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In: Frugal Film Project
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Well it’s the end of the old year and the start of a new one. Which means it’s time to look back at last year’s favourite shots from the Frugal Film Project and look ahead at what I’m doing this year for the project. It’s hard to believe that I’m going into my third year of the project, but I feel I’m hitting the groove and not feeling that I need to do more each month. I’m also glad that I can still continue to run the project and I have some interesting ideas for this year and a camera that breaks the theme fromRead More →

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In: Musings
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Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

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In: Between Darkness & Light
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The local explorer scene called it George’s Funhouse; I’m not sure why or who George is or was, but one thing is for sure, the American Enka company in Lowland, TN, was a lot of fun. While INAAP was a much larger space to explore, it had nothing on the Lowland plant in terms of the amount left and the variety of items left. Lowland offered up everything in a smaller but much more densely packed location, as someone who loved the ample empty space, along with some exciting things to see and read. The American Enka Company traces itself back to the Netherlands andRead More →

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In: Film Review Blogs
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Last year, when Foma announced the release of a new film, I’ll admit, I was immediately interested. What drew me into the film is that it was an orthochromatic film and not sensitive to the red end of the visual spectrum. I’ve worked with these films, notably Ilford Ortho+ and Rollei Ortho 25 plus. The trouble with these is that they are slower films, rated at ASA-80 (or ASA-40) and ASA-25, respectively. I’m not one to shy away from slower films, but it can get rather dull and grey here in Ontario during specific points in the year. So, having an Ortho option rated atRead More →

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In: Frugal Film Project
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In all fairness, McMaster University is an excellent institution but the title came to me as a bit of joke and play on the phrase, Jack of All Trades, Master of None. I honestly had other plans for August’s roll in the Frugal Film Project but due to various scheduling difficulties I found myself in the middle of the month without having shot the roll. Now I usually get the roll done as early as I can so that I have time to develop, scan and write. But life happens, plans change, and I ended up needing to get the roll done. So rather thanRead More →

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In: Film Review Blogs
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This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

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In: Photography
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Back in the Summer of 2013 when APUG was the place to get your online fix of the analogue photography community, I noticed a post in the Toronto local board that there weren’t enough meetups for the film photography community. Which was at the time partly true, sure there had been a couple of FPP/APUG meetups in the area in the past, I had even helped coordinate one in 2011. But there had not been anything since. So I took it upon myself to plan these events, at least four, in a year. The first one dropped in July 2013, had a decent turnout andRead More →

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In: Developer Review Blogs
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When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

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In: Optical Review Blogs
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When I started building my Minolta A-Mount kit, the Maxxum 100/2.8 Macro was not the first choice for a short telephoto lens. Instead, I was more drawn to the 135mm f/2.8 lens, only because Minolta did not have a 105, which has always been my preferred short telephoto prime lens. It wouldn’t be until a Toronto Film Shooters event last year hosted by Burlington Camera that I had the chance to try out the 100mm macro for the first time care of my good friend James McFarlane. While I wasn’t completely sold at that point, I wasn’t completely turned off the lens either. That lovelyRead More →