several black & white films and papers. While they produced their own films for several decades, they would begin to produce Adox films in the 1970s. Of course, we’ve all shot their usually panchromatic films ranging from ASA-25 to ASA-100, but they also produced two different Infrared films, IR820 and IR820 Aura. Even as film technology advanced, they continued to produce classic, silver rich films into the 2000s. But age would begin to take its toll and malfunctions and inability to repair their machines would force the company to shut its doors in 2012. Thankfully the timely Ebay seller gave everyone a chance for a victory lap. But this isn’t the film of today you need to be careful, the film responds well to most developers, but you’ll want to stick to a water only stop bath and a fixer with a hardener in it.

101st Airborne
Pacemaker Crown Graphic – Fuji Fujinon W 1:5.6/125 – Efke PL25 @ ASA-25
PMK Pyro (1+2+100) 7:30 @ 21C

Oh that Swirl
Nikon F5 – Lomography Daguerreotype Achromat 2.9/64 (Orange-22) – Efke KB100
Kodak D-23 (Stock) 7:45 @ 20C

EFKE 820 Aura036
Rolleiflex E3 – Schneider-Kruzenak Xenotar 75mm 1:3.5 (R72) – Efke IR820 Aura
Rodinal (1+25) 9:00 @ 20C

EFKE 820 Aura at the Beaches
Pentax Spotmatic SP1000 – Makinon Auto 1:2.8 f=28mm (R72) – Efke IR820 Aura
Rodinal (1+25) 9:00 @ 20C

IR Humber Glow
Calumet CC400 – Carl Zeiss Tessar 105mm ƒ/4.7 (R72) – Efke IR820
Kodak HC-110 Dil. B 7:00 @ 20C

Rundown
Calumet CC400 – Kodak Ektar 127mm ƒ/4.7 (Red-25a) – Efke IR820
Rodinal (1+25) 9:00 @ 20C

Lakeshore Road Looking East
Nikon F2 – Auto Nikkor-S 50mm 1:1.4 – Efke KB100
Kodak HC-110 Dil. B 5:30 @ 20C

Oakville Harbour
Nikon F2 – Auto Nikkor-Q 135mm 1:2.8 – Efke KB100
Kodak HC-110 Dil. B 5:30 @ 20C

Of course, while we won’t see Efke again, Adox has returned to film production and currently is producing Adox CHS 100 II similar to Adox CHS 100/Efke KB100 in 35mm, 120, and large format up to 20×24.

The Capitol
Graflex Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 (Orange-22) – Adox CHS100II @ ASA-100 – Blazinal (1+25) 5:00 @ 20C

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 30 – Twin Lens Love

Classic Camera Revival – Episode 30 – Twin Lens Love

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These fun cameras are the sort that will get you the age old question ‘you can still get film for that?’ A conversation starter for sure is the TLR or Twin Lens Reflex. The camera that of late made famous by previously unknown Vivian Maier.

Cameras Featured on Today’s Episode

Mamyia C220f – Mamyia took a totally different look at the TLR and thought it should be made more like a system SLR, the C-Series is the only TLR with a full line of interchangeable lenses. While the weight is an issue they are totally worth every ounce. And if you’re looking for one, get a blue-dot lens with it.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Mamyia
  • Model: C220F
  • Type: Twin Lens Reflex
  • Format: Medium Format (120/220), 6×6
  • Lens: Interchangable
  • Year of Manufacture: 1986

000055090009
Mamiya C220f – Mamiya-Sekor 1:2.8 ƒ=80mm – Cinestill 800T

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Mamiya C220f – Mamiya-Sekor 1:2.8 ƒ=80mm – Cinestill 800T

Bru
Mamiya C220f – Mamiya-Sekor 1:2.8 ƒ=80mm – Cinestill 800T

Yashica-A – The Yashica-A is a no-nonsense bare-bones TLR. Part of Yashica’s early entries into the TLR market as a basic model, but don’t let that turn you away from the camera. A solid performer that often can be had for less money than some of the popular models from Japan.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Yashica
  • Model: A
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Yashinon 1:3.5 f=80mm
  • Year of Manufacture: 1953

Untitled
Yashica-A – Yashinon 1:3.5 f=80mm – Kodak TMax 400

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Yashica-A – Yashinon 1:3.5 f=80mm – Kodak TMax 400

