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When it comes to film from FilmWashi, they can get their hands on some pretty unique stocks. And I’ve had some good luck with most of their films; others have struggled a bit. Thankfully I’ve been working through my wish list in their catalogue and have gotten my hands on most of them. But one has been out of stock until recently, and that’s FilmWashi A. Described as a motion picture leader film, the film is spliced onto the front of a motion picture prints to help lead the film through the projector. But it can be used for high-contrast uses, like titles or thatRead More →

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I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →

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The Parish of the Sacred Heart, or properly Sacré-Coeur, is a unique one in the project. Like all Roman Catholic Parishes, this parish can trace itself back to St. Peter’s Mission Church. But this parish is relatively new, one of several French language parishes established in the 1960s. But the building itself traces itself to the first Roman Catholic Parish in Georgetown. The early Roman Catholics in Georgetown would be forced to travel to St. Peter’s Church to attend mass; At the same time, these services were a bit irregular; the faithful would make the long journey to receive communion, give confession, and celebrate mass.Read More →

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Sitting outside of downtown, St. George’s Anglican Church looks as if it has been transplanted from the English countryside. With a small churchyard and a scattering of graves, this historic parish is among the earliest churches within the community of Georgetown. Anglican priests had been calling in Georgetown since the 1840s. These saddlebag preachers rode a circuit, often holding services in family homes or schoolhouses. These services suited the areas of Ontario that were far from the urban centres. As the community grew, a section of land was purchased on Norval Road (Guelph Street) to build a meeting house and a burial ground. A simpleRead More →

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Located on the historic Norval Road (Guelph Street), St. John’s United Church can trace its history to the Methodist revival of the 1840s and is the only Church to come from the Episcopal Methodist tradition project. The earliest Methodist saddlebag preachers to arrive in the area held services not in Georgetown but in the nearby settlement of Glen Williams, forming a congregation there in 1839. These Wesylian Methodists built a small wooden frame chapel in Glen Williams and served the area. Noted firebrand preacher Rev Edgerton Ryerson visited the site in 1841, preaching both in Glen Williams and in the new settlement of Georgetown; MethodistsRead More →

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CatLABS is an interesting company, their X Film lineup hit the markets several years back, and I reviewed X Film 80 and loved the stock. But they also included an X Film 320 in their initial lineup. I didn’t review that one because it was only available in 35mm and turned out to be Eastman Double-X 5222, with tweaked developing times. But last year, they announced new versions of both X Film 80 and X Film 320. I will be reviewing X Film 80 later this year, but in the colder, darker months, X Film 320 Pro is the film that will suit the dullerRead More →

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When it comes to the world of TLRs, I was hooked from the first time I picked one up; in my case, the LOMO Lubitel 2. But the Lubitel was primitive even for the age when it was produced as a simple camera aimed at budding photographers. And while there is a certain character to the images produced by that T-43 lens, I had hit the gear acquisition hard after listening to the Film Photograph Podcast. Thankfully in those days, the cost of cameras had not yet risen, and you could get excellent deals on almost anything. At a local camera show put on byRead More →

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When I first decided to review Rollei Low Contrast developer (RLC), I doubted my choice. The list of available films remained short and some I could not find to purchase for the review. And most of the films on the list were technical films, which don’t always suit my photography. But I went ahead anyway after coming up with a decent list and getting my hands on a roll of Kodak Technical Pan and seeing the results from my good friend John Meadows. RLC is a strong developer if you have a contrasty film, fine-grained, and super sharp because the developer will make sure youRead More →

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When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

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You’re probably wondering why I’m reviewing a Nikkormat EL when I’ve reviewed a Nikon FE. The reason is simple; the Nikkormat EL is the FE’s foundation, the original Nikon electronic semi-automatic camera. This means that to understand where the FE comes from, I needed to try out an EL. That was my first mistake; the second mistake was shooting a second roll through the Nikkormat EL. I don’t think this mistake is a bad thing. The camera worked perfectly in both rolls; the mistake was that now I want a Nikkormat EL. It’s an easy-to-use camera, especially if you’ve used an FE or FE2, andRead More →