When it comes to photographing sites connected with the naval actions of the war, it can be complicated. Most of the actions take place out on open water, and many don’t have much to photograph especially in the way of ships as many are long gone. Only one ship from the era exists in its original form while another is a rebuild of the historic ship. But if you know where to look there is plenty of things to photograph when it comes to the capture of the Chesapeake. By the summer of 1813, the spirits of the Royal Navy on the North American stationRead More →

When it comes to game-changing Nikon SLRs, the FA certainly is one of them, and one of a long line of game-changing cameras out of the company. For the FA the change came in the metering system. This was the first camera that featured full matrix metering out of AI and AI-S lenses and full program shooting. The camera accomplishes this by having a small built-in computer storage system that has a selection of scenes and compares the scene in front of the camera and picks the exposure based on one of the scenes in the memory. A smart trick, while not perfect, was theRead More →

This past Tuesday, the Ides of March, is also Expired Film Day. So I figured I would do a post about shooting expired film along with tips/tricks that I’ve come across with shooting old/expired film stocks. While I do a majority of my shooting with fresh film stock there is a certain level of fun and intrigue when shooting with expired film stock. 1. You can Shoot Film that is no longer available fresh. There are plenty of film stocks out there that is new that you can often make behave like well loved film stock in the past but it just never will beRead More →

If there is a single camera out there that most people will associate with professional film photographers, it is the Hasselblad V-System. Designed and built in Sweeden, the Hasselblad is the luxury camera of the medium format market. While the 500c is the original model to use a leaf shutter, it is a good entry point into the Hasselblad system if you can find one at the right price. Thankfully I was able to find a complete setup (lens, finder, back) for a reasonable price, but soon found that there is a certain cost to owning a Hasselblad system. And the fact you can’t justRead More →

When it comes to Nikon, you know most of the cameras in their catalogue, especially their professional offerings. But there are plenty of hidden gems in their camera line as well. Some even have a cult following, I’m thinking of course of their Nikkormat cameras. But what about the Nikon FG? Like many Nikon cameras of the 1980s, it’s often overlooked in favour of the semi-pro FE2/FM2(n) and for a good reason. The FE/FM series attracts a massive following because it followed the original Nikon design ethos of uncompromised industrial design and quality. But the late 1970s and into the 1980s brought a lot ofRead More →

This is a beast of a camera. I mean, I thought that lugging around a 4×5 was crazy; the GX680iii is just nuts. This camera would feel more at home in a studio than in the field. But I often find studio work boring. But as a system camera, it is incredible. A couple of them with excellent Fuji glass on the front, and you have a powerful camera that gives you the flexibility of large format with the convenience of roll film. Special Thanks to James Lee for loaning me the camera for this review twice now. Camera Specifications Make: Fujifilm Model: GX680iii Type:Read More →

Publisher, Parliamentarian, and Traitor, the strange case of Joseph Willcocks started in 1773, born in the Republic of Ireland, at the age of 27 the young man found his way to the town of York in Upper Canada. He soon found employment as the private clerk of the receiver general, Peter Russell, but it would not last, as Russell was not pleased with Willcocks’ advances towards his half-sister. But that did not stop Willcocks, who found another patron quickly in the form of the colony’s chief justice, Henry Allcock and with his influence was appointed to Home District Sheriff. However his views on the landRead More →

I was always iffy about shooting 620 cameras, since when I first got into film photography finding 620 film was difficult, but the cameras were everywhere and many found their way into my collection. And to make matters worse the take up spool was missing. But let’s back up a bit and discuss, exactly what is 620 film? It was a film that was first introduced by Kodak in 1932 and continued being produced until 1995. But here’s a secret, it’s the exact same film stock as 120, same size and same backing paper, but it was the spool that was different. So if youRead More →

I was remiss in posting about this year’s Photostock back in June! As with last year, it was a fantastic time, more so for me this year, as I stayed at the Birchwood to party it up with the group late into the night. Late nights and early mornings. Three things make Photostock great. The Place, the People, and the Community. So the photos I took reflect the first two items, the Place and the People. The third one can be shown in the photos. However, video drives the point home. This group of photographers shoots a wide range of cameras and techniques, yet weRead More →

So after Friday’s winter storm, Saturday dawned bright and clear, so I loaded up three cameras and went to Hamilton. I slowed down my shooting for these shots, one, maybe two, each place I stopped with the Rolleiflex. I carefully looked at each area and pre-visualized what I’d want the final print to look like. Using a Pentax Spotmeter V, I metered for shadows I wanted the most details in, then underexposed by a stop (Putting the shadows in Zone IV), focused, and shot. Then make notes on the exposure. It was like shooting large format (I saw a guy with a 4×5 out andRead More →