Untitled
Yashica-A – Yashinon 1:3.5 f=80mm – Kodak TMax 400

Kodak Reflex – The only North American camera on today’s episode. The Kodak Reflex was Rochester’s giant’s response to the popularity of the German Rolleiflex cameras. While you might think it’s a pseudo-TLR,  it’s a full TLR, complete with a geared focusing system.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Kodak
  • Model: Reflex
  • Type: Twin Lens Reflex
  • Format: Medium Format (620), 6×6
  • Lens: Fixed, Kodak Anastigmat ƒ:3.5 80mm
  • Year of Manufacture: 1946

Leica Swirl
Kodak Reflex – Kodak Anastigmat ƒ:3.5 80mm – Ilford Delta 100 – Rodinal (1+100)

Gear Talk
Kodak Reflex – Kodak Anastigmat ƒ:3.5 80mm – Kodak Ektachrome E100G

Bridged Over
Kodak Reflex – Kodak Anastigmat ƒ:3.5 80mm – Ilford Delta 100 – Rodinal (1+100)

Franke & Heidecke Rolleiflex 3.5 E3 – It just goes to show that you don’t need to shell out the big bucks and get a Rolleiflex with a Carl Zeiss lens, John is a big supporter of going with a Schneider-Kreuznach equipped camera.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Franke & Heidecke
  • Model: Rolleiflex 3.5 E3
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Schneider-Kreuznach Xenotar 1:3.5 f=75mm
  • Year of Manufacture: 1961-1965

Peace Bridge, Calgary.
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 1:3.5 f=75mm – Ilford HP5+

Montreal Lighthouse. Rolleiflex 3.5E3 (Xenotar lens). Fuji Provia 100 slide film
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 1:3.5 f=75mm – Fuji Provia 100F (RDPIII)

Banff
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 1:3.5 f=75mm – Ilford Pan F+

Franke & Heidecke Rolleiflex 2.8E – The classic Rolleiflex for the modern age, the trouble is that the camera while it does have a light meter it is uncoupled. The dial on the left those numbers correspond to the EV settings shown on the meter.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Franke & Heidecke
  • Model: Rolleiflex 2.8E
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Carl Zeiss Planar 80mm 1:2.8
  • Year of Manufacture: 1956-1959

Franke & Heidecke Rolleiflex 2.8F – One of Alex’s jewels, this beautiful camera while looks at first glance similar to the 2.8E from James Lee, the biggest difference is that the meter is now coupled.

CCR - Review 3 - Rolleiflex 2.8F

  • Make: Franke & Heidecke
  • Model: Rolleiflex 2.8F
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Carl Zeiss Planar 80mm 1:2.8
  • Year of Manufacture: 1960-1981

Niagara-On-The-Lake - November 2016
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Fuji Pro 160 – Unicolor C-41 Kit

Creemore, Ontario
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Kodak TMax 100 – Kodak TMax Developer (1+4)

Taking Shelter
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Kodak Verichrome Pan – Kodak Xtol (1+2)

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 29 – Clan O’Canon

Classic Camera Revival – Episode 29 – Clan O’Canon

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So it seems that our hosts don’t shoot much in the way of Canon cameras, but we do have a decent selection not to mention the full lineup of the professional Canon F-1 cameras!

Cameras Featured on Today’s Episode

Canon F-1 – The F-1 was the direct answer to the Nikon F2. This professional system camera also introduced the famous Canon FD mount and remained fairly similar; there was a slight upgrade in 1976 with the Canon F-1n that made some minor changes both to the operation and cosmetics.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: F-1
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon FD Mount
  • Year of Manufacture: 1970, 1976 (F-1n)

Cleveland - Downtown
Canon F-1 – Canon Lens FD 28mm 1:2.8 – Fuji Neopan SS @ ASA-100 – Kodak Xtol (1+1)

Scan-131002-0001
Canon F-1n – Canon Lens FD 28mm 1:2.8 – Fuji Pro 400H

Scan-131002-0008
Canon F-1n – Canon Lens FD 28mm 1:2.8 – Fuji Pro 400H

Canon F-1N – The Canon F-1N is a full upgrade to the classic F-1, with a new prism, and plenty of bells and whistles that kept the old pro camera running until the introduction of the Autofocus EOS system.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: F-1N
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon FD Mount
  • Year of Manufacture: 1986

Scan-140530-0007
Canon F-1N – Canon Lens FD 28mm 1:2.8 – Ilford HP5+ – Kodak HC-110 Dil. B

The Local Arriving
Canon F-1N – Canon Lens FD 28mm 1:2.8 – ORWO UN54+ – Kodak Xtol (1+1)

Davisville Yards I
Canon F-1N – Canon Lens FD 50mm 1:1.4 SSC – Ilford HP5+ – Kodak HC-110 Dil. B

Canon FTb – The FTb is a favourite around the table, a mechanical beauty with the amazing QL (Quick Load) system that the team is surprised never made it into other Canon Cameras, especially the professional F-1 series.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: FTb
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon FD Mount
  • Year of Manufacture: 1971

Not Open yet.
Canon FTb – Canon FD Lens 50mm 1:1.4 – Fuji Pro 400H

CCR Review 59 - Canon FTb
Canon FTb – Canon FD Lens 50mm 1:1.8 – ORWO UN54 @ ASA-100 – Kodak HC-110 Dil. A 7:30 @ 20C

Snowbench
Canon FTb – Canon FD Lens 50mm 1:1.4 – Kodak ColorPlus 200 @ ASA-200

Canon EOS A-2 – The only EOS camera on the show the A-2 looks more like it was designed by Minolta then Canon. But don’t let that fool you, this is no entry level camera, the A-2 is a direct successor to the FD Mount A-1 series and aims more at the Advanced Amateur or Prosumer market.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: EOS A-2
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon EF Mount
  • Year of Manufacture: 1992-2000

CCR - EOS A2
Canon EOS A2 – Canon EF 28-105mm 1:3.5-4.5 – Kodak TMAX 100 – SPUR HRX (1+19) 12:30

CCR - Canon Cast - EOSA2
Canon EOS A2 – Canon EF 28-105mm 1:3.5-4.5 – Kodak TMAX 100 – SPUR HRX (1+19) 12:30

CCR - Canon Cast - EOSA2
Canon EOS A2 – Canon EF 28-105mm 1:3.5-4.5 – Kodak TMAX 100 – SPUR HRX (1+19) 12:30

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 28 – The K-Team

Classic Camera Revival – Episode 28 – The K-Team

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Pentax, the name that is always linked with the student special K1000, however, Pentax had a broad range of fantastic cameras, and for this episode, the gang takes a look at their shelves to discover the hidden gems that they have from the Pentax line.

Cameras Featured on Today’s Episode

Pentax Spotmatic SP F – While not the original Pentax SLR, it certain is a big step forward with automatic lenses and TTL metering. A worthy camera for any manual shooter plue the Super-Takumar lenses have a fantastic repuation not to mention a plethora of M42 lenses will let this camera sing.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: Spotmatic SP F
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, M42 Mount
  • Year of Manufacture: 1973

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Pentax KX – While it doesn’t get the same level of press as the K1000, the KX is still a solid choice when it comes to K-Mount cameras and as Bill says it won’t let you down and won’t break the bank!

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: KX
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Pentax K-Mount
  • Year of Manufacture: 1975–1977

The Outside Glen Morris Ruins_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

VW Van_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

The Iron Metcalfe St. Bridge_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

Pentax ME – Don’t let this camera’s small size fool you, a solid addition to the Pentax line of cameras if semi-automatic and fully automatic functionality is something you look for in a camera.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: ME
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Pentax K-Mount
  • Year of Manufacture: 1977-1979


Pentax ME – SMC Pentax 50mm 1:1.7 – Kodak Tri-X 400 @ ASA-400 – Kodak TMax Developer (1+4) 6:00 @ 20C

Toronto Film Shooters Meet - October 2013
Pentax ME Super – SMC Pentax M 50mm 1:2 (Yellow Filter) – ORWO NP55 @ ASA-50 – HC-110 Dil. B 6:00 @ 20C

Toronto Film Shooters Meet - October 2013
Pentax ME Super – SMC Pentax M 50mm 1:2 (Yellow Filter) – ORWO NP55 @ ASA-50 – HC-110 Dil. B 6:00 @ 20C

Pentax 645 – A strong workhorse camera and the main medium format kit in Alex’s bag. It’s almost a point-and-shoot medium format camera and being an underdog doesn’t command as high a price point as its cousins from Mamyia and Contax do. If you do get one, go for the original and be sure to add the 35mm wide angle lens to your kit and watch out that you get the 120 insert.

CCR - Review 11 - Pentax 645

  • Make: Pentax
  • Model: 645
  • Type: Single Lens Reflex
  • Format: Medium Format, 120/220, 6×4.5cm
  • Lens: Interchangable, Pentax K645-Mount
  • Year of Manufacture: 1984-1997

City Methodist - Gary, IN
Pentax 645 – SMC Pentax 645 35mm 1:3.5 – Kodak Tri-X Pan (TXP) @ ASA-250 – PMK Pyro (1+2+100) 10:30 @ 24C

2013 Christmas Cards - Roll 3 Finalists
Pentax 645 – SMC Pentax 645 35mm 1:3.5 – Rollei Infrared @ ISO-25 – Blazinal 1+50 12:00 @ 20C

