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It has taken me a bit of time to figure out Kodak TMax 400, I’ve always been much more of a fan of traditional grained films, T-Grained films have always looked too clean, too modern. But they do have one thing, films like TMax 400 has a wide latitude. And I’ve also heard that TMax 400 pushes far better than Tri-X. Now I have done push processing with TMax 400 in the past, I’ve also done pull processing in the past so that should make things even more interesting. Film Specs Manufacturer: Eastman-Kodak Name: Kodak TMax 400 Type: Panchromatic B&W, Tabular-Grained Film Base: Acetate FilmRead More →

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I have a troubled history with 200-speed films. They’ve always given me more trouble and often try too hard, which can be detrimental. I struggled to find a way through Fomapan 200 and Rollei Superpan 200. Both Svema and Derev Pan 200-speed offerings were far more trouble than they’re worth. And then last year, along came Kentmere 200, a middle child for the Kentmere budget offerings. In all these colour film releases, Kentmere 200 took a backseat. But I latched onto Kentmere 200 almost right away. I already enjoyed Kentmere 100 and Kentmere 400, and the first flush of Kentmere 200 proved a solid performer.Read More →

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I’ve never been a fan of films faster than say ASA-800, they just don’t look good in my mind. But the modern high-speed offerings often have some of the widest latitudes in modern black & white emulsions. Among them is Ilford Delta 3200, this is the fast film that lived. If I had to choose between Delta 3200 and TMax P3200 I would take Delta 3200. I feel it has a lot cleaner look and feel and a bit more contrast than its Kodak cousin. But it’s still a fast film so it isn’t my first choice. But it should be fun to see howRead More →

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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

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Fujifilm Neopan Acros 100 II, a reborn version of the classic Fujifilm Acros 100. A film with a near cult-like following and one that is known best for having a low reciprocity failure. But when it comes to latitude, it is often seen as narrow. Even when pushed in processing, it can often result in dark, under-exposed, and under-developed images. So, it makes for the perfect film to kick off a new series of reviews to see how Diafine handles this legendary film. Film Specs Manufacturer: Fujifilm Name: Neopan Acros 100 II Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100 Formats Available: 135 (35mm),Read More →

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The war had ground to an unceremonious stalemate; it had not gone to plan for both the British and Americans. The Americans continued believing that the Canadians would welcome them as liberators rather than invaders and join them in an easy campaign to free them all from the shackles of the Crown and a distant parliament. The British believed that once Napoleon was safely taken care of, a series of campaigns on the eastern seaboard would help the Americans sue for peace on British terms. None of that happened. Instead, the Americans were left to command a small sliver along the Detroit River of UpperRead More →

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One of the most rewarding and frustrating parts of working with traditional film mediums is developing the film yourself. This often allows for faster turnaround and greater control. However, when things go sideways, you can only blame yourself. I started developing black & white film myself over ten years ago now for two reasons. First, I was inspired after attending my first Photostock event, where I saw all the fantastic work people were doing and had the opportunity to chat with my good friend Matt Marrash. Second, my local lab had reduced its processing to a single day of C-41. The owner (Joan) took meRead More →

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At the end of my 24mm f/2.8 review I asked: Do I now need to find and invest in the 20mm? Well if you’re reading this review, the answer was yes. I enjoy working with wide-angle lenses, and while I do have the lovely 17-35/2.8-4 D ultra-wide zoom, there’s something special about an ultra-wide prime lens. I started looking at getting this particular lens after I finished my 24/2.8 review for the A-Mount. The desire to add one to my A-Mount kit only increased after picking up the 14mm f/2.8D for my Nikon kit. I was always concerned about the cost of these lenses; usually,Read More →

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I went into the city with a grand plan; in fact, I had this entire post already written and was ready to commit. But then the day came when I was going to execute the plan, and everything didn’t seem right. By the time I got to the train station and stood in the mass of people all waiting for the next train, it all didn’t feel right. I knew what I wanted to do, but there was that looming threat of rain and even thunderstorms. I did not want to get caught in a sudden downpour and have no place to shelter. I alsoRead More →

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One of my favourite events to attend in the GTHA is Hamilton’s Doors Open event. This was my first experience with architectural tours and has for many years been my birthday present to myself. My original plan for this year was to hit up locations in Ancaster and Dundas. I wanted to check out some of the historic churches in those communities, but what struck me as interesting is that not a single church was listed as being part of Doors Open Hamilton this year. So I went back with what I knew, downtown Hamilton and the industrial sector. I got in four locations thisRead More →