Like Ultrafine Extreme 100, the 400-speed flavour is another mystery as of where the film stock comes from. But when it comes to a budget-friendly film, it might be best not to ask too many questions. Extreme 400 is a stock that I have little experience with before I started this review, I had shot a single roll several years back for a camera review. And while, like Kentmere 400 I expected Extreme 400 to be of similar style and class, with heavy grain and low contrast in general. However, the film stock quickly proved me wrong as being inexpensive but far from cheap. FilmRead More →

Canada has throughout our collective history has been ruled through an officer known as a Governor-General or Lieutenant-Governor. These men (and women) operate as a representative of the crown. Today the office is more of a symbolic role, serving as a figurehead and patron of the arts, Colonel-In-Chief of several Regiments within the Canadian Armed Forces and Reserves. But the office has a far-reaching history back to when they ruled directly or through a Provincial Parliament. The governors that ruled in Pre-Confederation Canada were among those who often ruled directly as autocrats, with an iron fist or a velvet glove. The first of these Lieutenant-GovernorsRead More →

I’m keeping with the budget-friendly theme here and going with the Ultrafine Extreme films for this month. I’m not exactly sure where Ultrafine gets its film stocks from, but it certainly knows how to get a decent product. Ultrafine Extreme 100 appears to be a classic grained panchromatic film that offers fine grain and excellent sharpness. And it certainly does not break the bank. The film isn’t so much cheap as it is inexpensive, a roll of 35mm 24-exposure runs about five dollars Canadian. I can honestly say I’m impressed by this film and it certainly stands up to most conditions you can throw atRead More →

Strike Back Like the Empire! Yes folks after a long wait, the FP4Party Strikes Back! And I’m back into the groove of things. And despite it being the start of term, it gives me all the more reason to get out and give the Rolleiflex and Mamiya m645 a bit of a winter workout. Especially the poor Mamiya which has been spending much of its time as a project camera. But sometimes I have to let it out to play a little bit more! This time around I shot only three rolls of 120 film for the January Party. But to switch it up, IRead More →

One thing that I feel that certainly helps any group is spending time together outside of the normal grind of the project you work together on. And for that, it’s the Classic Camera Revival podcast. I first started this idea last year as an end of year way to just get together have fun and do some talk about the next season for the podcast. This year our numbers were reduced due to illness and a broken ankle, but even with just the three of us good times were had in downtown Hamilton, Ontario. Hamilton and I have a long history, having a grandparent whoRead More →

Before Plus-X there was Verichrome Pan. The two films have rather similar looks, but if there was a film that defined the look of the mid-century, that is the 1940s through 1950s of the 20th-Century that film is Verichrome Pan. Despite its age and the mid-speed nature of it, the film today remains surprisingly stable, having shot some that had expiry dates of the late 1960s. Designed as a general purpose film for the average consumer who at the time of its release in 1956 had nothing more than a box camera the film had a wide exposure latitude to overcome the disadvantages a boxRead More →

Many Kodak films have gained almost a cult following over the course of their run, and while many are general purpose films, Kodak produced many film stocks designed for specific tasks, and one such film is Technical Pan. Designed specifically for technical, scientific, and military applications the film can work as a high-contrast pictorial film and is one of the more unique film stocks I’ve had the pleasure to shoot. While it was out of production well before the official discontinuation date in 2004 due to the finding of a large master roll the film remains rather stable due to its lack of a boxRead More →

Back in the early days when I was just starting to explore the wonderful world of films outside of Fuji, Kodak, and Ilford I hopped on the Freestyle website and discovered two brands of film I had never heard of before and landed myself a variety of Efke and Adox films. Today I’m going with one of my favourite of these ‘classic’ emulsions, and that is Adox CHS 100. Like Efke, CHS films are silver rich, grainy and lands you a mid-century classic look. Sadly, the original CHS 100 ended when Fotoimipex closed down shop in 2012. Adox, however, bounced back and still produce onRead More →

The film that really started it all, the TMax line from Kodak gave the world one of the first tastes in 1986 with a modern T-Grain film (Ilford Delta line use the same T-Grain model but were released in 1992). Now the TMax we have today is different from that original release, but it’s still a strong film stock, while not always my first choice (I’m more a fan of the traditionally grained film), I do use it because I love trying to emulate the classic look even out of a modern film. But for those who love the modern look that’s both sharp, fine-grained,Read More →

When it comes to slow films there are only two that matter in my book; the first is Rollei RPX 25 the second is Ilford Pan F+. Pan F+ was the first real slow film I ever used and fell for it right off the bat. Great when you’re shooting in bright light and want that fine grain, smooth tone look for your summer images. In fact, I don’t think there’s a developer that the film doesn’t like. But for me, it’s always the film of choice for the summer months of the year when I’m out shooting landscapes and urbanscape both on and offRead More →