MCC - Classic Car Shoot
Pentax 645 – SMC Pentax A 645 75mm 1:2.8 – Kodak Tmax 100 (100TMX) – Kodak Tmax Developer (1+4) 7:30 @ 20C

Pentax 67II – This camera will pump you up! The Pentax 67II is the final entry in a long line of 6×7 medium format cameras from Pentax. For James it is better suited for studio work as you do feel it after a long day of shooting it in the field.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: 67II
  • Type: Single Lens Reflex
  • Format: Medium Format, 120/220, 6x7cm
  • Lens: Interchangeable, Pentax K67-Mount
  • Year of Manufacture: 1998

Wagon Wheel 1
Pentax 67 – Super-Takumar 6×7 105mm 1:2.4 – Kodak TMax 400

By Lake Ontario
Pentax 67 – Super-Takumar 6×7 200mm 1:4 – Kodak Tri-X 400 – Kodak Xtol (1+1) 9:00 @ 20C

Guildwood in February
Pentax 67 – Super-Takumar 6×7 55mm 1:3.5 – Fuji Neopan Acros 100 @ ASA-80 – Rodinal (1+50) 13:30 @ 20C

New Film: Cinestill 800T in 120
Bill Smith recently had the chance to take a test run with the latest offering from Cinestill, their 800T film in 120. For those who don’t know Cinestill releases a line of film that is Kodak Vision3 motion picture film but during their rolling process removes the Remjet layer leaving a regular C-41 film. Now you can easily remove the Remjet layer in home processing or send it away to a couple of labs around the USA that do the ECN-2 process. You can even do a home ECN-2 process, but with Cinestill film, you don’t have to worry about all that.

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

000055090007
Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

000055090002
Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 27 – Return of the Samurai

Classic Camera Revival – Episode 27 – Return of the Samurai

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The Nikkormat line was a series of SLRs released by Nikon through the 1960s to 70s that were aimed at the consumer market. While there were some electronic Nikkormat cameras the ones we have on the table today are the mechanical ones of the FT line. These are great cameras that you can have for a cheap price and still using all your Non-AI, AI, and AI-S lenses. AI and AI-S providing they still have the claw, unless you have the FT3.

Cameras Featured on Today’s Episode

Nikon Nikkormat FTn – An improved version of the original Nikkormat FT and the oldest one we have on the table. The meter coupling pin on the camera still had to be aligned with the meter coupling shoe on the lens, but the lens maximum aperture no longer had to be manually preset on the FTn. It also improved the lens mounting technique that you could rock the aperture back and forth so that the claw would catch on the pin.

Classic Camera Revival - Episode 27 - Return of the Samurai

  • Make: Nikon
  • Model: Nikkormat FTn
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangable, Nikon F
  • Year of Manufacture: 1967-1975

Dead Mill
Nikon Nikkormat FTn – Nikkor-H 50mm 1:2 – ORWO UN54+ @ ASA-100 – Kodak Xtol (1+1) 8:00 @ 20C

Scan-130425-0002
Nikon Nikkormat FTn – Nikkor-H 28mm 1:3.5 – ORWO UN54+ @ ASA-100 – Kodak Xtol (1+1) 8:00 @ 20C

Now Entering Leslieville.
Nikon Nikkormat FTn – Nikkor-O 35mm 1:2 – Kodak Tri-X 400 @ ASA-400 – Kodak HC-110 Dil. B 5:00 @ 20C

Nikon Nikkormat FT2 – Released as an answer to customer suggestions for improvement of the FTn. The FT2 would have a silver-oxide battery and a fixed hot shoe to mount and external flash. The FT2 also has a +/- in the match needle metering readout.

Classic Camera Revival - Episode 27 - Return of the Samurai

  • Make: Nikon
  • Model: Nikkormat FT2
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangable, Nikon F
  • Year of Manufacture: 1975-1977

Cherry Blossoms
Nikkormat FT2 – Tamrom 17mm ƒ/3,5 – Fujichrome Velvia 50

Caffenol-C 2 Bath Test
Nikkormat FT2 – Nikon Nikkor 50mm 1:1.8 – Polypan F @ ASA-50 – Caffenol-C 2 Bath 5+5

Firewood (Nikon Version)
Nikkormat FT2 – Nikon Nikkor 50mm 1:1.8 – Polypan F @ ASA-50 – Ilford ID-11 (1+1) 9:00 @ 20C

Nikon Nikkormat FT3 – Released as more of a stop-gap measure, the FT3 is a rare model of Nikkormat that can mount AI-S without needing the claw/pin interface. They were short lived as Nikon released the FM/FE line in 1977 a few months after the FT3 hit shelves.

