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The first SLR camera I owned, a Minolta SR-T 102, came with the non-X version of this lens. Aside from a Kiron zoom lens, the Rokkor PF 50/1.7, was the lens that lived on that camera. And when I got the newer version, I made sure that even though I gave up my Minolta bodies, I kept a lot of my good Rokkor glass. And I’m glad I did, while these days I use the 45/2 pancake more, I make sure never to let this general-purpose, everyday use, fast prime that will never let you down. Lens Specifications Make: Minolta Model: MC Rokkor-X PF 1:1.7Read More →

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Statistically, the last week of January is the coldest of the year. But if there’s one thing for sure these days, things aren’t exactly what they’re supposed to be in the world. But like anything connected to the Toronto Film Shooters, sometimes things aren’t exactly right in our own heads either. We tend to head out rain, snow, and even the deep cold. So of course on what is supposed to be the coldest day of the year, TFS Super Friend, Toni, organised a photo walk in downtown Burlington, Ontario. Now Burlington is no stranger to the Toronto Film Shooters, our pinhole event took placeRead More →

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I’m a fan of public transit. Especially unique transit options. Think the wild noise and general grime of the NYC subway. The PCC like cars that still run as subways in Boston. Or the Toronto Streetcar network. A call back to the early days of the city’s transit system and one of the only major streetcar networks left running in North America. And on the 29th of December 2019 marked both an anniversary and the end of an era. For that day marked not only the first time the Canadian Light Rail Vehicle first rode on the networks for the Toronto Transit Commission back inRead More →

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The sheer amount of aid rendered to the Canadian Rebels and the fact that many raids by the rebels came from the United States again proved that Canada remained open to invasion as it always had before the rebellions and even before the War of 1812. It also showed that the post-war practice of reducing colonial garrisons as a cost-saving measure might not have been the best option indicated in the fact that Bond-Head sent all the regular troops in Upper Canada to shore up Colborne in Lower Canada. While the militia enjoyed many victories in 1837 but these were against poorly armed and leadRead More →

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The rebellion was over, long live the rebellion. The one thing that surprised me that even after the failures of Duncombe and MacKenzie at London and Toronto and after they had fled to the United States and MacKenzie had set up his dream state, the Republic of Canada the violence did not end there and nor did the rebellion. But was the violence that made up the grossly over-named Patriot War part of the Rebellion or was it something else. The troubles that continued throughout all of 1838; I have chosen to split the troubles into three parts all held together by a common theme,Read More →

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Up until 1834, there had been a conflict between those in Upper Canada who were reform-minded and those who were allied with the Conservative Family Compact. But those in the reform movement had no desire for radical change or an American style republic, but there were also some that were. The same remained on the Tory side, there were those who were moderates who thought that some change might not be a bad thing, but others who wanted stricter controls, those who wanted to turn Upper Canada into a perfect England, where English was supreme, and the only church was the Anglican church. But likeRead More →

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One of the biggest things in film photography these days is taking old ‘dead stock’ and respooling it for regular photographic use, and the most recent addition to these boutique films is Street Candy ATM 400. As the name suggests, the film is aimed at street photographers (or those who identify as street photographers), and ATM means this is a former film used in surveillance cameras on Automated Teller Machines. And since most modern ATMs use digital technology to fill the need for security surveillance. While originally available only in Europe it’s been recently brought into North America through the Film Photography Project. It certainlyRead More →

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Ever since I started doing the scanning of my film my workflow has remained static, an Epson flatbed film scanner, the V500 first and the V700 currently. It worked, I got decent quality enough to get lab prints of my film scans up to 11×14 and be able to share around Flickr, 500px, Facebook, and Instagram. Now a dedicated film scanner is a different animal from a flatbed like the Epson. Names like Imacon, Plustek and Nikon I knew about, but they always were outside of my price tag. And as a photographer who shoots multiple formats and doesn’t have a lot of desk space,Read More →

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Like the speed test, I ran on TMax P3200 I decided it was only fair to give Delta 3200 a fair shake as well, but to make things more interesting, I decided to run it through in Medium Format instead of 35mm. After my review last year of Delta 3200, I decided that the film responded best in Ilford Microphen. Microphen has become one of my favourite developers to push or pull processing fast films. Like the TMax speed test, I’ll shoot the film at 1600, 3200, and 6400 and develop each in Ilford Microphen. Note that while I firmly believe that Delta 3200 isRead More →

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Found in a dusty warehouse, based on where the film came from, Sweeden, Lomography promoted their Berlin 400 as an iconic cinematic film. 400-Speed, Black & White, and from East Germany. Well, that certainly narrowed it down to only one film, thankfully it is one that I did have planned to review at a later date, so why not discuss it under the Lomography Brand! The film, if you haven’t already guessed is ORWO N74, which made collecting developing formulas easy. Shooting cinematic film in still cameras is nothing new, at least for me, I still love shooting Double-X for urban work, so getting intoRead More →