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One of the more interesting parts of B&W film photography is the ablity to adjust how the film behaves. There are many different ways of adjusting how the film looks, you can over or under expose the film, or push/pull the film in development. You also have various different developers to adjust how the film looks and different dilutions. But there is also the ideas of adding coloured filters to your lens to change what light and how much light hits your film. Now it might seem weird to put coloured glass over black & white film, but it can adjust and change how differentRead More →

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One of the great things about photography as a hobby is that you can take whatever level you want and be happy where your photography is, even if it is just snapping away with your phone. But you may eventually want to take your craft up to that next level, and while new gear can certainly help make that next step, photography is one of those things that you don’t always need that next best thing. All cameras are the same idea, a dark box that allows you to capture images, freeze time, if you will, onto some form of medium. Getting a film cameraRead More →

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If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

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These days cameras and photography, in general, are easy to start doing, and even can open up a whole new hobby to you and a way to capture better family events, trips, and even everyday life. But one thing that a lot of people are starting to do is taking their photography in a different direction by reshooting film. Yes, the film never went away, it just sort of made itself into a nice little niche. Shooting on film or shooting a digital camera is no different the same general principles apply it’s just how they capture images and what happens afterwards that is different.Read More →

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When it comes to your photography, there is nothing more satisfying and frustrating as running a photography project. These projects can be big, small, span years or months. You can publish them in a book, hold a gallery show, or just stick them online. Thankfully you can easily run your photo project without having any formal project management training (although even a little bit of reading on the matter is helpful). Completing such a project will improve not only your photography skills but also your organisation skills. In this article, I will walk you through how I approach a photography project. Have an Idea AllRead More →

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Here in Canada, during the winter, the days aren’t always the best to get out and photograph. Either it’s bright and sunny but super cold, or it’s not that cold but overcast that the sky looks like all fifty shades of grey out there. Now I’m one that will go out in almost every condition to photograph, and I enjoy being out in the snow with a camera and even on cold days if I have the right camera and film loaded. But if you’re not one for that, there is another photographic practice that can keep you inside and bring you a whole newRead More →

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If you’ve ever had a serious conversation with me about cameras, gears, and how to choose what camera and lens to run with, you’ve probably heard me speak on the Three Lens kit, but recently I got to thinking, what about other lens kits? Could I go on a trip with maybe a two lens, or even a one lens kit? I’ve spent many years with a fantastic set of prime lenses which have always formed the core of any lens kit I bring with me, but what about going with some more zooms, reducing the number of lenses to bring along. So today, I’mRead More →

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If you’ve ever listened to me talk about film, you’ll know there are some films I have a strong view. I love my Kodak Tri-X and JCH Streetpan 400; then there are the ones I’m not too happy with, that is Ilford HP5+ in 35mm and Delta 400 in general. But what if I could change my mind on just one? Would it give me another tool in the kit to use to get a specific look? Could I shoot four rolls of a film stock and come to like it, even go as far as recommending it? Challenge Accepted. That film isn’t Delta 400,Read More →