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While my tastes in developers do lean towards the more exotic, something is refreshing about a standard baseline developer. In my books, that developer has always been Kodak D-76; these days, you can get the stuff in many different forms from different manufacturers. The first developer review that I wrote was on D-76 and I have since done Ilford’s version, ID-11, and Flic Film’s Classic MQ. It’s no secret that D-76 is one of the team’s favourites at the Film Photograph Project. The idea that you can get results from almost any film stock by using D-76 Stock for six minutes has been promoted byRead More →

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What Was I Thinking… In the world of film developers, there are many options for almost any film type and situation, and then there are the weird ones associated with closed imaging systems. And then there are developers like Formulary FX-2. I enjoy working with the strange, trying to use them to crack a tough film stock or figure out where a developer will fit within my film-developing kit. And through these reviews, I have found several that will be useful going forward. Developers like FX-39 II, Atomal 49, and R09 Spezial have now found spots in my kit as excellent film development tools. AndRead More →

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This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

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I had a lot of fun looking at the dedicated line of Foma developers this year. Yes, they produce a couple of clones but have three developers unique only to their company. LQN crossed my desk after someone suggested that it is the dedicated developer for Fomapan 200. And having struggled with Fomapan 200, I wanted to give this one a shot. I initially thought I would have to get it shipped by the slow European route. I soon discovered that my local source of rare developers had some in stock, so I got a bottle. LQN is the sibling to Fomadon LQR. But unlikeRead More →

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If there is one lens that helped put Nikon on the map, it is an 85mm lens. This lens traces back to when Nikon stepped into the camera market but had yet to make a worldwide splash. A Japanese and American photographer helped take the company to worldwide status, and a simple 85mm lens in Leica Thread Mount showed them the way. The 85mm f/1.8D helped continue that legacy and is one I have a unique viewpoint on. While I did use this lens in the past, I wasn’t too fond of it despite producing some fantastic results. The problem I only recently found outRead More →

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I’m not always one to follow trends, especially regarding the cameras I use. But there is some wisdom in reviewing cameras that are still reasonably trendy within the film photography community. And doubly so when that camera is significant within the overall history of photography within the consumer sphere. That camera is the Canon AE-1. While the AE-1 Program and F-1 get much fanfare, the AE-1 remains a stalwart consumer camera that has maintained much of its following within the modern film photography community. It is often found on big-name Instagram and YouTube Accounts, loaded with Portra 400, and sold well above their actual value.Read More →

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But wait, don’t I already have this lens? I do, after a fashion, of course. Suppose there is a single lens that changed my work as a photographer, especially within my urban exploration work. In that case, it is the Nikkor 14-24mm f/2.8G, a lens that was a bit limited on my D300 but came into its power on the F5 and D750. But let’s admit it; the 14-24/2.8G is a heavy and big lens. I knew in the back of my mind that Nikon had several wide-angle lenses, but it was a chance that a fellow podcaster who picked this lens up for herRead More →

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Say what you will about kit lenses; some are good, some are bad, and some are fine. This lens is among those ‘fine’ lenses, they do the job, but there’s nothing special about the Canon 28-80mm f/3.5-5.6 II, but it does a good job and does what it says on the tin. And while I did not go into this with a good view of the lens expecting troubles at open apertures or softness at the 80mm focal length. But the lens had none of these common elements I’ve found on other kit lenses, which is certainly surprising. Lens Specifications Make: Canon Model: Zoom LensRead More →

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There’s always another developer out there to try out, and every time I start to wonder when I’ll need to wind down these reviews, another one pops up. In the case of Fotospeed FD10, I saw it on an Instagram story from a fellow film photographer and started to hunt it down. There are two versions of FD10 out there, Fotospeed and Berspeed; I’m not sure which company made the developer originally or what the developer was made for. But from what I’ve seen online, this is an excellent general-purpose developer for small-scale to large-volume processing. Technical Details Manufacturer: Fotospeed Name: Film Developer FD10 PrimaryRead More →

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During my earliest days in photography, the terms nifty-fifty and thrifty-fifty were tossed around to describe an affordable and fast 50mm lens. As someone who shot Nikon, that was the 50mm f/1.8D, but when you look at the new lens price compared to the Canon copy, the Canon was the less expensive lens. Some fellow photographers swore by this lens, especially in the Urban Exploration community, where low-light photography was the game’s name. I didn’t think too much as I was a Nikon shooter. But after getting one of the original copies from my wife’s Great-Uncle, I soon realised that the lens is a solidRead More →