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While my tastes in developers do lean towards the more exotic, something is refreshing about a standard baseline developer. In my books, that developer has always been Kodak D-76; these days, you can get the stuff in many different forms from different manufacturers. The first developer review that I wrote was on D-76 and I have since done Ilford’s version, ID-11, and Flic Film’s Classic MQ. It’s no secret that D-76 is one of the team’s favourites at the Film Photograph Project. The idea that you can get results from almost any film stock by using D-76 Stock for six minutes has been promoted byRead More →

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You will have to pry my Rolleiflex from my cold dead hands. But as wonderful as they are to use and the top-notch images, they aren’t the cheapest camera. But the folks at Rollei (Franke & Heidecke) realised that the cost of their cameras put them out of reach of many photographers. Enter the Rolleicord, the low-cost TLR, in the greater Rollei ecosystem, is the lowest tier, with the 2.8 Rolleiflexs at the top, followed by the 3.5 Rolleiflexes next and then Rolleicord. But that doesn’t mean you should turn your nose up at these cameras. While they never reached the same level of technologicalRead More →

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This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

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Within the film photography community, the OM-System, specifically the Zuiko lenses, are held in high regard with good reason. The Olympus OM-1 is a stunning mechanical SLR perfect for beginners, and the sophisticated metering system on the OM-2 is brilliant. Even cameras like the OM-3 and the OM-4 are excellent replacements for the original two. But an entire subset of the OM-System often takes a backseat, the double-digit consumer models. As much a part of the OM-system as the single-digit ones, often holding some of the same technology. One such example is the original consumer model, the OM-10. The OM-10 was on my hit listRead More →

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I love trying out new film developers or new-to-me developers. So a while back I wrote an article on seven film developers that are worth trying. Since then, I’ve tried several more unique developers and have another five options to try something different in your home development experience. And this time, I’ve also included a colour developer. 1 – Kodak D-19 Originally designed for X-Ray Film, Technical Film, and IR Films, Kodak D-19 is a high-contrast developer. But that should not stop you from giving it a try. Because while it is a specialised developer, it works surprisingly well with regular panchromatic films. It alsoRead More →

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Of late, I’ve had a soft spot for consumer-level SLRs. These are excellent options as knock-about cameras that often have the same internals as their professional cousins but in a smaller form factor and can be had for a low cost. The F65 is one of Nikon’s final entry-level SLRs and one of the best options for the era, as it combines form and functions and offers the greatest compatibility. While the F65 only saw production for a short period, its replacements split things into two sub-varients, a lower-spec F55 and a high-spec F75, the features on both are found in the F65. If you’reRead More →

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At the end of last year, Harman/Ilford made a fantastic announcement, their popular budget film, Kentmere, was now available in 120 formats. And it was going to be the least expensive option for medium-format shooters. Kentmere and I go back, and when I first reviewed Kentmere 400, I was not happy with my results. I was downright rude towards the film stock, but looking back at it now, I can see it was not as bad as I thought it was when I first came to review it. Kentmere 100, however, did make an excellent first impression. And since then, I hadn’t thought much aboutRead More →

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When it comes to Ilford developers here in North America, we have access to most of their chemical stocks. But there is one that is a bit of a unicorn, and that is Ilfotec LC29, and I can’t see why! This is a developer that, despite being close to Ilfotec HC, does not produce images in line with what Ilfotec HC produces, and it is far easier to pour than Ilfotec HC! I splashed it a little bit at how easily it flowed. Right from the start, I knew I had a winner here in LC29 and feel bad that it isn’t readily available hereRead More →

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Heading into the big city is a rarity these days between no major events running yet and mainly shooting for review purposes and parenthood. My travel circle is limited these days, not that I’m complaining. But having a random mid-week trip into Toronto with a bit of free time allows me to get out, stretch my legs and camera gear and head out for some enjoyment of the craft. It also helped that I was again shooting for the Embrace the Grain film of the month challenge, which for March was Kentmere 100. So I packed two rolls of film, two cameras, and two lenses.Read More →

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I like to think I have an open mind when it comes to different film stocks, but it’s easier to write that than to practice it. Thankfully thanks to these reviews I’ve found that I have come to like several stocks that I once derided. It would be in that category I will place Kentmere 100. Kentmere, once an independent company saw purchase in 2007 by Harman, and today is manufactured by our friends at Ilford. My first couple experiences were fairly terrible, especially the first and second rolls, but in those cases, I’ll chalk it up to the camera and my own mistake inRead More →