CCR Review 46 - Nikon Nikkormat FT3

  • Make: Nikon
  • Model: Nikkormat FT3
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangable, Nikon F
  • Year of Manufacture: 1977

CCR Review 46 - Nikon Nikkormat FT3
Nikon Nikkormat FT3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

CCR Review 46 - Nikon Nikkormat FT3
Nikon Nikkormat FT3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

CCR Review 46 - Nikon Nikkormat FT3
Nikon Nikkormat FT3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 25 – The Minolta Warriors

Classic Camera Revival – Episode 25 – The Minolta Warriors

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Cameras Featured on Today’s Episode

Minolta SRT-102 – This mechanical beast is an all mechanical, match-needle SLR. It has all the same features as the SRT-101 but what sets it apart is a hot shoe for a standard flash. From the viewfinder, you have both your aperture and shutter speed displayed which helps with setting the exposure without loosing the scene. Through the rest of the world, the camera is known as the SRT Super or SRT-303.

Classic Camera Revival - Episode 25 - The Minolta Warriors

  • Make: Minolta
  • Model: SRT-102
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangeable, Minolta MD
  • Year of Manufacture: 1973

Evening Dog Walk
Minolta SRT-102 – MC Rokkor-PG 50mm 1:1.5 – Fomapan 200 – Kodak Xtol (1+1) 8:30 @ 20C

Goof
Minolta SRT-102 – MC Rokkor-PG 50mm 1:1.5 – Ilford HP5+ – Kodak HC-110 Dil. B 5:00 @ 20C

Weekend Retreat
Minolta SRT-102 – MC Rokkor-PG 50mm 1:1.5 – ORWO UN54 – Kodak Xtol (1+1) 8:00 @ 20C

Minolta XE-5 – A less advanced version of the Minolta XE-7 (or XE/XE-1), this metering is either full manual or aperture priority. The camera does require a battery to function but there is a manual override that has a fixed shutter speed. It was not sold in Japan.

Minolta XE-5

  • Make: Minolta
  • Model: XE-5
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangeable, Minolta MD
  • Year of Manufacture: 1975

Never Gets Old
Minolta XE-5 – Minolta Rokkor PF 58mm ƒ/1.4 – Fujichrome Sensia 100

Lakeside View
Minolta XE-5 – Minolta Rokkor PF 58mm ƒ/1.4 – Fujichrome Sensia 100

Beach Log
Minolta XE-5 – Minolta Rokkor PF 58mm ƒ/1.4 – Fujichrome Sensia 100

Minolta Maxxum 700si – Taking a huge jump into the 90s the Maxxum 700si is a solid and accessible choice for getting into film photography. It takes readily available 35mm film, it’s entirely automated, cheap, easy to use, and with the Minolta A-Mount if you use the Sony line of Alpha digital SLRs, your full-frame lenses couple perfectly with the camera.

Classic Camera Revival - Episode 25 - The Minolta Warriors

  • Make: Minolta
  • Model: Maxxum 700si
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangeable, Minolta A-Mount
  • Year of Manufacture: 1993

Toronto - November 2016
Minolta Maxxum 700si – AF Maxxum 35-70mm 1:4 – Kodak Panatomic-X @ ASA-32 – Blazinal (1+50) 10:00 @ 20C

Toronto - November 2016
Minolta Maxxum 700si – AF Maxxum 35-70mm 1:4 – Kodak Panatomic-X @ ASA-32 – Blazinal (1+50) 10:00 @ 20C

Toronto - November 2016
Minolta Maxxum 700si – AF Maxxum 35-70mm 1:4 – Kodak Panatomic-X @ ASA-32 – Blazinal (1+50) 10:00 @ 20C

The FP4Party!back in August of 2016 and it’s been gaining some traction on Twitter, even Ilford is loving this! And yes, we at CCR are big fans of FP4+! So if you want to follow along and join in the fun, you can follow the twitter feed at #FP4party.

Project:1812 - Battle of the Chateauguay
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

Waiting for the Streecar
Rolleiflex 3.5E3 – Schneider-Kruzenack Xenotar 75mm/3.5 – Ilford FP4+ – Rodinal (1+50) 14:00 @ 20C

Sherman Falls 2011
Rolleiflex 3.5E – Schneider-Kruzenack Xenotar 75mm/3.5 – Ilford FP4+ – Kodak HC-110 Dil. B 7:00 @ 20C

Seneca Behind The Bush
Kodak Brownie Hawkeye Flash – Kodak Meniscus Lens f=75mm f/14.5 – Ilford FP4+ – Ilford Ilfosol 3 (1+14) 7:30 @ 20C

Yes, that’s right, at the Consumer Electronics Show at the beginning of this month Kodak Alaris announced they would be releasing a new version of Ektachrome E100! The new film is due to be released in Q4 of this year! The film is not a return of dead stock but a fresh new version. We at CCR are looking forward to getting our hands on the material and should have an in-depth review of the material in either December or January next year!

