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One of the most rewarding and frustrating parts of working with traditional film mediums is developing the film yourself. This often allows for faster turnaround and greater control. However, when things go sideways, you can only blame yourself. I started developing black & white film myself over ten years ago now for two reasons. First, I was inspired after attending my first Photostock event, where I saw all the fantastic work people were doing and had the opportunity to chat with my good friend Matt Marrash. Second, my local lab had reduced its processing to a single day of C-41. The owner (Joan) took meRead More →

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Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

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If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →