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Fomapan 400, the big mystery, at least to me. I’ve never once shot this film, mostly because I had heard some terrible things about it. Now I am set in my ways when it comes to the faster films, sticking to the ones I know and enjoy. Tri-X, HP5+, and JCH StreetPan. Yet, through shooting and developing the film and seeing the work Bill Smith has been doing with the stock in 35mm I am plesently surprised. There’s a certain classic look and feel well before the days when films were touted as “Finest Grain” or “Sharpest 400-Speed Film” the days where you wanted fineRead More →

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When I first discovered Kodak Plus-X I was hooked, instantly. But sadly Plus-X went away and while I still scramble to find old stock whenever I can, I can always go to Ilford FP4. Now that’s not to say FP4+ plays second fiddle to Plus-X in my book. In FP4+ I found probably the most versatile film that maintains a level of consistency across the board and formats within in the mid-speed range. Fine grain, sharp, and a contrast to die for. Not to mention a legacy that goes back to when Ilford first started producing flexible films. Film Specs Type: Panchromatic B&W Film Base:Read More →

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As happy accidents go, when you’re trying to come up with a new slide film, and you reinvent a classic film from the past, there’s nothing wrong with that now is there? P30 is, at its heart a motion picture film and probably make a great reversal film. While I would have loved to try a roll through Dr.5, the expense of the process and a possibility of it not working makes it hard to decide to send it to them. P30 is Rollei Retro 80s on steroids with a touch of Eastman 5363 thrown in for good measure. The images have a deep chromeRead More →

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At your first glance, you see this Soviet Styled space-age packaging, and you know you’re in for a treat. In full disclosure, Mono 100 is not a new film stock, it is repackaged Fomapan 100 with the times adjusted to fit the reseller’s personal choices to get the best results. When I first learned that Kosmo Foto was working towards releasing a brand new film I jumped. And while I know today that film is just Fomapan 100, I still buy it on occasion because I like to support a fellow Alliance Member, and that Soviet-Style box art is just fantastic. The Lowdown Type: B&WRead More →

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Well, looks who’s back! It’s the FP4Party! This time around I have no outstanding projects so unlike in the final FP4Party I can actually work hard on this one, unlike the last time I gave a rather lack-lustre performance. I sat down early and planned out my week, collecting five ideas of where to shoot and what I wanted to shoot with. The film, of course, a favourite of mine, Ilford FP4+. I came up with one roll of 35mm, three rolls of 120 and a box of 4×5. Now in the past, I’ve usually stuck to one day of shooting for these parties. ButRead More →

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The Canon T90 is a camera since I first laid eyes on it during the first season of the Classic Camera Revival Podcast, I think it was even at the first recording session we did. While the T-Series of cameras are not well viewed, many of them cheap and looking more like that 1980s VCR look you find with the early Minolta Maxxums, the T90 is the odd-man out in the series. Big thanks to Mike Bitaxi for the loan! Disclaimer: This is an old review, and is scheduled for an update and may look funny during that update. However, due to a large numberRead More →

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This is a beast of a camera. I mean, I thought that lugging around a 4×5 was crazy; the GX680iii is just nuts. This camera would feel more at home in a studio than in the field. But I often find studio work boring. But as a system camera, it is incredible. A couple of them with excellent Fuji glass on the front, and you have a powerful camera that gives you the flexibility of large format with the convenience of roll film. Special Thanks to James Lee for loaning me the camera for this review twice now. Camera Specifications Make: Fujifilm Model: GX680iii Type:Read More →

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With spring here, that means it’s the start of hiking season, and my area of the province has some beautiful trails and conservation areas to enjoy. But the last vestiges of winter are still clinging to the ground. Limehouse Conservation Area is no different; as I set up this shot, I fell into a snow bank; the camera was saved, but I was a little damp on the backside. The little community of Limehouse wouldn’t even be on the map if it wasn’t for these old 19th century lime kilns, and I wouldn’t have known about it if it wasn’t for my friend Jenica mentioningRead More →

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So despite the fact I was using an untested film holder that caused light leaks, I’m still pretty happy with this shot! I found this rail line in the rural areas surrounding my town and was immediately drawn to, behind me, an old metal bridge that takes the road above the right-of-way. It reminds me of Cobalt, ON, but without the silver mine. After a long hard cold winter, it’s nice to have some warm weather (I was out in my spring jacket) and some bright blue skies. Always, Always, Always test out your film holders on ‘throw-away’ sheets before putting your expensive Tri-X inRead More →

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You’re probably thinking, what do I mean by Visual Whiplash? It was mentioned in a comment left on one of my recent photos posted to my photostream, where right next to each other is a 4×5 image that’s sharp, crisp, and clear…and then a pinhole photo that’s rather soft. Visual Whiplash. I was at first a bit disappointed at these, I mean they’re not what I’m used to getting out of my trusty Pentax 645, they look like something a bit out of a toy camera. But oddly enough they’ve started to grow on me. So what got me into Pinhole photography after avoiding itRead More →