Downtown Bristol VA/TN
Downtown Bristol VA/TN – Co-Host Alex had a chance to eat here back in March of last year as was rather impressed with the food!
Pentax 645 – SMC Pentax A 645 35mm 1:3.5 – Kodak Ektachrome E100VS – Processing By: Old School Photo Lab

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 24 – Something New

Classic Camera Revival – Episode 24 – Something New

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So we’ve come to the end of another year and another season of the Classic Camera Revival Podcast! So why not look back at the year that was and check out what new things the gang has discovered!

Cameras Featured on Today’s Episode…

Zeiss Ikon Contaflex Super B – While not a new camera for Mike, what’s new for him is finding a Working example of this fine SLR from Cold War Germany! With Carl Zeiss Optics and Semi-Automatic Exposure it’s a great little camera that feels good in the hand.

CCR Review 48 - Zeiss Ikon Contaflex Super B

The Dirt

  • Make: Zeiss Ikon
  • Model: Contaflex Super B
  • Type: Single Lens Reflex
  • Format: 135, 35x24mm
  • Year of Manufacture: 1963

Tasty Treats
Zeiss Ikon Contaflex Super B – Carl Zeiss Tessar 35mm ƒ/3.2 – Fujifilm Reala 100

Missing A Bar
Contaflex Super B – Carl Zeiss Tessar 50mm ƒ/2.8 – Fujicolor 100 @ ASA-50

Positioning
Zeiss Ikon Contaflex Super B – Carl Zeiss Tessar 50mm ƒ/2.8 – Fuji NPS160

Cambo Legend 8×10 – Donna’s trip to the large side saw her pick up a wonderful 8×10 monorail, easy to use and a cheap way to get started on the very expensive side of large format photography!

The Dirt

  • Make: Cambo
  • Model: Legend
  • Type: View Camera, Monorail
  • Format: Sheet, 8×10
  • Year of Manufacture: 1990s

Film Featured on Today’s Episode…

Japan Camera Hunter Streetpan 400 – A brand new, redeveloped film stock from Bellamy, the gentleman behind the popular Japan Camera Hunter site and supplier of rare and odd cameras to the North American market from Japan. He decided to bring back a reformulated version of an Agfa Surveillance film. Remember, it’s not dead stock, it’s fresh! You can buy it directly from Japan Camera Hunter at his site, or pick up a roll or two from Downtown Camera in Toronto, Ontario!

TFSM - Summer '16
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Japan Camera Hunter Streetpan 400 @ ASA-400 – Kodak HC-110 Dil. B 5:00 @ @ 20C

TFSM - Fall '16
Nikon F5 – AF DC-Nikkor 105mm 1:2D – JCH Streetpan 400 @ ASA-400 – Ilford Perceptol (1+1) 10:00 @ 20C

Ending the Day
Nikon F5 – AF-S Nikkor 14-24mm 1:2.8G – JCH Streetpan 400 @ ASA-400 – Ilford Ilfosol 3 (1+3) 5:00 @ 20C

ORWO UN54+ – Another old/new discovery. ORWO is another film from the former Soviet Block that has continued being manufactured. There are two flavours that have made it to the North American Market, an ASA-100 UN54 and ASA-400 N74. These are wonderful films and can be purchased through ORWO North America.

Getting Ready at the Rink
Nikkormat FT2 – AI-S Nikkor 105mm 1:2.5 – Orwo UN54 @ ASA-100 – Rodinal (1+100) 60:00 (Semi-Stand)

Texting and Walking
Nikkormat FT2 – AI-S Nikkor 105mm 1:2.5 – Orwo UN54 @ ASA-100 – Rodinal (1+100) 60:00 (Semi-Stand)

CCR Review 50 - Olympus OM-1
Olympus OM-1 – Olympus F.Zuiko 1:1.8 f=50mm – ORWO UN54+ @ ASA-100 – Kodak HC-110 Dil. A 7:30 @ 20C

CCR Review 48 - Zeiss Ikon Contaflex Super B
Zeiss Ikon Contaflex Super B – Carl Zeiss Tessar 2,8/50 – ORWO UN54+ @ ASA-100 – Kodak Xtol (1+1) 8:00 @ 20C

Developers Featured on Today’s Episode…

Kodak D-23 – An old developer in the photographic world, but a new one from Alex. He discovered it after looking at developers that he hadn’t tried and could be easily made. He was pretty impressed with the first roll he pulled! You can pick up a kit from Photographer’s Formulary!

