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The third in the Elan series of semi-professional cameras released by Canon and the direct successors to the original EOS 650, but why not call it the Elan III? Well, that’s because Canon makes weird choices with their camera names. In the case of the Elan 7, the number seven has nothing to do with the number of models but rather the seven focus points in the new AF module installed in the camera. Unlike my previous Elan camera, the IIe, the Elan 7 I’ll feature in the review is the model without eye control. But the difference between the IIe and the 7 isRead More →

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It’s been a while since we’ve done an entire episode dedicated to Canon cameras and today we have some real treats! We’re discussing the earliest Canon cameras, those LTM rangefinders that put Canon on the map and more importantly Canon LTM glass, some talk about the AE-1 and AE-1 Program, and a little bit about choosing the right EOS camera for you. And if you are looking at getting into Canon’s rangefinder line, Bill cannot recommend enough the wonderful book Canon Rangefinder Cameras 1933-68 by Peter Dechert! We’re also welcoming a special guest who is no stranger to CCR, Alex Smith is back with hisRead More →

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When it comes to reviewing cameras, I love reviewing the cameras that have impacted photography or are relatively cool and unique. And this camera is one that I have referenced a couple of times in the past as being part of a significant stepping stone in Canon’s journey towards an autofocus camera. While autofocus first hit the markets in point-and-shoot cameras, building an AF system for an all-in-one camera is easy; putting it in an interchangeable lens SLR is another ballgame. When Minolta jumped right in with the A-Mount, Canon took a more cautious approach even before Minolta launched the Alphas. The AL-1 was aRead More →

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I’m not always one to follow trends, especially regarding the cameras I use. But there is some wisdom in reviewing cameras that are still reasonably trendy within the film photography community. And doubly so when that camera is significant within the overall history of photography within the consumer sphere. That camera is the Canon AE-1. While the AE-1 Program and F-1 get much fanfare, the AE-1 remains a stalwart consumer camera that has maintained much of its following within the modern film photography community. It is often found on big-name Instagram and YouTube Accounts, loaded with Portra 400, and sold well above their actual value.Read More →

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The 1990s were weird. I know; I grew up in the 90s. But then some cameras were quirky, strange options with different looks and styles. And there is the Photura. At first glance, you will think that the Camera is a camcorder, but not a camcorder from the 1990s, but rather one of those solid-state deals from the 2010s before smartphones caught on as a means of recording your life. But the Photura was not alone; think about the Ricoh Miri and the Yashica Samurai. Yet, there’s a unique thing about the Photura; you can operate it with a single hand, drop in 35mm loading,Read More →

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My experience with pancake lenses is fairly limited, having only used a couple of this classification of lenses, and in both cases, with excellent results. I’m talking about the Nikon 50mm f/1.8 and Minolta 45mm f/2. So when I started to build up an EOS lens system, the EF 40/2.8 was at the top of my list of lenses to get. And the best part is that you can get them either new or used to save a few bucks. And don’t let the small size fool you; this lens packs a big punch, proving that size matters not. Size matters not. Look at me.Read More →

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When it comes to lenses, I enjoy working with wide-angle offerings, and they can genuinely tell you how dedicated a company is to manufacturing and designing quality optics. And even with my limited experience with Canon EOS lenses, the 28mm f/2.8 surprised me. It’s a tremendous carry-around lens that, despite being a first-generation model, still stands up today as delivering quality results in an affordable lens. And this was the second EOS lens I picked up, as I knew I wanted something fast and wide that wasn’t a zoom lens. Lens Specifications Make: Canon Model: EF 28mm 1:2.8 Focal Length: 28mm Focal Range: ∞ –Read More →

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This is not the first time I’ve worked with an Elan camera, and it certainly stuck in my head as an amazing camera. These are semi-pro cameras that continue the lineage of the original Canon EOS 650. And of late, I’ve found that the EOS system is an excellent addition to my tool kit. So after being offered up an Elan IIe, I couldn’t say no. And while this is an older model than the 7ne, it still fits nicely as a camera to add to the mix of helping out with reviews of film, lens, and developers. Camera Specifications Make: Canon Model: EOS ElanRead More →

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I seem to be developing a soft spot for cheap and cheerful SLRs from the 1990s and early 2000s. These may not be the best or most robust cameras out there, but they aren’t hard on the pocketbook, make use of existing lens systems and deliver decent images without too much fuss. Plus, they make great loaner kits for those who want to try film photography but don’t want to invest in something or worry about all the details, such as manual focus or exposure. Well, meet the EOS 3000; you could almost say that this was the entry-level SLR that perfected Canon’s entry-level SLRsRead More →

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I like a camera with history, something unique, a variant or a failed move forward. While I’m a Nikon shooter, Nikon cameras are fairly dull in the broader picture of photographic history. Sure, Nikon cameras often set the standard for photography and technology, but they often played it safe. On the flip side, Canon tried different things, they experimented, and sometimes it worked. Other times it was too early. The Canon Pellix is a fine example of the engineers at the company in the 1960s who wanted to try everything to improve photography. Sadly they were several decades ahead of the game. Thanks to OriRead More →