Project:1812 - The Forts of Prairie Du Chien
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

Munsing Falls
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ASA-50 – Kodak D-23 (1+1) 8:30 @ 20C

Project:1812 - The Battle of Baltimore
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak Tri-X 400 @ ASA-400 – Kodak D-23 (Stock) 7:30 @ 20C

Fine Art Photo Supply FA-1027 – FA-1027 came across Alex’s Radar after hearing it mentioned on an episode of the Film Photography project and after hearing it described he wanted to give it a shot. This is a liquid developer that seems to give good results in most films developed in it. Good tone, fine grain! You can pick it up through the Photographer’s Formulary!

52:500c - Week 26 - Close to Home
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Rollei RPX 100 @ ASA-100 – FA-1027 (1+14) 9:30 @ 20C

Astrolab
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Ilford Delta 100 @ ASA-100 – FA-1027 (1+14) 9:00 @ 20C

CCR Review 49 - Minolta Maxxum 700si
Minolta Maxxum 700si – Maxxum Zoom AF 35-70mm 1:4 – Eastman Double-X (5222) @ ASA-200 – FA-1027 (1+19) 10:00 @ 20C

Fur Trade Museum
Intrepid – Fuji Fujinon-W 1:5.6/125 (Orange) – Kodak TMax 100 @ ASA-100 – FA-1027 (1+14) 9:30 @ 20C

LegacyPro Eco Developer – The Eco developer is part of a line of photo chemistry from LegacyPro, the Eco Ascorbic Acid developer is a clone to Kodak Xtol, you can even use the Xtol times for film with this developer. It’s cheaper than it’s Kodak cousin and is actually more environmentally friendly! You can pick up a kit through Argentix.ca!

LegacyPro Mic-X – A recreation of Kodak Microdol-X a well loved developer that Kodak stopped producing. So the folks at LegacyPro took a chance and recreated the legendary developer and now sell it as Mic-X! You can pick up a kit through Argentix.ca!

That’s it for 2016, it’s been a wild year for film and there’s still a lot more for us to cover, so we’ll be getting back to recording in the new year to bring you a third season! That’s right, bigger shows, more guests, and of course lots of filmtastic fun! Maybe even another meet ‘n greet somewhere in this great province!

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 23 – The Good, The Blad, and the Ugly

Classic Camera Revival – Episode 23 – The Good, The Blad, and the Ugly

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So what makes a Hasselblad a Hasselblad! The whole crew sits down to talk about the magic that is the Hasselblad 500 series of cameras as three of the gang have them, but all four have shot with it. Don’t worry we’re not going fanatical over the camera but rather take a critical look at this iconic camera. Over the course of the show, we’ll be discussing mostly the 500 series of cameras, today known as the V-System as it was known after the introduction of the digital H-System in 2002.

CCR - Review 19 - Hasselblad 500c
Alex’s Hasselblad 500c.

The Dirt

  • Make: Hasselblad
  • Model: 500c and 500c/m
  • Type: Single Lens Reflex
  • Lens: Interchangeable, Hasselblad V-Mount
  • Format: Multiple (Back Dependent)
  • Year of Manufacture: 1957 – 2013

Château Frontenac
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak Portra 400 @ ASA-400 – Processing By: Burlington Camera

Project:1812 - The Battle of Tippecanoe
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

Logs in the forest
Hasselblad 500C/M – Carl Zeiss Distagon 50mm 1:4 – Rollei PRX 400 – Rodinal (1+100) 1:00:00 @ 20C

Water Treatment Plant, Toronto
Hasselblad 500C/M – Carl Zeiss Distagon 50mm 1:4 – Rollei Retro 80s @ ASA-80 – Rodinal (1+50) 14:00 @ 20C

Upl - HasselbladFoma100 - PRTSCN01
Hasselblad 500C/M – Carl Zeiss Planar 80mm 1:2.8 T* – Foma Fomapan 100 @ ASA-100

HasselbladTFSMFoma100-1-12
Hasselblad 500C/M – Carl Zeiss Planar 80mm 1:2.8 T* – Foma Fomapan 100 @ ASA-100

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 22 – Cream of the Crap

Classic Camera Revival – Episode 22 – Cream of the Crap

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Sometimes it just feels good to let it all out and that’s exactly what we’re doing! The gang clears the air and discusses the cameras they love to hate along with the film stocks they aren’t too pleased in as well!

Cameras Featured on Today’s Show…

Bonica SQ-Am – Now Alex already has a love/hate relationship with the Bronica SQ system, but the SQ-Am takes the cake for him. The camera is loud bulky and chews through batteries like they were ancient NiCad rechargeables. Who integrates a motor drive on a 6×6 SLR anyways!

The Dark Lord

The Dirt:

  • Make: Bronica
  • Model: SQ-Am
  • Type: Single Lens Reflex
  • Format: Medium Format, 6×6
  • Lens: Interchangeable, Bronica Bayonet Mount
  • Year of Manufacture: 1983

Oakville - Febuary 2012
Zenza Bronica SQ-Am – Zenzanon-PS 65mm 1:4 – Kodak Ektachrome E100GX

Oakville - Febuary 2012
Zenza Bronica SQ-Am – Zenzanon-PS 65mm 1:4 – Kodak Ektachrome E100GX

Oakville - Febuary 2012
Zenza Bronica SQ-Am – Zenzanon-PS 65mm 1:4 – Kodak Ektachrome E100GX

Zenit 3m – Three swings and three misses for John with the Zenit 3m, he really only brought it to use the cult classic Helios 44m lens, but when shutter issues kept plaguing him he went the adapter route and threw it on a Canon EOS and hasn’t looked back. At least they’re cheap.

Zenith 3M & Industar 50mm F3.5
Photo Care of Clicks_1000

The Dirt:

  • Make: KMZ
  • Model: Zenit 3m
  • Type: Single Lens Reflex
  • Format: 135, 35x24mm
  • Lens: Interchangeable, M39 (non-LTM)
  • Year of Manufacture: 1962-1970

Naima

Shooting film

Naima on film

Halina 35x – A Hong Kong made copy that looks like a Leica but is far from it. Poor quality, heavy, terrible lens, it’s not even quirky enough to be a good toy camera.

Praktica RIAD03202013 - Frame 23

The Dirt:

  • Make: Haking
  • Model: Halina 35x
  • Type: Point & Shoot
  • Format: 135, 35x24mm
  • Lens: Halina Anistigmat 1:3.5 f=45mm
  • Year of Manufacture: 1959

Diana – While many see this as a loveable plastic toy camera, Donna isn’t too impressed with it. A tendency to have serious light leaks and a poor performance on the lens, she would rather see people use the FPP Debonair!

Diana
Photo Care of Tony Kemplen

The Dirt:

  • Make: Great Wall Plastic Co
  • Model: Diana
  • Type: Point & Shoot
  • Format: Medium Format, 4.5×6
  • Lens: Fixed, Single Element Meniscus
  • Year of Manufacture: 1960s

Film Featured on Today’s Show…

Ilford Delta 400 – No matter what Alex does he just can’t bring himself to love Delta 400, poor contrast and muddy grain especially in the 35mm format makes this film a looser in his books.

CCR - Review 4 - Canon AE-1 Program
Canon AE-1 Program – Canon FD Lens 50mm 1:1.4 – Ilford Delta 400 – Ilford DD-X (1+4) 8:00 @ 20C

Toronto - New Year's Day
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Delta 400 – Ilford DD-X (1+4) 8:00 @ 20C

Fomapan 200 – While John would expect Fomapan 200 to be a decent film after enjoying the Fomapan 100 emulsion he just can’t stand the look, it’s soft, grainy, and just bad. The FPP EDU 200 is based on Fomapan 200 but is much sharper as it’s the surveillance version of the film.

The Bridge
Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 – Fomapan 200 @ ASA-200 – Blazinal (1+25) 5:30 @ 20C

Levering Cabin
Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 – Fomapan 200 @ ASA-200 – Blazinal (1+25) 5:30 @ 20C

Shanghai GP3 – Mike’s biggest beef with this film is quality control. Sometimes you get a good roll, other times you get the frame numbers bleeding through. Or that the emulsion is peeling off, or the film you thought was 5×7, wasn’t really. But if you get a good roll (rarely these days), it’s not such a bad film.

Winding..
An example of the good…
Calumet CC400 4×5 Monorail – Kodak Ektar 127mm ƒ/4.7 – Shanghai GP3 @ ASA-100 – Kodak HC-110 Dil. B 8:00 @ 20C

M-119 - Tunnel of Trees
An example of the bad…
Pentax 645 – SMC Pentax A 645 35mm 1:3.5 – Shanghai GP3 @ ASA-100 – Ilford Ilfosol 3 1+9 8:00 @ 20C

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival